Biografía:
Steven Paul Smith (6 de agosto de 1969 – 21 de octubre de 2003), mejor conocido como Elliott Smith, fue un cantautor estadounidense de folk. Su instrumento primario fue la guitarra acústica, acompañada en otras canciones por bajo, batería y piano entre otros. Su voz era como un susurro, que en muchas canciones tenía un extraño efecto de doble voz. Vivió casi toda su vida en Portland, Oregon (Estados Unidos).
Antes de empezar su carrera en solitario, tocaba en la banda de rock Heatmiser, con la que llegó a sacar varios discos.
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Otras canciones:
- 2:45 A.m.
- Alameda
- All Cleaned Out
- Angeles
- Baby Britain
- Ballad Of Big Nothing
- Between The Bars
- Big Problem
- Coast To Coast
- Division Day
- First Timer
- Happiness
- I Figured You Out
- King's Crossing
- Kings Crossing
- La
- Memory Lane
- Miss Misery
- Needle In The Hay
- No Name 3
- Oh Well, Ok
- Pretty Ugly Before
- Rose Parade
- Say Yes
- Shake Sugaree
- She Won't Ever Look At Me
- Some Song
- Somebody That I Used To Know
- Son Of Sam
- Speed Trials
- The Biggest Lie
- Thirteen (cover)
- Twilight
- Waltz #2
- Whatever Folk Song In C
- Wouldn't Mama Be Proud
- You Make It Seem Like Nothing
- Pitseleh
- 2 45 Am
- A Distorted Reality Is Now A Necessity To Be Free
- A Fond Farewell
- A Question Mark
- Alphabet Town
- Amity
- Another Standard Folk Song
- Big Decision
- Bled White
- Bottle Up And Explode
- Cant Make A Sound
- Cecilia Amanda
- Christian Brothers
- Coming Up Roses
- Condor Ave
- Confusion
- Dancing On The Highway
- Drive All Over Town
- Easy Way Out
- Either Or
- Everybody Cares Everybody Understands
- Everything Means Nothing To Me
- Everything Reminds Me Of Her
- Fear City
- Flowers For Charlie
- Fond Farewell
- From A Poison Well
- Golden Street
- Grand Mal
- Half Right
- Have You Seen Her
- High Times
- I Better Be Quiet Now
- I Cant Answer You Anymore
- I Didnt Understand
- Im Gonna Get Crushed
- In The Lost And Found
- Independence Day
- Jealous Guy
- Junk Bond Trader
- Last Call
- Lets Get Lost
- Like A Cop
- Looking Over My Shoulder
- New Monkey
- No Confidence Man
- No Name 1
- No Name 2
- No Name 4
- No Name 5
- Oh Well Okay
- Passing Feeling
- Pictures Of Me
- Placeholder
- Plainclothes Man
- Pretty Mary K
- Punch And Judy
- Roman Candle
- Satellite
- See You Later
- She Wont Ever Look At Me
- Shiva Opens Her Arms
- Shooting Star
- Shooting Xstar
- Shytown
- Single File
- Splitzville
- St Ides Heaven
- Stickman
- Strung Out Again
- Stupidity Tries
- Sweet Adeline
- Talking To Mary
- The Real Estate
- The White Lady Loves You More
- Trouble
- Troubles
- True Love
- Unlucky Charm Come Out Now
- Waltz 1
- Waltz 2 Xo
- Waterloo Sunset
- Were All Friends Now
- Where I Get It From
- Wouldnt Mama Be Proud
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
MISS MISERY, EARLY VERSION
NOTE: When you play D/F# or F, be careful to avoid hitting the high E string (or simply mute it).
NOTE: A (played during the bridge) is as follows
------5----|
------5----|
------5----|
------7----|
------7----|
------5----|
If you are tuned down a whole step (Elliott Smith Tuning), capo V
If you are in standard tuning, capo III
Am G6 F C
I'll fake it through the day
Fmaj7 Dm/F
with some help from Johnny Walker Red
C Em
and the cold pain
Am F C
behind my eyes that shoots
E
back through my head
Am G6 F C
Two tickets torn in half
Fmaj7 Dm
and a lot of nothin' to do
C Em
but it's all right
Am G6 D/F#
some enchanted night
F C
I'll be with you
Eb Gm C Eb
Tarot cards and the lines in my hand
Eb Gm C Am
tell me I'm wrong but they're untrue
G6 F C
I got plans for both of us
Fmaj7 Dm
that involve a trip out of town
Am7 G6 F C
to a place I'd seen in a magazine
C E
that you left lyin' around
Am G6 F C
I can't hold my liquor but
Fmaj7 Dm
I keep a good attitude
C Em
'cause it's all right
Am G6 D/F#
some enchanted night
F C
I'll be with you
A F
I know you'd rather see me gone
C D/F#
than to see the, come the day
F G6 E/G#
I'll be waiting for you anyway
Am G6 F C
Next door the TV's flashing
Fmaj7 Dm
blue frames on the wall
C Em F C
It's a comedy from the sanity
E
with a lead no one recalls
Am G6 F C Fmaj7
To vanish into oblivion
Fmaj7 Dm
it’s easy to do
C Em
and I cried to sleep
Am G6
when you talked to me
D/F# F C
the day you said we were through
C Em
but it’s all right
Am G6 D/F#
some enchanted night
F C
I’ll be with you
NOTE: When you play D/F# or F, be careful to avoid hitting the high E string (or simply mute it).
NOTE: A (played during the bridge) is as follows
------5----|
------5----|
------5----|
------7----|
------7----|
------5----|
If you are tuned down a whole step (Elliott Smith Tuning), capo V
If you are in standard tuning, capo III
Am G6 F C
I'll fake it through the day
Fmaj7 Dm/F
with some help from Johnny Walker Red
C Em
and the cold pain
Am F C
behind my eyes that shoots
E
back through my head
Am G6 F C
Two tickets torn in half
Fmaj7 Dm
and a lot of nothin' to do
C Em
but it's all right
Am G6 D/F#
some enchanted night
F C
I'll be with you
Eb Gm C Eb
Tarot cards and the lines in my hand
Eb Gm C Am
tell me I'm wrong but they're untrue
G6 F C
I got plans for both of us
Fmaj7 Dm
that involve a trip out of town
Am7 G6 F C
to a place I'd seen in a magazine
C E
that you left lyin' around
Am G6 F C
I can't hold my liquor but
Fmaj7 Dm
I keep a good attitude
C Em
'cause it's all right
Am G6 D/F#
some enchanted night
F C
I'll be with you
A F
I know you'd rather see me gone
C D/F#
than to see the, come the day
F G6 E/G#
I'll be waiting for you anyway
Am G6 F C
Next door the TV's flashing
Fmaj7 Dm
blue frames on the wall
C Em F C
It's a comedy from the sanity
E
with a lead no one recalls
Am G6 F C Fmaj7
To vanish into oblivion
Fmaj7 Dm
it’s easy to do
C Em
and I cried to sleep
Am G6
when you talked to me
D/F# F C
the day you said we were through
C Em
but it’s all right
Am G6 D/F#
some enchanted night
F C
I’ll be with you
Elsie Lovelock
Elton John
Eluveitie
Elvis Costello
Elvis Costello, (...)
Embrace
Emel Sayin
Emeli Sand&eacut (...)
Emeli Sande
Emerson Hart