Biografía:
La banda liderada por Will Sheff, compositor que lleva varios años recibiendo muy buenas críticas por esas composiciones en las que brillan por igual el country alternativo y el indie-rock guitarrero, pretende conseguir lo que desde hace tiempo lleva buscando: un puesto de honor en la escena independiente internacional.
Se les ha comparado con Bright Eyes y su música evoca muy diferentes sensaciones, dependiendo de la garra que impregne cada una de las canciones de este The Stage Names, su mejor trabajo hasta el momento.
Read more on Last.fm
Otras canciones:
- A Favor (guitar Solo)
- A Stone
- Lost Coastlines
- Maine Island Lovers
- Our Life Is Not A Movie Or Maybe
- Plus Ones
- Song Of Our So-called Friend
- Westfall
- A Girl In Port
- A Glow
- A Hand To Take Hold Of The Scene
- A King And A Queen
- All The Time Everyday
- Another Radio Song
- Auntie Alice
- Black
- Black Nemo
- Black Sheep Boy
- Blanket And Crib
- Blue Tulip
- Bruce Wayne Campbell Interviewed On The Roof Of The Chelsea Hotel 1979
- Calling And Not Calling My Ex
- Comes Indiana Through The Smoke
- Dead Faces
- Do What You Gotta Do
- Dont Move Back To La
- Down Down The Deep River
- Famous Tracheotomies
- For Real
- For The Enemy
- From A Cutlass Cruiser
- Get Big
- Hanging From A Hit
- Happy Hearts
- It Ends With A Fall
- It Was My Season
- John Allyn Smith Sails
- Kansas City
- Lady Liberty
- Lay Of The Last Survivor
- Lido Pier Suicide Car
- Lines
- Listening To Otis Redding At Home During Christmas
- Love To A Monster
- Mary On A Wave
- No Hidden Track
- No Key No Plan
- Oh Precious
- Okkervil River Rip
- Okkervil River Song
- On A Balcony
- On Tour With Zykos
- Pink Slips
- Piratess
- Pop Lie
- Presidents Dead
- Red
- Rider
- Seas Too Far To Reach
- She Would Look For Me
- Simon Smith And The Amazing Dancing Bear
- Singer Songwriter
- So Come Back I Am Waiting
- Song About A Star
- Song Of Our So
- Starry Stairs
- The Industry
- The Latest Toughs
- The Next Four Months
- The Rise
- The Valley
- The War Criminal Rises And Speaks
- Title Track
- Unless Its Kicks
- Wake And Be Fine
- We Need A Myth
- Where The Spirit Left Us
- White
- White Shadow Waltz
- Yellow
- You Cant Hold The Hand Of A Rock And Roll Man
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Okkervil River - Song of Our So-Called Friend
Tabbed by Dan Elstone
Okkervil River: http://www.jound.com/okkervil/
Standard Tuning Capo on 5th Fret
E F#
Remember when our so-called friend would not call out to
C#m
you while tumbling loosely out a hole punched through your
A
home?
E F#
It’s pretty clear, though you could hear, you truly finally
C#m
knew in time, he’ll tell his tale the way he’d like it
A
told.
C#m A
Now he isn’t on the phone,
F# A
his story might as well be so.
E F#
Well, loving is as loving does, and I’d say we should know,
C#m A
because we both have loved, and lost, and are alone.
E F#
Your face’s falling tears, to me they’re lovely and they’re
C#m
dear, though you don’t love me and it’s clear that I will
A
never see you in my arms.
C#m A
There’s no room in your heart
F# A
for even this finely-sharpened dart;
E F# A
although I had started to think there might be hope, it
E
isn’t so.
E, F#, C#m, A 2x
Bridge:
C#m F# A E
So wake up, make up some new song again around the same tune.
C#m F#
The water cools, the leaves they fall, the sun it bends,
A E
the summer ends; our so-called friend doesn’t need you.
E F#
So proceed out the door and down the street. December’s
C#m
lying near, but in the oven’s heat this house is now a
A
home.
E F#
Sixty days of trips and stays you took to tell me, dear,
C#m A
that you cannot love me because you secretly still love a stone.
C#m A
Although I put my lips to your face,
F# A
trying to push his kiss out of its place,
E F# A
although my heart started to race, now it has slowed,
E
I’ll let it go.
E, F#, C#m, A
Tabbed by Dan Elstone
Okkervil River: http://www.jound.com/okkervil/
Standard Tuning Capo on 5th Fret
E F#
Remember when our so-called friend would not call out to
C#m
you while tumbling loosely out a hole punched through your
A
home?
E F#
It’s pretty clear, though you could hear, you truly finally
C#m
knew in time, he’ll tell his tale the way he’d like it
A
told.
C#m A
Now he isn’t on the phone,
F# A
his story might as well be so.
E F#
Well, loving is as loving does, and I’d say we should know,
C#m A
because we both have loved, and lost, and are alone.
E F#
Your face’s falling tears, to me they’re lovely and they’re
C#m
dear, though you don’t love me and it’s clear that I will
A
never see you in my arms.
C#m A
There’s no room in your heart
F# A
for even this finely-sharpened dart;
E F# A
although I had started to think there might be hope, it
E
isn’t so.
E, F#, C#m, A 2x
Bridge:
C#m F# A E
So wake up, make up some new song again around the same tune.
C#m F#
The water cools, the leaves they fall, the sun it bends,
A E
the summer ends; our so-called friend doesn’t need you.
E F#
So proceed out the door and down the street. December’s
C#m
lying near, but in the oven’s heat this house is now a
A
home.
E F#
Sixty days of trips and stays you took to tell me, dear,
C#m A
that you cannot love me because you secretly still love a stone.
C#m A
Although I put my lips to your face,
F# A
trying to push his kiss out of its place,
E F# A
although my heart started to race, now it has slowed,
E
I’ll let it go.
E, F#, C#m, A
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