Biografía:
Black Rebel Motorcycle Club son un grupo estadounidense de garage rock y rock alternativo, originario de San Francisco, California pero ahora residentes de Los Angeles.
BRMC, nombre corto con el que son conocidos, se formaron en 1998 tomando su nombre de la pandilla de moticiclistas de la película de Marlon Brando de 1953: "The Wild One". Originalmente tenían el nombre The Elements pero al descubrir que había otro grupo con el mismo nombre decidieron cambiarlo a Black Rebel Motorcycle Club.
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Otras canciones:
- Aya
- Beat The Devils Tattoo
- Gospel Song
- Howl
- Mercy
- Owl
- Promise
- Shuffle Your Feet
- Spread Your Love
- Still Suspicion Holds You Tight
- Too Real
- Weapon Of Choice
- 20 Hours
- 666 Conducer
- A Fine Way To Lose
- All You Do Is Talk
- Am I Only
- American X
- And Im Aching
- Annabel Lee
- At My Door
- Bad Blood
- Berlin
- Carried From The Start
- Chelsea Hotel
- Cold Wind
- Complicated Situation
- Cool Water
- Devils Waitin
- Dirty Old Town
- Done All Wrong
- Echo
- Evol
- Got No Right
- Half
- Haunt
- Heart And Soul
- I Told You
- King Of Bones
- Let The Day Begin
- Lien On Your Dreams
- Little Thing Gone Wild
- Long Way Down
- Lose Yourself
- Love Burns
- Lullaby
- Mk Ultra
- Ninth Configuration
- Not What You Wanted
- Question Of Faith
- Red Eyes And Tears
- Returning
- Rifles
- River Styx
- Salvation
- Screaming Gun
- Sell It
- Shadows Keeper
- Spook
- Stop
- Suddenly
- Sweet Feeling
- Sympathetic Noose
- The Absent
- The Knife
- The Toll
- Tonights With You
- Us Government
- Waiting Here
- Weight Of The World
- Were All In Love
- Whatever Happened To My Rock N Roll
- White Palms Only The Very End
- Window
- Wishing Well
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
E B A E
I remember you well in the Chelsea Hotel,
E B C#m
you were talking so brave and so sweet,
E B A
giving me head on the unmade bed,
E A B
while the limousines wait in the street.
C#m A
Those were the reasons and that was New York,
E B C#m
we were running for the money and the flesh.
A E
And that was called love for the workers in song
A B
probably still is for those of them left.
Cm A
Ah but you got away, didn't you babe,
E B Cm
you just turned your back on the crowd,
A E
you got away, I never once heard you say,
A E
I need you, I don't need you,
A E
I need you, I don't need you
A C#m B
and all of that jiving around.
E B A E
I remember you well in the Chelsea Hotel
E B C#m
you were famous, your heart was a legend.
E B A E
You told me again you preferred handsome men
A B
but for me you would make an exception.
C#m A
And clenching your fist for the ones like us
E B C#m
who are oppressed by the figures of beauty,
A E
you fixed yourself, you said, "Well never mind,
A B
we are ugly but we have the music."
Cm A
Ah but you got away, didn't you babe,
E B Cm
you just turned your back on the crowd,
A E
you got away, I never once heard you say,
A E
I need you, I don't need you,
A E
I need you, I don't need you
A C#m B
and all of that jiving around.
E B A E
I don't mean to suggest that I loved you the best,
E B C#m
I can't keep track of each fallen robin.
E B A E
I remember you well in the Chelsea Hotel,
A B
that's all, I don't even think of you that often.
I remember you well in the Chelsea Hotel,
E B C#m
you were talking so brave and so sweet,
E B A
giving me head on the unmade bed,
E A B
while the limousines wait in the street.
C#m A
Those were the reasons and that was New York,
E B C#m
we were running for the money and the flesh.
A E
And that was called love for the workers in song
A B
probably still is for those of them left.
Cm A
Ah but you got away, didn't you babe,
E B Cm
you just turned your back on the crowd,
A E
you got away, I never once heard you say,
A E
I need you, I don't need you,
A E
I need you, I don't need you
A C#m B
and all of that jiving around.
E B A E
I remember you well in the Chelsea Hotel
E B C#m
you were famous, your heart was a legend.
E B A E
You told me again you preferred handsome men
A B
but for me you would make an exception.
C#m A
And clenching your fist for the ones like us
E B C#m
who are oppressed by the figures of beauty,
A E
you fixed yourself, you said, "Well never mind,
A B
we are ugly but we have the music."
Cm A
Ah but you got away, didn't you babe,
E B Cm
you just turned your back on the crowd,
A E
you got away, I never once heard you say,
A E
I need you, I don't need you,
A E
I need you, I don't need you
A C#m B
and all of that jiving around.
E B A E
I don't mean to suggest that I loved you the best,
E B C#m
I can't keep track of each fallen robin.
E B A E
I remember you well in the Chelsea Hotel,
A B
that's all, I don't even think of you that often.
Blackbird Raum
Blackfield
Blackhawk
Blackmore's (...)
Blackmores Night