Biografia:
Black Rebel Motorcycle Club, ou B.R.M.C., é uma banda de rock psicodélico de San Francisco, California criada em 1998. Residem atualmente em Los Angeles. A atual formação é Robert Levon Been, Peter Hayes e Leah Shapiro. Nick Jago, antigo bateirista, saiu da banda para dedicar-se a um projeto solo. Suas influências vão desde Johnny Cash, Iggy Pop, The Stooges, The Doors, Sex Pistols e até bandas britânicas dos anos 80, especialmente The Jesus And Mary Chain.
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Outras músicas:
- Aya
- Beat The Devils Tattoo
- Gospel Song
- Howl
- Mercy
- Owl
- Promise
- Shuffle Your Feet
- Spread Your Love
- Still Suspicion Holds You Tight
- Too Real
- Weapon Of Choice
- 20 Hours
- 666 Conducer
- A Fine Way To Lose
- All You Do Is Talk
- Am I Only
- American X
- And Im Aching
- Annabel Lee
- At My Door
- Bad Blood
- Berlin
- Carried From The Start
- Chelsea Hotel
- Cold Wind
- Complicated Situation
- Cool Water
- Devils Waitin
- Dirty Old Town
- Done All Wrong
- Echo
- Evol
- Got No Right
- Half
- Haunt
- Heart And Soul
- I Told You
- King Of Bones
- Let The Day Begin
- Lien On Your Dreams
- Little Thing Gone Wild
- Long Way Down
- Lose Yourself
- Love Burns
- Lullaby
- Mk Ultra
- Ninth Configuration
- Not What You Wanted
- Question Of Faith
- Red Eyes And Tears
- Returning
- Rifles
- River Styx
- Salvation
- Screaming Gun
- Sell It
- Shadows Keeper
- Spook
- Stop
- Suddenly
- Sweet Feeling
- Sympathetic Noose
- The Absent
- The Knife
- The Toll
- Tonights With You
- Us Government
- Waiting Here
- Weight Of The World
- Were All In Love
- Whatever Happened To My Rock N Roll
- White Palms Only The Very End
- Window
- Wishing Well
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
E B A E
I remember you well in the Chelsea Hotel,
E B C#m
you were talking so brave and so sweet,
E B A
giving me head on the unmade bed,
E A B
while the limousines wait in the street.
C#m A
Those were the reasons and that was New York,
E B C#m
we were running for the money and the flesh.
A E
And that was called love for the workers in song
A B
probably still is for those of them left.
Cm A
Ah but you got away, didn't you babe,
E B Cm
you just turned your back on the crowd,
A E
you got away, I never once heard you say,
A E
I need you, I don't need you,
A E
I need you, I don't need you
A C#m B
and all of that jiving around.
E B A E
I remember you well in the Chelsea Hotel
E B C#m
you were famous, your heart was a legend.
E B A E
You told me again you preferred handsome men
A B
but for me you would make an exception.
C#m A
And clenching your fist for the ones like us
E B C#m
who are oppressed by the figures of beauty,
A E
you fixed yourself, you said, "Well never mind,
A B
we are ugly but we have the music."
Cm A
Ah but you got away, didn't you babe,
E B Cm
you just turned your back on the crowd,
A E
you got away, I never once heard you say,
A E
I need you, I don't need you,
A E
I need you, I don't need you
A C#m B
and all of that jiving around.
E B A E
I don't mean to suggest that I loved you the best,
E B C#m
I can't keep track of each fallen robin.
E B A E
I remember you well in the Chelsea Hotel,
A B
that's all, I don't even think of you that often.
I remember you well in the Chelsea Hotel,
E B C#m
you were talking so brave and so sweet,
E B A
giving me head on the unmade bed,
E A B
while the limousines wait in the street.
C#m A
Those were the reasons and that was New York,
E B C#m
we were running for the money and the flesh.
A E
And that was called love for the workers in song
A B
probably still is for those of them left.
Cm A
Ah but you got away, didn't you babe,
E B Cm
you just turned your back on the crowd,
A E
you got away, I never once heard you say,
A E
I need you, I don't need you,
A E
I need you, I don't need you
A C#m B
and all of that jiving around.
E B A E
I remember you well in the Chelsea Hotel
E B C#m
you were famous, your heart was a legend.
E B A E
You told me again you preferred handsome men
A B
but for me you would make an exception.
C#m A
And clenching your fist for the ones like us
E B C#m
who are oppressed by the figures of beauty,
A E
you fixed yourself, you said, "Well never mind,
A B
we are ugly but we have the music."
Cm A
Ah but you got away, didn't you babe,
E B Cm
you just turned your back on the crowd,
A E
you got away, I never once heard you say,
A E
I need you, I don't need you,
A E
I need you, I don't need you
A C#m B
and all of that jiving around.
E B A E
I don't mean to suggest that I loved you the best,
E B C#m
I can't keep track of each fallen robin.
E B A E
I remember you well in the Chelsea Hotel,
A B
that's all, I don't even think of you that often.
Blackbird Raum
Blackfield
Blackhawk
Blackmore's (...)
Blackmores Night