Biography:
Marillion are a rock band formed in Aylesbury, England . Their 30-year career is marked by two distinctive phases; the early years fronted by Fish which saw their greatest commercial success, and much longer period fronted by Steve Hogarth in which the band have constantly re-invented themselves so as to continue to be relevant into the 21st century.
The Fish era is often categorized as neo-progressive. They originally started as "Silmarillion"
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Other songs:
- 80 Days
- A State Of Mind
- Afraid Of Sunlight
- After Me
- Assasing Song
- Beautiful
- Chelsea Monday
- Childhoods End
- Dont Hurt Yourself
- Drilling Holes
- Easter
- Exile On Princes Street
- Garden Party
- He Knows You Know
- Hotel Hobbies
- Its Not Your Fault
- Jester Tear
- Jigsaw
- Kayleigh
- Man Of A Thousand Faces
- Marbles I
- Memory Of Water
- Misplaced Childhood
- Montreal
- Neverland
- Now Shell Never Know
- Number One
- One Fine Day
- Punch And Judy
- Quartz Less Is More
- Real Tears For Sale
- Script For A Jesters Tear
- Slainte Mhath
- Somewhere Else
- Space
- Sugar Mice
- The New Kings
- The Space
- This Is The 21St Century
- This Train Is My Life
- Thousand Faces
- Tux On
- Warm Wet Circles
- When I Meet God
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Received: from kits.cs.vu.nl by top.cs.vu.nl id aa20513; 11 Feb 94 11:37 MET
Date: Fri, 11 Feb 94 11:37:35 MET
From: Stefan
To: [email protected]
Subject: "Script for a jester's tear" by Marillion
Message-ID: <[email protected]>
The following chords have a slightly higher change then most random
sets of chords, at being the right ones for "Script for a jester's
tear" by Marillion. I have serious doubts about many of them, so
remarks are very welcome.
So here I am once [Dm] more
in the playground of the [Bb] broken [C] hearts,
one more ex[Gm]perience, one more [F] entry
in a [Am] diary, self-[Dm]penned.
Yet another emotional [Bb] sui[C]cide,
overdosed on [Am] sentiment and [Dm] pride.
[Cm] Too late to say I [G] love you.
Too [Cm] late to restage the [G] play.
A[Cm]bandoning the [G] relics
in my [D] playground of yester[G]day.
I'm [D] losing on the [A] swings,
I'm [F#m] losing on the [Bm] roundabouts.
I'm [D] losing on the [A] swings,
I'm [F#m] losing on the [Bm] roundabouts.
[D] Too much, too soon,
[A] too far to go,
[F#m7] too late to play, [Bm]
the game is [D]o-[Bm]ver,
the game is [D]o-[Bm]ver.
[D] [A] [F#m] [D] [A] [F#m]
[Bm] [F#sus7] [Bm] [F#sus7] [Bm] [F#sus7]
[Bm] [F#sus7] [G] [A] [G] [F#sus7]
[Bm] [F#sus7] [Bm] [F#sus7] [Bm] [F#sus7]
[Bm] [F#sus7] [G] [A] [G] [F#sus7]
[Bm] Yet [F#sus7] a[Bm]no[F#sus7]ther e[Bm]motio[F#sus7]nal
[Bm] su[F#sus7]i[G]cide [A] [G] [F#sus7]
repeat these chords until you get sick of 'em, or
until you reach...:
...[A] the [G] game [F#sus7] is [Em] over....
I [Em] act the [Bm] role in [F#sus7] classic style [Em]
of a [Em] martyr [Bm] carved with a [F#sus7] twisted smyle [Em]
To [Em] bleed the [Bm] lyrics [F#sus7] for this song [Em]
to [Em] write the [Bm] rites, to [F#sus7] right my wrongs [Em]
An [Am] epi[G]taph to a [F] broken dream [G]
to [Am] exor[G]cise this [F]silent scream [G]
A [Em] scream [Bm] [F#sus7] that's [Em] borne
from [Em] sorrow [Bm] [F#sus7] [Em]
etc....
Promised wedding now a [A] wake [F#m] [E] [B]
[Abm] [A] [F#m] [B]
The [Abm] fool escaped from paradise will look
[A] over his shoulder and cry.
[F#m] Sit and chew on daffodils and
[B] struggle to answer why?
repeat [Abm] [A] [F#m] [B] with just one variation:
..has gone [Abm] solo in the [A] game,
I've gone [D] solo [F#m] in the [B] game.
Stefan Frank ([email protected])
Vrije Universiteit
Amsterdam
The Netherlands
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from top.cs.vu.nl (top.cs.vu.nl [192.31.231.43]) by post-office.nevada.edu (8.6.4/8.6.4) with SMTP id CAA19785 for
Received: by top.cs.vu.nl id aa20760; 11 Feb 94 11:47 MET
Received: from kits.cs.vu.nl by top.cs.vu.nl id aa20513; 11 Feb 94 11:37 MET
Date: Fri, 11 Feb 94 11:37:35 MET
From: Stefan
To: [email protected]
Subject: "Script for a jester's tear" by Marillion
Message-ID: <[email protected]>
The following chords have a slightly higher change then most random
sets of chords, at being the right ones for "Script for a jester's
tear" by Marillion. I have serious doubts about many of them, so
remarks are very welcome.
So here I am once [Dm] more
in the playground of the [Bb] broken [C] hearts,
one more ex[Gm]perience, one more [F] entry
in a [Am] diary, self-[Dm]penned.
Yet another emotional [Bb] sui[C]cide,
overdosed on [Am] sentiment and [Dm] pride.
[Cm] Too late to say I [G] love you.
Too [Cm] late to restage the [G] play.
A[Cm]bandoning the [G] relics
in my [D] playground of yester[G]day.
I'm [D] losing on the [A] swings,
I'm [F#m] losing on the [Bm] roundabouts.
I'm [D] losing on the [A] swings,
I'm [F#m] losing on the [Bm] roundabouts.
[D] Too much, too soon,
[A] too far to go,
[F#m7] too late to play, [Bm]
the game is [D]o-[Bm]ver,
the game is [D]o-[Bm]ver.
[D] [A] [F#m] [D] [A] [F#m]
[Bm] [F#sus7] [Bm] [F#sus7] [Bm] [F#sus7]
[Bm] [F#sus7] [G] [A] [G] [F#sus7]
[Bm] [F#sus7] [Bm] [F#sus7] [Bm] [F#sus7]
[Bm] [F#sus7] [G] [A] [G] [F#sus7]
[Bm] Yet [F#sus7] a[Bm]no[F#sus7]ther e[Bm]motio[F#sus7]nal
[Bm] su[F#sus7]i[G]cide [A] [G] [F#sus7]
repeat these chords until you get sick of 'em, or
until you reach...:
...[A] the [G] game [F#sus7] is [Em] over....
I [Em] act the [Bm] role in [F#sus7] classic style [Em]
of a [Em] martyr [Bm] carved with a [F#sus7] twisted smyle [Em]
To [Em] bleed the [Bm] lyrics [F#sus7] for this song [Em]
to [Em] write the [Bm] rites, to [F#sus7] right my wrongs [Em]
An [Am] epi[G]taph to a [F] broken dream [G]
to [Am] exor[G]cise this [F]silent scream [G]
A [Em] scream [Bm] [F#sus7] that's [Em] borne
from [Em] sorrow [Bm] [F#sus7] [Em]
etc....
Promised wedding now a [A] wake [F#m] [E] [B]
[Abm] [A] [F#m] [B]
The [Abm] fool escaped from paradise will look
[A] over his shoulder and cry.
[F#m] Sit and chew on daffodils and
[B] struggle to answer why?
repeat [Abm] [A] [F#m] [B] with just one variation:
..has gone [Abm] solo in the [A] game,
I've gone [D] solo [F#m] in the [B] game.
Stefan Frank ([email protected])
Vrije Universiteit
Amsterdam
The Netherlands
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