Biografia:
Em 1991, depois de ter largado a escola no 1º ano e fazer apenas 6 meses um curso de artes e largá-lo também, Craig Nicholls foi trabalhar no McDonald's. Na época, ele estava com 13/14 anos, e conheceu Patrick Matthews. Ambos compartilhavam do mesmo gosto musical (Nirvana, Beck, Pavement, Suede e Beatles) e resolveram se unir para tocar. Craig na guitarra e nos vocais e Patrick no baixo. Chamaram também David Olliffe, amigo de escola de Patrick para tocar bateria.
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Outras músicas:
- Autumn Shade
- Ms. Jackson
- Possum King
- 19
- 4Ever
- A Girl I Knew
- Aint No Room
- Animal Machine
- Anysound
- Anything You Say
- As 4
- Autumn Shade Ii
- Boy Girl Divide
- Broken Heart
- Clueless
- Country Yard
- Cry
- Darkest Shadow
- Dont Listen To The Radio
- Down At The Club
- Drown The Baptists
- Everything Else
- Factory
- Fly Away
- Funny Thing
- Get Free
- Girl I Want
- Give Up Give Out Give In
- Going Gone
- Gone Wonder
- Good Enough
- Goodbye
- Green Utopia
- Hey
- Highly Evolved
- Homesick
- I Bet You Look Good On The Dancefloor
- Im Only Sleeping
- In Miracle Land
- Into The Fire
- Kara Jayne
- Ladybug
- Leave Me In The Dark
- Love Is Gone
- Mary Jane
- Ms Jackson
- Orange Amber
- Out Of The Loop
- Outtathaway
- Rainfall
- Rave It
- Reincarnation
- Ride
- She Is Gone
- Shes Got Something To Say To Me
- Sky Gazer
- Slightly Alien
- Sun Child
- Sunshinin
- True As The Night
- Truth
- Tv Pro
- Venus Fly Trap
- Vision Valley
- Winning Days
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
"I Bet You Look Good On The Dancefloor"
Intro: C# B F# x2
C# B
Stop making the eyes at me
F#
I'll stop making the eyes at you
C# B F#
What it is that surprises me is that I don't really want you to
C# B
And your shoulders are frozen (as cold as the night)
F#
Oh, but you're an explosion (you're dynamite)
C# B
Your name isn't Rio, but I don't care for sand and lighting
F#
The fuse might result in a bang b-b-bang-go
F# A
I bet that you look good on the dance floor
B
I don't know if you're looking for romance or
F#
Don't know what you're looking for
F# A
Well I bet that you look good on the dance floor
B C#
Dancing to electro-pop like a robot from 1984
From 1984!
C# B F#
I wish you'd stop ignoring me because it's sending me to despair,
C# B F#
Without a sound you're calling me and I don't think it's very fair
C# B
That your shoulders are frozen (as cold as the night)
F#
Oh, but you're an explosion (You're dynamite)
C# B
Your name isn't Rio, but I don't care for sand and lighting
F#
The fuse might result in a bang with a bang-go
F# A
I bet that you look good on the dance floor
B
I don't know if you're looking for romance or
F#
Don't know what you're looking for
F# A
I bet that you look good on the dance floor
B C#
Dancing to electro-pop like a robot from 1984
From 1984!
A E F#
Oh, there ain't no love, no Montagues or Capulets
Are just banging tunes and DJ sets and
A E F#
Dirty dance floors, and dreams of naughtiness
F# A
I bet that you look good on the dance floor
B
Don't know if you're looking for romance or...
F#
Don't know what you're looking for
F# A
I bet that you look good on the dance floor
B C#
Dancing to electro-pop like a robot from 1984
B F#
From 1984!
End
Tabbed By HofnerBass: http://profile.ultimate-guitar.com/HofnerBass/
Intro: C# B F# x2
C# B
Stop making the eyes at me
F#
I'll stop making the eyes at you
C# B F#
What it is that surprises me is that I don't really want you to
C# B
And your shoulders are frozen (as cold as the night)
F#
Oh, but you're an explosion (you're dynamite)
C# B
Your name isn't Rio, but I don't care for sand and lighting
F#
The fuse might result in a bang b-b-bang-go
F# A
I bet that you look good on the dance floor
B
I don't know if you're looking for romance or
F#
Don't know what you're looking for
F# A
Well I bet that you look good on the dance floor
B C#
Dancing to electro-pop like a robot from 1984
From 1984!
C# B F#
I wish you'd stop ignoring me because it's sending me to despair,
C# B F#
Without a sound you're calling me and I don't think it's very fair
C# B
That your shoulders are frozen (as cold as the night)
F#
Oh, but you're an explosion (You're dynamite)
C# B
Your name isn't Rio, but I don't care for sand and lighting
F#
The fuse might result in a bang with a bang-go
F# A
I bet that you look good on the dance floor
B
I don't know if you're looking for romance or
F#
Don't know what you're looking for
F# A
I bet that you look good on the dance floor
B C#
Dancing to electro-pop like a robot from 1984
From 1984!
A E F#
Oh, there ain't no love, no Montagues or Capulets
Are just banging tunes and DJ sets and
A E F#
Dirty dance floors, and dreams of naughtiness
F# A
I bet that you look good on the dance floor
B
Don't know if you're looking for romance or...
F#
Don't know what you're looking for
F# A
I bet that you look good on the dance floor
B C#
Dancing to electro-pop like a robot from 1984
B F#
From 1984!
End
Tabbed By HofnerBass: http://profile.ultimate-guitar.com/HofnerBass/
The Wailin Jenny (...)
The Walters
The Wannadies
The Wanted
The War On Drugs