Biografia:
O Indigo Girls é composto por Amy Ray e Emily Saliers. Elas se conheceram no playground de uma escola primária em Decatur, Georgia, e têm tocado juntas desde o ensino médio. Foram contratadas pela Epic Records em 1989 e ganharam o Grammy de melhor albúm comtemporâneo folk naquele ano. Algumas de suas músicas são "Galileo", "Closer to Fine," e "Shame on You."
Além de musicistas, Ray e Saliers são ativistas, sempre apoiando campanhas para o controle de armas
Read more on Last.fm
Outras músicas:
- Power of two
- Galileo
- 1 2 3
- Able To Sing
- Airplane
- All That We Let In
- All The Way
- Andy
- Back Together Again
- Ballad Of Squeaky Fromme
- Beauty Queen Sister
- Become You
- Blood And Fire
- Bury My Heart
- Caramia
- Center Stage
- Chickenman
- Closer To Fine
- Cold As Ice
- Cold Beer And Remote Control
- Come A Long Way
- Compromise
- Cordova
- Cortez The Killer
- Crazy Game
- Daddys All Gone
- Dairy Queen
- Damo
- Dead Mans Hill
- Deconstruction
- Devotion
- Digging For Your Dream
- Dirt And Dead Ends
- Dont Give That Girl A Gun
- Driver Education
- Elizabeth
- Everybodys Waiting
- Everything In Its Own Time
- Faye Tucker
- Fishtails
- Fleet Of Hope
- Fly Away
- Free In You
- Fugitive
- Get Out The Map
- Ghost
- Ghost Of The Gang
- Go
- Gone Again
- Happy In The Sorrow Key
- Heartache For Everyone
- Hey Jesus
- High Horse
- I Believe In Love
- I Dont Wanna Know
- I Dont Want To Talk
- I Dont Want To Talk About It
- Ill Change
- It Wont Take Long
- Its Alright
- John
- Joking
- Kid Fears
- Language Or The Kiss
- Last Tears
- Lay My Head Down
- Least Complicated
- Leaving
- Leeds
- Left Me A Fool
- Let It Be Me
- Let Me Go Easy
- Little Perennials
- Love Of Our Lives
- Love Of The Common People
- Love Will Come To You
- Loves Recovery
- Midnight Train To Georgia
- Moment Of Forgiveness
- Mona Lisas And Mad Hatters
- Money Made You Mean
- Mystery
- Nashville
- Never Stop
- No Way To Treat A Friend
- Olympia Inn
- Our Deliverance
- Ozilline
- Peace Tonight
- Pendulum Swinger
- Prince Of Darkness
- Rise Of The Black Messiah
- Rise Up
- River
- Rock And Roll Heavens Gate
- Romeo And Juliet
- Salty South
- Scooter Boys
- Second Time Around
- Secure Yourself
- Shame On You
- Share The Moon
- Shed Your Skin
- Shes Saving Me
- Sister
- Something Real
- Soon Be To Nothing
- Southland In The Springtime
- Spread The Pain Around
- Starkville
- Strange Fire
- Sugar Tongue
- Tether
- The Untitled Song
- The Water Is Wide
- The Wood Song
- Thin Line
- This Train Revised
- Three County Highway
- Three Hits
- Touch Me Fall
- Tried To Be True
- True Romantic
- Walk Away
- War Rugs
- We Get To Feel It All
- Welcome Me
- What Are You Like
- Wood Song
- World Falls
- Yoke
- You Left It Up To Me
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Wed, 17 Jan 1996 15:27:39 -0600 (CST)
From: Casey Connor
Subject: CRD: Bury My Heart at Wounded Knee as done by Indigo Girls
Bury My Heart At Wounded Knee
W&M by Buffy St. Marie,
as covered by the Indigo Girls.
Another four-chord song transcribed by guitar GOD [email protected],
with help with the words from indigo-girls listmembers.
-------------------
"Emily": (sing freely)
D A
Indian Legislation's on the desk of a do-right congressman
D G
But he don't know much about the issues so he
A
picks up the phone and asks the advice of the
D Bm
senator out in Indian Country, a
G A
darling of the energy companies
Bm G A
They're ripping off what's left of the reservation
"Amy": (with more rhythm)
A Bm
I learned this safety rule I don't know who to thank
A F#m Bm
don't stand between the reservation and the corporate bank
A F#m Bm
They're sendin federal tanks, it isn't nice, but it's reality
Chorus:
(no chord) D C G
Bury My Heart at Wounded Knee
D C G
I said deep in the earth
D C G
Won't you cover me with your pretty lies
D C G
Bury My Heart at Wounded Knee
A Bm
They got these energy companies they're tryin to steal our land
(or: who want to take our land)
A F#m Bm
They got churches by the dozen tryin to guide our hand
A (F#m?) Bm
and turn our mother earth over to pollution war and greed
Get rich, get rich quick
CHORUS (With echoing BMHAWK's?)
"Jerry Marotta":
We've got the federal books, we've got the covert spies
(or: federal marshals)
They got the liars by fire they got the FBI
They go to court and get nailed and still Leonard Peltier goes off to jail
The bullets didn't match the gun
CHORUS (With echoing BMHAWK's - "Bury my heart at Wounded Knee; It was an
eigth of the reservation; It was transferred in secret; You got your
murdering heart and intimidation; Bury My Heart At Wounded Knee")
(or: you got your murder and intimidation, etc...)
We're talking about a revolution
My girlfriend Anna May, she talked about Uranium
Her head was full of bullets and her body dumped
The FBI cut off her hands and told us she died of exposure
CHORUS
Bury me Bury me
We had the gold rush wars, why didn't we learn to crawl?
And now our history gets written in a liar's scrawl.
They tell me
[No Chord]
Honey you can still be an Indian, I mean, you know, wear those little
moccasins and play those bingo games down at the Y on a Saturday night.
("Bullshit", except I think Amy says "Right" on CompG's)
And they should...
CHORUS ("...You're going to cover me with your pretty lies...")
CHORUS ("...It's an eigth...etc...heart and intimidation...")
'Bury my heart' repeated at end.
First voice stays on low D, second does "Bur" and "heart" on F and "y my" on
E, third does "Bur" and "heart" on A and "y my" on G, and a last voice
can do the high D for "Bur" and "heart" and C for "y my" so it's:
Dm C/D Dm
Bur y My Heart
repeated over and over again. This is pretty much a guess and may be an
approxiamtion of the actual sining or may embellish it. Whatever. You
might try tuning the low E to D and playing the normal D and then C
chords over it with the open bass string allowed to ring.
Notes: For the verse, I think the F#m's are sometimes there and sometimes
not. And listen to the recording for the syncopated strumming pattern.
It's kooky.
_
|_ A s E y
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Wed, 17 Jan 1996 15:27:39 -0600 (CST)
From: Casey Connor
Subject: CRD: Bury My Heart at Wounded Knee as done by Indigo Girls
Bury My Heart At Wounded Knee
W&M by Buffy St. Marie,
as covered by the Indigo Girls.
Another four-chord song transcribed by guitar GOD [email protected],
with help with the words from indigo-girls listmembers.
-------------------
"Emily": (sing freely)
D A
Indian Legislation's on the desk of a do-right congressman
D G
But he don't know much about the issues so he
A
picks up the phone and asks the advice of the
D Bm
senator out in Indian Country, a
G A
darling of the energy companies
Bm G A
They're ripping off what's left of the reservation
"Amy": (with more rhythm)
A Bm
I learned this safety rule I don't know who to thank
A F#m Bm
don't stand between the reservation and the corporate bank
A F#m Bm
They're sendin federal tanks, it isn't nice, but it's reality
Chorus:
(no chord) D C G
Bury My Heart at Wounded Knee
D C G
I said deep in the earth
D C G
Won't you cover me with your pretty lies
D C G
Bury My Heart at Wounded Knee
A Bm
They got these energy companies they're tryin to steal our land
(or: who want to take our land)
A F#m Bm
They got churches by the dozen tryin to guide our hand
A (F#m?) Bm
and turn our mother earth over to pollution war and greed
Get rich, get rich quick
CHORUS (With echoing BMHAWK's?)
"Jerry Marotta":
We've got the federal books, we've got the covert spies
(or: federal marshals)
They got the liars by fire they got the FBI
They go to court and get nailed and still Leonard Peltier goes off to jail
The bullets didn't match the gun
CHORUS (With echoing BMHAWK's - "Bury my heart at Wounded Knee; It was an
eigth of the reservation; It was transferred in secret; You got your
murdering heart and intimidation; Bury My Heart At Wounded Knee")
(or: you got your murder and intimidation, etc...)
We're talking about a revolution
My girlfriend Anna May, she talked about Uranium
Her head was full of bullets and her body dumped
The FBI cut off her hands and told us she died of exposure
CHORUS
Bury me Bury me
We had the gold rush wars, why didn't we learn to crawl?
And now our history gets written in a liar's scrawl.
They tell me
[No Chord]
Honey you can still be an Indian, I mean, you know, wear those little
moccasins and play those bingo games down at the Y on a Saturday night.
("Bullshit", except I think Amy says "Right" on CompG's)
And they should...
CHORUS ("...You're going to cover me with your pretty lies...")
CHORUS ("...It's an eigth...etc...heart and intimidation...")
'Bury my heart' repeated at end.
First voice stays on low D, second does "Bur" and "heart" on F and "y my" on
E, third does "Bur" and "heart" on A and "y my" on G, and a last voice
can do the high D for "Bur" and "heart" and C for "y my" so it's:
Dm C/D Dm
Bur y My Heart
repeated over and over again. This is pretty much a guess and may be an
approxiamtion of the actual sining or may embellish it. Whatever. You
might try tuning the low E to D and playing the normal D and then C
chords over it with the open bass string allowed to ring.
Notes: For the verse, I think the F#m's are sometimes there and sometimes
not. And listen to the recording for the syncopated strumming pattern.
It's kooky.
_
|_ A s E y
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