Biografia:
Martin Lee Gore é membro fundador e principal compositor do Depeche Mode. Gore começou tocando violão em um duo folk chamado "Norman and The Worms" em sua cidade natal, Basildon, até conhecer Vince Clarke e formar a "Composition of Sound", que também contava com Andy Fletcher no baixo. Nesta banda, Martin optou pelo sintetizador, influenciando os dois outros membros a também optarem pelo instrumento. Após a adição de David Gahan nos vocais e a mudança de nome para "Depeche Mode"
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Outras músicas:
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
[Intro]
B - C#M - F#M - A
[Verse]
B C#M
Charms in limited supply
F#M A
And refusing to stretch
B C#M
That indefinable nothing
F#M A
Somehow keeps pushing you
B C#M
Finding the right words
F#M A
Can be a problem
B C#M
How many times must it be said
F#M
There's no plan
A
It had to happen
[Chorus]
B C#M
Got to move on sometime
F#M
And it's about time
A
By putting one foot in front of another
B
And repeating the process
C#M
Cross over the street
F#M
You're free to change your mind
A
Strength through diversity
B C#M
Couldn't have put it more plainly
F#M A
Got to move on sometime
B C#M
Got to move on sometime
F#M A
Got to move on sometime
[Verse]
B C#M
Charms in limited supply
F#M A
Under threat of extinction
B C#M
That indefinable nothing
F#M A
Somehow motivates you
B C#M
Finding the right words
F#M A
Can be a problem
B C#M
How many times must it be said
F#M
There's no plan
A
It had to happen
[Chorus]
B C#M
Got to move on sometime
F#M
And it's about time
A
By putting one foot in front of another
B
And repeating the process
C#M
Cross over the street
F#M
You're free to change your mind
A
Strength through diversity
B C#M
Couldn't have put it more plainly
F#M A
Got to move on sometime
B C#M
Got to move on sometime
F#M A
Got to move on sometime
[Outro]
B - C#M - F#M - A
B - C#M - F#M - A
[Verse]
B C#M
Charms in limited supply
F#M A
And refusing to stretch
B C#M
That indefinable nothing
F#M A
Somehow keeps pushing you
B C#M
Finding the right words
F#M A
Can be a problem
B C#M
How many times must it be said
F#M
There's no plan
A
It had to happen
[Chorus]
B C#M
Got to move on sometime
F#M
And it's about time
A
By putting one foot in front of another
B
And repeating the process
C#M
Cross over the street
F#M
You're free to change your mind
A
Strength through diversity
B C#M
Couldn't have put it more plainly
F#M A
Got to move on sometime
B C#M
Got to move on sometime
F#M A
Got to move on sometime
[Verse]
B C#M
Charms in limited supply
F#M A
Under threat of extinction
B C#M
That indefinable nothing
F#M A
Somehow motivates you
B C#M
Finding the right words
F#M A
Can be a problem
B C#M
How many times must it be said
F#M
There's no plan
A
It had to happen
[Chorus]
B C#M
Got to move on sometime
F#M
And it's about time
A
By putting one foot in front of another
B
And repeating the process
C#M
Cross over the street
F#M
You're free to change your mind
A
Strength through diversity
B C#M
Couldn't have put it more plainly
F#M A
Got to move on sometime
B C#M
Got to move on sometime
F#M A
Got to move on sometime
[Outro]
B - C#M - F#M - A
Martin Mull
Martin Newell
Martin Norrel
Martin Page
Martin Pearson