Biografia:
O Indigo Girls é composto por Amy Ray e Emily Saliers. Elas se conheceram no playground de uma escola primária em Decatur, Georgia, e têm tocado juntas desde o ensino médio. Foram contratadas pela Epic Records em 1989 e ganharam o Grammy de melhor albúm comtemporâneo folk naquele ano. Algumas de suas músicas são "Galileo", "Closer to Fine," e "Shame on You."
Além de musicistas, Ray e Saliers são ativistas, sempre apoiando campanhas para o controle de armas
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Outras músicas:
- Power of two
- Galileo
- 1 2 3
- Able To Sing
- Airplane
- All That We Let In
- All The Way
- Andy
- Back Together Again
- Ballad Of Squeaky Fromme
- Beauty Queen Sister
- Become You
- Blood And Fire
- Bury My Heart
- Caramia
- Center Stage
- Chickenman
- Closer To Fine
- Cold As Ice
- Cold Beer And Remote Control
- Come A Long Way
- Compromise
- Cordova
- Cortez The Killer
- Crazy Game
- Daddys All Gone
- Dairy Queen
- Damo
- Dead Mans Hill
- Deconstruction
- Devotion
- Digging For Your Dream
- Dirt And Dead Ends
- Dont Give That Girl A Gun
- Driver Education
- Elizabeth
- Everybodys Waiting
- Everything In Its Own Time
- Faye Tucker
- Fishtails
- Fleet Of Hope
- Fly Away
- Free In You
- Fugitive
- Get Out The Map
- Ghost
- Ghost Of The Gang
- Go
- Gone Again
- Happy In The Sorrow Key
- Heartache For Everyone
- Hey Jesus
- High Horse
- I Believe In Love
- I Dont Wanna Know
- I Dont Want To Talk
- I Dont Want To Talk About It
- Ill Change
- It Wont Take Long
- Its Alright
- John
- Joking
- Kid Fears
- Language Or The Kiss
- Last Tears
- Lay My Head Down
- Least Complicated
- Leaving
- Leeds
- Left Me A Fool
- Let It Be Me
- Let Me Go Easy
- Little Perennials
- Love Of Our Lives
- Love Of The Common People
- Love Will Come To You
- Loves Recovery
- Midnight Train To Georgia
- Moment Of Forgiveness
- Mona Lisas And Mad Hatters
- Money Made You Mean
- Mystery
- Nashville
- Never Stop
- No Way To Treat A Friend
- Olympia Inn
- Our Deliverance
- Ozilline
- Peace Tonight
- Pendulum Swinger
- Prince Of Darkness
- Rise Of The Black Messiah
- Rise Up
- River
- Rock And Roll Heavens Gate
- Romeo And Juliet
- Salty South
- Scooter Boys
- Second Time Around
- Secure Yourself
- Shame On You
- Share The Moon
- Shed Your Skin
- Shes Saving Me
- Sister
- Something Real
- Soon Be To Nothing
- Southland In The Springtime
- Spread The Pain Around
- Starkville
- Strange Fire
- Sugar Tongue
- Tether
- The Untitled Song
- The Water Is Wide
- The Wood Song
- Thin Line
- This Train Revised
- Three County Highway
- Three Hits
- Touch Me Fall
- Tried To Be True
- True Romantic
- Walk Away
- War Rugs
- We Get To Feel It All
- Welcome Me
- What Are You Like
- Wood Song
- World Falls
- Yoke
- You Left It Up To Me
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
NEVER STOP (Emily Sailers)
--------------------------
[Actually in E; capo 4.]
[Each chord is half a measure, except chords joined by a hyphen
(E.G., "F - Fsus" are A half-measure _total_.]
[C* is a double hammer-on from x30000 to x32010.]
[I'm fairly uncertain about a lot of these chords; suggestions are welcome.
Use whatever fingerings work for you, although I will note that they don't
use the high E string much, except in the G in the intro (320003) and the
Cmaj7 in the bridge (x32003).]
C G C* G Fsus F-Fsus-F F Bb - B
[intro]
C G C* G Fsus F-Fsus-F F Bb - B
[intro]
C G C* G
You say she's a very good friend
Fsus Fsus F F
Circumstances I should understand
C G C* G
But like recurring tide she comes on to you
Fsus Fsus
And looks as though she's looking for a man
Esus E Am7 Am7
Honey, don't make yourself so available
Abm Gm Fmaj7 Fmaj7 Fm [hold]
My pride's in my pocket, but I can be reasonable
G G Am Am
Still, all in all, I foresee my own fall
G G - F# F G C G C* G Fsus F-Fsus-F F Bb-B
But I've climbed too far to drop, so stop [repeat intro chords]
I know it's your ego puts the smile on your face
Because you know you got your options open
She's a beguiling snake, and she'll keep what she takes
When she leaves you, I'll be the one coping
Honey, don't make yourself so available
My pride's in my pocket, but I can be reasonable
G G Am7 Am7
Still, through and through I can see clean through you
G G - F# F G C C C7 C7
I know you like to be the one on top, but stop
Fmaj7 Fmaj7 Cmaj7 Cmaj7
You will miss my conversation
F G C - Csus C
When you're talking to yourself
Am Am
You'll be thumbing for advice through the
Em E7 Am
Pages of the novels on your shelf
Am Abm Gm Fmaj7 Fmaj7 Fm [hold]
Honey, don't you see our love together is the very best bet
Put your focus on me and I'll forgive and forget
Throw away your hidden ace, you clever man; take my hand
Well you needn't play the part of your image
This is not a one act play we're living
As long as I'm here the situation is clear
It'll be fifty/fifty take and giving
Honey don't you see a lifetime's not much to ask
Take off your costume and remove your mask
If yes is what you will say, we're gonna start from today
Gonna take it to the very top; never stop
- Adam Schneider, [email protected]
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
NEVER STOP (Emily Sailers)
--------------------------
[Actually in E; capo 4.]
[Each chord is half a measure, except chords joined by a hyphen
(E.G., "F - Fsus" are A half-measure _total_.]
[C* is a double hammer-on from x30000 to x32010.]
[I'm fairly uncertain about a lot of these chords; suggestions are welcome.
Use whatever fingerings work for you, although I will note that they don't
use the high E string much, except in the G in the intro (320003) and the
Cmaj7 in the bridge (x32003).]
C G C* G Fsus F-Fsus-F F Bb - B
[intro]
C G C* G Fsus F-Fsus-F F Bb - B
[intro]
C G C* G
You say she's a very good friend
Fsus Fsus F F
Circumstances I should understand
C G C* G
But like recurring tide she comes on to you
Fsus Fsus
And looks as though she's looking for a man
Esus E Am7 Am7
Honey, don't make yourself so available
Abm Gm Fmaj7 Fmaj7 Fm [hold]
My pride's in my pocket, but I can be reasonable
G G Am Am
Still, all in all, I foresee my own fall
G G - F# F G C G C* G Fsus F-Fsus-F F Bb-B
But I've climbed too far to drop, so stop [repeat intro chords]
I know it's your ego puts the smile on your face
Because you know you got your options open
She's a beguiling snake, and she'll keep what she takes
When she leaves you, I'll be the one coping
Honey, don't make yourself so available
My pride's in my pocket, but I can be reasonable
G G Am7 Am7
Still, through and through I can see clean through you
G G - F# F G C C C7 C7
I know you like to be the one on top, but stop
Fmaj7 Fmaj7 Cmaj7 Cmaj7
You will miss my conversation
F G C - Csus C
When you're talking to yourself
Am Am
You'll be thumbing for advice through the
Em E7 Am
Pages of the novels on your shelf
Am Abm Gm Fmaj7 Fmaj7 Fm [hold]
Honey, don't you see our love together is the very best bet
Put your focus on me and I'll forgive and forget
Throw away your hidden ace, you clever man; take my hand
Well you needn't play the part of your image
This is not a one act play we're living
As long as I'm here the situation is clear
It'll be fifty/fifty take and giving
Honey don't you see a lifetime's not much to ask
Take off your costume and remove your mask
If yes is what you will say, we're gonna start from today
Gonna take it to the very top; never stop
- Adam Schneider, [email protected]
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