Biografía:
La versión original de The Vines se encontraba en los suburbios de Sydney, a mediados de los 1990s, donde Craig Nicholls, Patrick Matthews y David Oliffe se encontraron mientras estaban trabajando en un local de McDonald's. Decidieron formar una banda con Nicholls en guitarra y canto, Matthews en el Bajo y canto y Olliffe para la Batería. El grupo tocaba covers de Nirvana en eventos locales, cuando desarrollaron su propio sonido a partir del cuarto tema que Nicholls grabó.
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Otras canciones:
- Autumn Shade
- Ms. Jackson
- Possum King
- 19
- 4Ever
- A Girl I Knew
- Aint No Room
- Animal Machine
- Anysound
- Anything You Say
- As 4
- Autumn Shade Ii
- Boy Girl Divide
- Broken Heart
- Clueless
- Country Yard
- Cry
- Darkest Shadow
- Dont Listen To The Radio
- Down At The Club
- Drown The Baptists
- Everything Else
- Factory
- Fly Away
- Funny Thing
- Get Free
- Girl I Want
- Give Up Give Out Give In
- Going Gone
- Gone Wonder
- Good Enough
- Goodbye
- Green Utopia
- Hey
- Highly Evolved
- Homesick
- I Bet You Look Good On The Dancefloor
- Im Only Sleeping
- In Miracle Land
- Into The Fire
- Kara Jayne
- Ladybug
- Leave Me In The Dark
- Love Is Gone
- Mary Jane
- Ms Jackson
- Orange Amber
- Out Of The Loop
- Outtathaway
- Rainfall
- Rave It
- Reincarnation
- Ride
- She Is Gone
- Shes Got Something To Say To Me
- Sky Gazer
- Slightly Alien
- Sun Child
- Sunshinin
- True As The Night
- Truth
- Tv Pro
- Venus Fly Trap
- Vision Valley
- Winning Days
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
"I Bet You Look Good On The Dancefloor"
Intro: C# B F# x2
C# B
Stop making the eyes at me
F#
I'll stop making the eyes at you
C# B F#
What it is that surprises me is that I don't really want you to
C# B
And your shoulders are frozen (as cold as the night)
F#
Oh, but you're an explosion (you're dynamite)
C# B
Your name isn't Rio, but I don't care for sand and lighting
F#
The fuse might result in a bang b-b-bang-go
F# A
I bet that you look good on the dance floor
B
I don't know if you're looking for romance or
F#
Don't know what you're looking for
F# A
Well I bet that you look good on the dance floor
B C#
Dancing to electro-pop like a robot from 1984
From 1984!
C# B F#
I wish you'd stop ignoring me because it's sending me to despair,
C# B F#
Without a sound you're calling me and I don't think it's very fair
C# B
That your shoulders are frozen (as cold as the night)
F#
Oh, but you're an explosion (You're dynamite)
C# B
Your name isn't Rio, but I don't care for sand and lighting
F#
The fuse might result in a bang with a bang-go
F# A
I bet that you look good on the dance floor
B
I don't know if you're looking for romance or
F#
Don't know what you're looking for
F# A
I bet that you look good on the dance floor
B C#
Dancing to electro-pop like a robot from 1984
From 1984!
A E F#
Oh, there ain't no love, no Montagues or Capulets
Are just banging tunes and DJ sets and
A E F#
Dirty dance floors, and dreams of naughtiness
F# A
I bet that you look good on the dance floor
B
Don't know if you're looking for romance or...
F#
Don't know what you're looking for
F# A
I bet that you look good on the dance floor
B C#
Dancing to electro-pop like a robot from 1984
B F#
From 1984!
End
Tabbed By HofnerBass: http://profile.ultimate-guitar.com/HofnerBass/
Intro: C# B F# x2
C# B
Stop making the eyes at me
F#
I'll stop making the eyes at you
C# B F#
What it is that surprises me is that I don't really want you to
C# B
And your shoulders are frozen (as cold as the night)
F#
Oh, but you're an explosion (you're dynamite)
C# B
Your name isn't Rio, but I don't care for sand and lighting
F#
The fuse might result in a bang b-b-bang-go
F# A
I bet that you look good on the dance floor
B
I don't know if you're looking for romance or
F#
Don't know what you're looking for
F# A
Well I bet that you look good on the dance floor
B C#
Dancing to electro-pop like a robot from 1984
From 1984!
C# B F#
I wish you'd stop ignoring me because it's sending me to despair,
C# B F#
Without a sound you're calling me and I don't think it's very fair
C# B
That your shoulders are frozen (as cold as the night)
F#
Oh, but you're an explosion (You're dynamite)
C# B
Your name isn't Rio, but I don't care for sand and lighting
F#
The fuse might result in a bang with a bang-go
F# A
I bet that you look good on the dance floor
B
I don't know if you're looking for romance or
F#
Don't know what you're looking for
F# A
I bet that you look good on the dance floor
B C#
Dancing to electro-pop like a robot from 1984
From 1984!
A E F#
Oh, there ain't no love, no Montagues or Capulets
Are just banging tunes and DJ sets and
A E F#
Dirty dance floors, and dreams of naughtiness
F# A
I bet that you look good on the dance floor
B
Don't know if you're looking for romance or...
F#
Don't know what you're looking for
F# A
I bet that you look good on the dance floor
B C#
Dancing to electro-pop like a robot from 1984
B F#
From 1984!
End
Tabbed By HofnerBass: http://profile.ultimate-guitar.com/HofnerBass/
The Wailin Jenny (...)
The Walters
The Wannadies
The Wanted
The War On Drugs