Biografía:
La banda liderada por Will Sheff, compositor que lleva varios años recibiendo muy buenas críticas por esas composiciones en las que brillan por igual el country alternativo y el indie-rock guitarrero, pretende conseguir lo que desde hace tiempo lleva buscando: un puesto de honor en la escena independiente internacional.
Se les ha comparado con Bright Eyes y su música evoca muy diferentes sensaciones, dependiendo de la garra que impregne cada una de las canciones de este The Stage Names, su mejor trabajo hasta el momento.
Read more on Last.fm
Otras canciones:
- A Favor (guitar Solo)
- A Stone
- Lost Coastlines
- Maine Island Lovers
- Our Life Is Not A Movie Or Maybe
- Plus Ones
- Song Of Our So-called Friend
- Westfall
- A Girl In Port
- A Glow
- A Hand To Take Hold Of The Scene
- A King And A Queen
- All The Time Everyday
- Another Radio Song
- Auntie Alice
- Black
- Black Nemo
- Black Sheep Boy
- Blanket And Crib
- Blue Tulip
- Bruce Wayne Campbell Interviewed On The Roof Of The Chelsea Hotel 1979
- Calling And Not Calling My Ex
- Comes Indiana Through The Smoke
- Dead Faces
- Do What You Gotta Do
- Dont Move Back To La
- Down Down The Deep River
- Famous Tracheotomies
- For Real
- For The Enemy
- From A Cutlass Cruiser
- Get Big
- Hanging From A Hit
- Happy Hearts
- It Ends With A Fall
- It Was My Season
- John Allyn Smith Sails
- Kansas City
- Lady Liberty
- Lay Of The Last Survivor
- Lido Pier Suicide Car
- Lines
- Listening To Otis Redding At Home During Christmas
- Love To A Monster
- Mary On A Wave
- No Hidden Track
- No Key No Plan
- Oh Precious
- Okkervil River Rip
- Okkervil River Song
- On A Balcony
- On Tour With Zykos
- Pink Slips
- Piratess
- Pop Lie
- Presidents Dead
- Red
- Rider
- Seas Too Far To Reach
- She Would Look For Me
- Simon Smith And The Amazing Dancing Bear
- Singer Songwriter
- So Come Back I Am Waiting
- Song About A Star
- Song Of Our So
- Starry Stairs
- The Industry
- The Latest Toughs
- The Next Four Months
- The Rise
- The Valley
- The War Criminal Rises And Speaks
- Title Track
- Unless Its Kicks
- Wake And Be Fine
- We Need A Myth
- Where The Spirit Left Us
- White
- White Shadow Waltz
- Yellow
- You Cant Hold The Hand Of A Rock And Roll Man
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Here's chords and lyrics. Enjoy!
Intro: (use these chords during verses, you can hit the F#m & E an octave
lower for the chorus for a good sound)
D A E
e|----5-------5-------7----7-9-10s12--|
B|----7-5h7-5-5-5h7-5-9-10------------|
G|----7-------6-------9---------------| x3
D|----7-------7-------9---------------|
A|----5-------7-------7---------------|
E|----5-------5-------7---------------|
F#m
e|----5-------5-------9------7--------|
B|----7-5h7-5-5-5h7-5-10-----9--------|
G|----7-------6-------11-----9--------|
D|----7-------7-------11-----9--------|
A|----5-------7-------9------7--------|
E|----5-------5-------9------7--------|
Verse:
A F#m
I’m coming into your town.
E A
Night is falling to the ground,
F#m E D
but I can still see where you loved yourself
A D
before he tore it all down. April 12th,
A D
with nobody else around; you were outside the house
E F#m
(where’s your mother?),
E A F#m
when he put you in the car,
E A
when he took you down the road.
F#m E D
And I can still see where it was open,
A D
the door he slammed closed. It was open,
A D E
the door he slammed closed. It was open, long ago.
Chorus:
A E F#m
But don’t lose me now, don’t lose me now.
D A
Though I know that I’m not useful anyhow,
F#m E
just let me stick around
A E
while I tell you, like before,
F#m D A
you should say his name the way that he said yours.
F#m E
But you don't want to say his name anymore. Oh, Cynda Moore.
Intro
F#m E A
Baby daughter on the road,
F#m E A
you’re wrapped up warm in daddy’s coat.
F#m E D
And I can still see the cigarette’s heat.
A D
I can’t believe all that you're telling me,
A D
what is cutting like the smoke through your teeth
E
as you’re telling me “forget it.”
F#m E A
But if I could tear his throat,
F#m E A
and spill his blood between my jaws,
F#m E
and erase his name out for good,
D
don’t you know that I would?
A
Don't you realize that I wouldn’t pause,
D A
that I would cut him down with my claws
D E
if I could have somehow never let that happen?
A E
Or I’d call, some black midnight,
F#m D A
fuck up his new life where they don’t know what he did,
F#m E
tell his brand-new wife and his second kid.
A E
Though I tell you, like before,
F#m D A
that you should wreck his life the way that he wrecked yours,
F#m E
you want no part of his life anymore.
Oh Cynda Moore,
Intro
A E F#m
don’t lose me now, let me help you out.
D A
Though I know that I can’t help anyhow,
F#m E
when I watch you I’m proud.
A E
When I tell you twice before
F#m D A
that you should wreck his life the way that he wrecked yours,
F#m E
you want no part of his life anymore.
D A E
oh Cynda Mo - ore.
D A E
And it’ll never be the way it was before,
D A E
but I wish that you would let me through that door.
D A E (or Intro bit)
end on E
Take Care.
Intro: (use these chords during verses, you can hit the F#m & E an octave
lower for the chorus for a good sound)
D A E
e|----5-------5-------7----7-9-10s12--|
B|----7-5h7-5-5-5h7-5-9-10------------|
G|----7-------6-------9---------------| x3
D|----7-------7-------9---------------|
A|----5-------7-------7---------------|
E|----5-------5-------7---------------|
F#m
e|----5-------5-------9------7--------|
B|----7-5h7-5-5-5h7-5-10-----9--------|
G|----7-------6-------11-----9--------|
D|----7-------7-------11-----9--------|
A|----5-------7-------9------7--------|
E|----5-------5-------9------7--------|
Verse:
A F#m
I’m coming into your town.
E A
Night is falling to the ground,
F#m E D
but I can still see where you loved yourself
A D
before he tore it all down. April 12th,
A D
with nobody else around; you were outside the house
E F#m
(where’s your mother?),
E A F#m
when he put you in the car,
E A
when he took you down the road.
F#m E D
And I can still see where it was open,
A D
the door he slammed closed. It was open,
A D E
the door he slammed closed. It was open, long ago.
Chorus:
A E F#m
But don’t lose me now, don’t lose me now.
D A
Though I know that I’m not useful anyhow,
F#m E
just let me stick around
A E
while I tell you, like before,
F#m D A
you should say his name the way that he said yours.
F#m E
But you don't want to say his name anymore. Oh, Cynda Moore.
Intro
F#m E A
Baby daughter on the road,
F#m E A
you’re wrapped up warm in daddy’s coat.
F#m E D
And I can still see the cigarette’s heat.
A D
I can’t believe all that you're telling me,
A D
what is cutting like the smoke through your teeth
E
as you’re telling me “forget it.”
F#m E A
But if I could tear his throat,
F#m E A
and spill his blood between my jaws,
F#m E
and erase his name out for good,
D
don’t you know that I would?
A
Don't you realize that I wouldn’t pause,
D A
that I would cut him down with my claws
D E
if I could have somehow never let that happen?
A E
Or I’d call, some black midnight,
F#m D A
fuck up his new life where they don’t know what he did,
F#m E
tell his brand-new wife and his second kid.
A E
Though I tell you, like before,
F#m D A
that you should wreck his life the way that he wrecked yours,
F#m E
you want no part of his life anymore.
Oh Cynda Moore,
Intro
A E F#m
don’t lose me now, let me help you out.
D A
Though I know that I can’t help anyhow,
F#m E
when I watch you I’m proud.
A E
When I tell you twice before
F#m D A
that you should wreck his life the way that he wrecked yours,
F#m E
you want no part of his life anymore.
D A E
oh Cynda Mo - ore.
D A E
And it’ll never be the way it was before,
D A E
but I wish that you would let me through that door.
D A E (or Intro bit)
end on E
Take Care.
Old Man Luedecke
Old Man Markley
Oldelaf
Oldelaf Et Monsi (...)
Oldporch
Olivia Newton Jo (...)
Olivia O'br (...)
Olivia Olson
Olivia Rodrigo
Olivia Ruby