Biografía:
Peter Hammill es una de las más singulares e influyentes voces en el genero progresivo. Fue la figura clave en la banda Van der Graaf Generator, que formo junto con compañeros en 1967 en la Universidad de Manchester.
Su obsesión por el amor, la fe, el tiempo, el espacio y la existencia son las piedras angulares de su trabajo tanto con VDGG como en sus discos de solista. Hammill, Banton, Evans, Jackson fue la alineacion encargada de grabar las joyas "The Silent Corner And The Empty Stage", "Fool´s Mate" y "Godbluff".
Read more on Last.fm
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
LOST AND FOUND
Em | D | C6 | Em
Em
Even the wolf can learn,
D
even the sheep can turn,
C6 Em
even the frog bcome at last the prince
Em
No more imagined insults
D
and no more bloated pride -
C6
I'll see you at the wedding,
Bm A G
I'll see you on the o- ther side
Em
and I'll hold my peace forever
D
but I'll hold my passion more...
Bm A G
I'll be hol- ding the door
Em
and waiting for the princess -
D
I could say I'm waiting for the world,
C6
but when it comes right down to it
Bm A G
I'm simply wai-ting for the girl.
Em
On through the ring of changes
D
I'll be at my side in a single bound,
Bm A G
lost and found
G A Bm A G
looking to be lost and found.
G A Bm A G
looking to be lost and found.
G A Bm A G
I'll to be lost and found.
G A Bm A G
I'll to be lost and found.
G A
A E B D A
La Rossa extends her hands - in the morning light the stigmata don't show
E B D A
She's up already, making plans; she thinks it's maybe time he ought to go
E B D A
And she's friendly like it's a service but she's ringing around his head -
E B
though he knows she has no further use for him
D A
still he feels like he's raised from the dead.
E B D A
Out to the cold grey daylight, never ever wondering, of course,
E B
if one moment of perfect passion
D A
is worth a lifetime of remorse.
The guitar "solo" (would you consider a two-notes line as solo?) is played
through the same chords sequence, here it is, with durations in beats:
A (6 beats) E (2 beats) | B (6 beats) D (2 beats)
Em
So it's no more empty promises
D
and no more idle threats;
C6 Bm A G
no more 'if only's' and no more 'and yet's';
Em
no more wishes for the future
D
no more denials of the past;
Bm A G
I'm free at last
(A) Bm A G
I'm in love at last
(A) Bm A G
I'm lost and found
The chord sequence continues as the voices faid:
Bm (4 beats) A (4 beats) | G (7 beats) A (1 beat)
...put on your red dress, baby...
...cos we're going out, tonight...
...put on your high heeled slippers...
...everything's gonna be alright?
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
LOST AND FOUND
Em | D | C6 | Em
Em
Even the wolf can learn,
D
even the sheep can turn,
C6 Em
even the frog bcome at last the prince
Em
No more imagined insults
D
and no more bloated pride -
C6
I'll see you at the wedding,
Bm A G
I'll see you on the o- ther side
Em
and I'll hold my peace forever
D
but I'll hold my passion more...
Bm A G
I'll be hol- ding the door
Em
and waiting for the princess -
D
I could say I'm waiting for the world,
C6
but when it comes right down to it
Bm A G
I'm simply wai-ting for the girl.
Em
On through the ring of changes
D
I'll be at my side in a single bound,
Bm A G
lost and found
G A Bm A G
looking to be lost and found.
G A Bm A G
looking to be lost and found.
G A Bm A G
I'll to be lost and found.
G A Bm A G
I'll to be lost and found.
G A
A E B D A
La Rossa extends her hands - in the morning light the stigmata don't show
E B D A
She's up already, making plans; she thinks it's maybe time he ought to go
E B D A
And she's friendly like it's a service but she's ringing around his head -
E B
though he knows she has no further use for him
D A
still he feels like he's raised from the dead.
E B D A
Out to the cold grey daylight, never ever wondering, of course,
E B
if one moment of perfect passion
D A
is worth a lifetime of remorse.
The guitar "solo" (would you consider a two-notes line as solo?) is played
through the same chords sequence, here it is, with durations in beats:
A (6 beats) E (2 beats) | B (6 beats) D (2 beats)
Em
So it's no more empty promises
D
and no more idle threats;
C6 Bm A G
no more 'if only's' and no more 'and yet's';
Em
no more wishes for the future
D
no more denials of the past;
Bm A G
I'm free at last
(A) Bm A G
I'm in love at last
(A) Bm A G
I'm lost and found
The chord sequence continues as the voices faid:
Bm (4 beats) A (4 beats) | G (7 beats) A (1 beat)
...put on your red dress, baby...
...cos we're going out, tonight...
...put on your high heeled slippers...
...everything's gonna be alright?
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