Biografía:
La sombra de tantas otras mujeres, de sus canciones y humor, asoma en la voz de Laura Gibson. Es el poso que dejan los años y los lugares en su especial manera de decir las cosas en If You Come to Greet Me, un trabajo ya publicado hace casi dos años al otro lado del Atlántico, y que ahora, desde Borne Recording, subsello (o mejor, sello paralelo) folky de Acuarela, aparece en una nueva edición junto a un par de extras. Y es que no uno no puede evitar volver la vista sobre estas frases suspendidas entre guitarras
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¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Tabbed for Ultimate-Guitar by rubyrod7
This is a very simplified version of the song. The little riff she does after the C at the end of each
verse going into the Am is as follows:
E|-----------------|
B|-----------------|
G|-----------------|
D|-----------------|
A|-3-2-0-----------|
E|-----------------|
G/F#: 220033
[Verse]
G Em
If these bare walls could sing
C G
They would sing us a funeral song
Em C
Push their wooden words into your mouth
G Em
They would not wish to be
C G
A burden to your tongue
G Em
Would not wish to carry on
C
Too long
[Chorus]
Am Em
With no sorrow
G G/F# Em
Ask no greater pardon
Am
Than the pattern
Em C
Time is carving in your skin
[Verse]
G Em
If these pale bones could sway
C G
They would march to a funeral song
Em C
And pull their milky way across the yard
G Em
They would not wish to keep
C G
You tethered to their arms
G Em C
They would not wish to carry on too far
[Chorus]
Am Em
With no sorrow
G G/F# Em
Ask no greater pardon
Am
Than the pattern
Em C
Time is carving in your skin
[Break]
G, Em, C (2x)
[Verse]
G Em
Well if I could stretch my ears
C G
Into a grand procession
G Em
And circle ‘round your wisdom
C
Like a song
G Em
I would not wish to be
C G
The fire in your belly
G
I would not wish for
Em C
Holding you too long
[Chorus]
Am Em
With no sorrow
G G/F# Em
Ask no greater pardon
Am
Than the pattern
Em C
Time is carving in your skin
[Outro}
C until the song fades out
This is a very simplified version of the song. The little riff she does after the C at the end of each
verse going into the Am is as follows:
E|-----------------|
B|-----------------|
G|-----------------|
D|-----------------|
A|-3-2-0-----------|
E|-----------------|
G/F#: 220033
[Verse]
G Em
If these bare walls could sing
C G
They would sing us a funeral song
Em C
Push their wooden words into your mouth
G Em
They would not wish to be
C G
A burden to your tongue
G Em
Would not wish to carry on
C
Too long
[Chorus]
Am Em
With no sorrow
G G/F# Em
Ask no greater pardon
Am
Than the pattern
Em C
Time is carving in your skin
[Verse]
G Em
If these pale bones could sway
C G
They would march to a funeral song
Em C
And pull their milky way across the yard
G Em
They would not wish to keep
C G
You tethered to their arms
G Em C
They would not wish to carry on too far
[Chorus]
Am Em
With no sorrow
G G/F# Em
Ask no greater pardon
Am
Than the pattern
Em C
Time is carving in your skin
[Break]
G, Em, C (2x)
[Verse]
G Em
Well if I could stretch my ears
C G
Into a grand procession
G Em
And circle ‘round your wisdom
C
Like a song
G Em
I would not wish to be
C G
The fire in your belly
G
I would not wish for
Em C
Holding you too long
[Chorus]
Am Em
With no sorrow
G G/F# Em
Ask no greater pardon
Am
Than the pattern
Em C
Time is carving in your skin
[Outro}
C until the song fades out
Laura Izibor
Laura Jane Grace
Laura Jane Grace (...)
Laura Lo
Laura Lynn