Biografia:
O Marillion teve sua origem no início dos anos 80 apresentando-se como o principal representante da nova geração do Rock Progressivo Inglês, já que este estava em decadência desde o aparecimento do Movimento Punk e do New Wave, além do abandono do estilo feito pelas bandas consideradas seus principais "medalhões", como o Genesis, Yes, ELP e Pink Floyd.
O primeiro single da banda, “Market Square Heroes”, misturando elementos de Rock Progressivo setentista
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Outras músicas:
- 80 Days
- A State Of Mind
- Afraid Of Sunlight
- After Me
- Assasing Song
- Beautiful
- Chelsea Monday
- Childhoods End
- Dont Hurt Yourself
- Drilling Holes
- Easter
- Exile On Princes Street
- Garden Party
- He Knows You Know
- Hotel Hobbies
- Its Not Your Fault
- Jester Tear
- Jigsaw
- Kayleigh
- Man Of A Thousand Faces
- Marbles I
- Memory Of Water
- Misplaced Childhood
- Montreal
- Neverland
- Now Shell Never Know
- Number One
- One Fine Day
- Punch And Judy
- Quartz Less Is More
- Real Tears For Sale
- Script For A Jesters Tear
- Slainte Mhath
- Somewhere Else
- Space
- Sugar Mice
- The New Kings
- The Space
- This Is The 21St Century
- This Train Is My Life
- Thousand Faces
- Tux On
- Warm Wet Circles
- When I Meet God
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Date: Fri, 11 Feb 94 11:37:35 MET
From: Stefan
To: [email protected]
Subject: "Script for a jester's tear" by Marillion
Message-ID: <[email protected]>
The following chords have a slightly higher change then most random
sets of chords, at being the right ones for "Script for a jester's
tear" by Marillion. I have serious doubts about many of them, so
remarks are very welcome.
So here I am once [Dm] more
in the playground of the [Bb] broken [C] hearts,
one more ex[Gm]perience, one more [F] entry
in a [Am] diary, self-[Dm]penned.
Yet another emotional [Bb] sui[C]cide,
overdosed on [Am] sentiment and [Dm] pride.
[Cm] Too late to say I [G] love you.
Too [Cm] late to restage the [G] play.
A[Cm]bandoning the [G] relics
in my [D] playground of yester[G]day.
I'm [D] losing on the [A] swings,
I'm [F#m] losing on the [Bm] roundabouts.
I'm [D] losing on the [A] swings,
I'm [F#m] losing on the [Bm] roundabouts.
[D] Too much, too soon,
[A] too far to go,
[F#m7] too late to play, [Bm]
the game is [D]o-[Bm]ver,
the game is [D]o-[Bm]ver.
[D] [A] [F#m] [D] [A] [F#m]
[Bm] [F#sus7] [Bm] [F#sus7] [Bm] [F#sus7]
[Bm] [F#sus7] [G] [A] [G] [F#sus7]
[Bm] [F#sus7] [Bm] [F#sus7] [Bm] [F#sus7]
[Bm] [F#sus7] [G] [A] [G] [F#sus7]
[Bm] Yet [F#sus7] a[Bm]no[F#sus7]ther e[Bm]motio[F#sus7]nal
[Bm] su[F#sus7]i[G]cide [A] [G] [F#sus7]
repeat these chords until you get sick of 'em, or
until you reach...:
...[A] the [G] game [F#sus7] is [Em] over....
I [Em] act the [Bm] role in [F#sus7] classic style [Em]
of a [Em] martyr [Bm] carved with a [F#sus7] twisted smyle [Em]
To [Em] bleed the [Bm] lyrics [F#sus7] for this song [Em]
to [Em] write the [Bm] rites, to [F#sus7] right my wrongs [Em]
An [Am] epi[G]taph to a [F] broken dream [G]
to [Am] exor[G]cise this [F]silent scream [G]
A [Em] scream [Bm] [F#sus7] that's [Em] borne
from [Em] sorrow [Bm] [F#sus7] [Em]
etc....
Promised wedding now a [A] wake [F#m] [E] [B]
[Abm] [A] [F#m] [B]
The [Abm] fool escaped from paradise will look
[A] over his shoulder and cry.
[F#m] Sit and chew on daffodils and
[B] struggle to answer why?
repeat [Abm] [A] [F#m] [B] with just one variation:
..has gone [Abm] solo in the [A] game,
I've gone [D] solo [F#m] in the [B] game.
Stefan Frank ([email protected])
Vrije Universiteit
Amsterdam
The Netherlands
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from top.cs.vu.nl (top.cs.vu.nl [192.31.231.43]) by post-office.nevada.edu (8.6.4/8.6.4) with SMTP id CAA19785 for
Received: by top.cs.vu.nl id aa20760; 11 Feb 94 11:47 MET
Received: from kits.cs.vu.nl by top.cs.vu.nl id aa20513; 11 Feb 94 11:37 MET
Date: Fri, 11 Feb 94 11:37:35 MET
From: Stefan
To: [email protected]
Subject: "Script for a jester's tear" by Marillion
Message-ID: <[email protected]>
The following chords have a slightly higher change then most random
sets of chords, at being the right ones for "Script for a jester's
tear" by Marillion. I have serious doubts about many of them, so
remarks are very welcome.
So here I am once [Dm] more
in the playground of the [Bb] broken [C] hearts,
one more ex[Gm]perience, one more [F] entry
in a [Am] diary, self-[Dm]penned.
Yet another emotional [Bb] sui[C]cide,
overdosed on [Am] sentiment and [Dm] pride.
[Cm] Too late to say I [G] love you.
Too [Cm] late to restage the [G] play.
A[Cm]bandoning the [G] relics
in my [D] playground of yester[G]day.
I'm [D] losing on the [A] swings,
I'm [F#m] losing on the [Bm] roundabouts.
I'm [D] losing on the [A] swings,
I'm [F#m] losing on the [Bm] roundabouts.
[D] Too much, too soon,
[A] too far to go,
[F#m7] too late to play, [Bm]
the game is [D]o-[Bm]ver,
the game is [D]o-[Bm]ver.
[D] [A] [F#m] [D] [A] [F#m]
[Bm] [F#sus7] [Bm] [F#sus7] [Bm] [F#sus7]
[Bm] [F#sus7] [G] [A] [G] [F#sus7]
[Bm] [F#sus7] [Bm] [F#sus7] [Bm] [F#sus7]
[Bm] [F#sus7] [G] [A] [G] [F#sus7]
[Bm] Yet [F#sus7] a[Bm]no[F#sus7]ther e[Bm]motio[F#sus7]nal
[Bm] su[F#sus7]i[G]cide [A] [G] [F#sus7]
repeat these chords until you get sick of 'em, or
until you reach...:
...[A] the [G] game [F#sus7] is [Em] over....
I [Em] act the [Bm] role in [F#sus7] classic style [Em]
of a [Em] martyr [Bm] carved with a [F#sus7] twisted smyle [Em]
To [Em] bleed the [Bm] lyrics [F#sus7] for this song [Em]
to [Em] write the [Bm] rites, to [F#sus7] right my wrongs [Em]
An [Am] epi[G]taph to a [F] broken dream [G]
to [Am] exor[G]cise this [F]silent scream [G]
A [Em] scream [Bm] [F#sus7] that's [Em] borne
from [Em] sorrow [Bm] [F#sus7] [Em]
etc....
Promised wedding now a [A] wake [F#m] [E] [B]
[Abm] [A] [F#m] [B]
The [Abm] fool escaped from paradise will look
[A] over his shoulder and cry.
[F#m] Sit and chew on daffodils and
[B] struggle to answer why?
repeat [Abm] [A] [F#m] [B] with just one variation:
..has gone [Abm] solo in the [A] game,
I've gone [D] solo [F#m] in the [B] game.
Stefan Frank ([email protected])
Vrije Universiteit
Amsterdam
The Netherlands
Marina Kaye
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