Biografía:
Peter Hammill es una de las más singulares e influyentes voces en el genero progresivo. Fue la figura clave en la banda Van der Graaf Generator, que formo junto con compañeros en 1967 en la Universidad de Manchester.
Su obsesión por el amor, la fe, el tiempo, el espacio y la existencia son las piedras angulares de su trabajo tanto con VDGG como en sus discos de solista. Hammill, Banton, Evans, Jackson fue la alineacion encargada de grabar las joyas "The Silent Corner And The Empty Stage", "Fool´s Mate" y "Godbluff".
Read more on Last.fm
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
PETER HAMMILL - TIME HEALS
Am Dm Am G
Thinking back, it seems that I can lie beside you like I never truly did
F G Am
In afterglow - no afterwords at all.
Am F/A Am F/A Am G
Only writing love songs when it's gone and dead
F Dm/A F Dm/A F Em
only paying words out, strings of half-forgotten sentiment.
F Em
I mean...
Em F
Imeant...
F E F E F B F E F E F B (single notes over an E bass)
I never really quite could say the way it was.
Am F
The first time that we met I thought 'I bet that she's the one"
Esus4 E7 E
but I was talking to myself than, as always.
Am F
As time went by our steps entwined, unwritten lines grew taut, and I
Esus4 E7 E
tried to find a way to make it all safe.
Am G
Into the play - what a production!
F E
Into the days and ever more suction
Am G
You hold me close, hold me farther
F E
away from yourself - I make me a martyr,
Am G F E
for pain and love go hand in hand...
Am F
And hand in hand go you and my friend, you are his and I am yours
Esus4 E7 E
and I just cannot evade you.
Am F
My days are dream, my nights unseemly, stolen moments all I live for,
Esus4 E7 E
but theft is no way to persuade you
Am G
to come with me, leave him behind you,
F E
my hurtful eyes try to remind you,
Am G
it's all I can do to keep on screaming
F E
'I love you, I love you!' - I wish I were dreaming,
Em D C B
but the steps we take all leave footprints.
D G/D D G/D D D G/D D G/D D D
Sooner or later the whole thing will be blown
A D/A A D/A A A D/A A D/A A A
You will leave him or I'll be left here, alone.
D G/D D G/D D D G/D D G/D
Either way someone loses someone
G C/D G C/G G G C/G G G/G G A
I don't mind that, I just would quite like to know who we love the most,
A
but I guess that's ourselves.
Am F
The days are strange, at night we're stangers, lie in bed and lie inside
Esus4 E7 E
our heads, we come no closer than as dancers.
Am F
Your eyes are change, your presence danger, won't look me in the eye and
Esus4 E7 E
yet you kiss, and make up the answer
Am G
to all the questions that lie unanswered, unreasoned,
F E
death in the sky, death in the season,
Am G
if you leave me now, it might nearly kill me
F
Remember me?
E
Remember we three?
Em D C B
It all seemed so important at the time
Em D C B
We came so close to wrecking all our lives
Em D C B
And now it's all just song lines...
Em D C B
Time heals,
Em D C B
Time heals...
Em D C B
oh, but I still bear the weals...
*here, the "em D C B" sequence drops down gradually, to "am G F E", first
the bass notes, then the whole chords*
Am Dm Am G
Thinking back, it seems that I can lie beside you as I never truly did
F G Am
In afterglow - no afterwords at all.
Am F/A Am F/A Am G
Only writing love songs when it's gone and dead
F Dm/A F Dm/A F Em
only paying words out, strings of half-forgotten sentiment.
F Em
I mean...
Em F
Imeant...
F E F E F B F E F E F B
I never really quite could say the way it was.
Credit to: Dagmar Klein at hammill.ru
Am Dm Am G
Thinking back, it seems that I can lie beside you like I never truly did
F G Am
In afterglow - no afterwords at all.
Am F/A Am F/A Am G
Only writing love songs when it's gone and dead
F Dm/A F Dm/A F Em
only paying words out, strings of half-forgotten sentiment.
F Em
I mean...
Em F
Imeant...
F E F E F B F E F E F B (single notes over an E bass)
I never really quite could say the way it was.
Am F
The first time that we met I thought 'I bet that she's the one"
Esus4 E7 E
but I was talking to myself than, as always.
Am F
As time went by our steps entwined, unwritten lines grew taut, and I
Esus4 E7 E
tried to find a way to make it all safe.
Am G
Into the play - what a production!
F E
Into the days and ever more suction
Am G
You hold me close, hold me farther
F E
away from yourself - I make me a martyr,
Am G F E
for pain and love go hand in hand...
Am F
And hand in hand go you and my friend, you are his and I am yours
Esus4 E7 E
and I just cannot evade you.
Am F
My days are dream, my nights unseemly, stolen moments all I live for,
Esus4 E7 E
but theft is no way to persuade you
Am G
to come with me, leave him behind you,
F E
my hurtful eyes try to remind you,
Am G
it's all I can do to keep on screaming
F E
'I love you, I love you!' - I wish I were dreaming,
Em D C B
but the steps we take all leave footprints.
D G/D D G/D D D G/D D G/D D D
Sooner or later the whole thing will be blown
A D/A A D/A A A D/A A D/A A A
You will leave him or I'll be left here, alone.
D G/D D G/D D D G/D D G/D
Either way someone loses someone
G C/D G C/G G G C/G G G/G G A
I don't mind that, I just would quite like to know who we love the most,
A
but I guess that's ourselves.
Am F
The days are strange, at night we're stangers, lie in bed and lie inside
Esus4 E7 E
our heads, we come no closer than as dancers.
Am F
Your eyes are change, your presence danger, won't look me in the eye and
Esus4 E7 E
yet you kiss, and make up the answer
Am G
to all the questions that lie unanswered, unreasoned,
F E
death in the sky, death in the season,
Am G
if you leave me now, it might nearly kill me
F
Remember me?
E
Remember we three?
Em D C B
It all seemed so important at the time
Em D C B
We came so close to wrecking all our lives
Em D C B
And now it's all just song lines...
Em D C B
Time heals,
Em D C B
Time heals...
Em D C B
oh, but I still bear the weals...
*here, the "em D C B" sequence drops down gradually, to "am G F E", first
the bass notes, then the whole chords*
Am Dm Am G
Thinking back, it seems that I can lie beside you as I never truly did
F G Am
In afterglow - no afterwords at all.
Am F/A Am F/A Am G
Only writing love songs when it's gone and dead
F Dm/A F Dm/A F Em
only paying words out, strings of half-forgotten sentiment.
F Em
I mean...
Em F
Imeant...
F E F E F B F E F E F B
I never really quite could say the way it was.
Credit to: Dagmar Klein at hammill.ru
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