Biografia:
Laura Gibson é uma cantora/compositora folk de Portland, Oregon, porém cresceu em Coquille, Oregon.
Ela atualmente grava para um selo independente chamado, Hush Records. Em 2008, fez turnê pelos EUA abrindo para Colin Meloy.
Trabalhou com muitos outros músicos, incluindo Laura Veirs, Danny Seim e Rachel Blumberg, atual membro da The Decemberists. Gibson também colaborou com The Portland Cello Project.
É também formada na Linfield College.
Read more on Last.fm
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Tabbed for Ultimate-Guitar by rubyrod7
This is a very simplified version of the song. The little riff she does after the C at the end of each
verse going into the Am is as follows:
E|-----------------|
B|-----------------|
G|-----------------|
D|-----------------|
A|-3-2-0-----------|
E|-----------------|
G/F#: 220033
[Verse]
G Em
If these bare walls could sing
C G
They would sing us a funeral song
Em C
Push their wooden words into your mouth
G Em
They would not wish to be
C G
A burden to your tongue
G Em
Would not wish to carry on
C
Too long
[Chorus]
Am Em
With no sorrow
G G/F# Em
Ask no greater pardon
Am
Than the pattern
Em C
Time is carving in your skin
[Verse]
G Em
If these pale bones could sway
C G
They would march to a funeral song
Em C
And pull their milky way across the yard
G Em
They would not wish to keep
C G
You tethered to their arms
G Em C
They would not wish to carry on too far
[Chorus]
Am Em
With no sorrow
G G/F# Em
Ask no greater pardon
Am
Than the pattern
Em C
Time is carving in your skin
[Break]
G, Em, C (2x)
[Verse]
G Em
Well if I could stretch my ears
C G
Into a grand procession
G Em
And circle ‘round your wisdom
C
Like a song
G Em
I would not wish to be
C G
The fire in your belly
G
I would not wish for
Em C
Holding you too long
[Chorus]
Am Em
With no sorrow
G G/F# Em
Ask no greater pardon
Am
Than the pattern
Em C
Time is carving in your skin
[Outro}
C until the song fades out
This is a very simplified version of the song. The little riff she does after the C at the end of each
verse going into the Am is as follows:
E|-----------------|
B|-----------------|
G|-----------------|
D|-----------------|
A|-3-2-0-----------|
E|-----------------|
G/F#: 220033
[Verse]
G Em
If these bare walls could sing
C G
They would sing us a funeral song
Em C
Push their wooden words into your mouth
G Em
They would not wish to be
C G
A burden to your tongue
G Em
Would not wish to carry on
C
Too long
[Chorus]
Am Em
With no sorrow
G G/F# Em
Ask no greater pardon
Am
Than the pattern
Em C
Time is carving in your skin
[Verse]
G Em
If these pale bones could sway
C G
They would march to a funeral song
Em C
And pull their milky way across the yard
G Em
They would not wish to keep
C G
You tethered to their arms
G Em C
They would not wish to carry on too far
[Chorus]
Am Em
With no sorrow
G G/F# Em
Ask no greater pardon
Am
Than the pattern
Em C
Time is carving in your skin
[Break]
G, Em, C (2x)
[Verse]
G Em
Well if I could stretch my ears
C G
Into a grand procession
G Em
And circle ‘round your wisdom
C
Like a song
G Em
I would not wish to be
C G
The fire in your belly
G
I would not wish for
Em C
Holding you too long
[Chorus]
Am Em
With no sorrow
G G/F# Em
Ask no greater pardon
Am
Than the pattern
Em C
Time is carving in your skin
[Outro}
C until the song fades out
Laura Izibor
Laura Jane Grace
Laura Jane Grace (...)
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Laura Lynn