Biografía:
Steven Paul Smith (6 de agosto de 1969 – 21 de octubre de 2003), mejor conocido como Elliott Smith, fue un cantautor estadounidense de folk. Su instrumento primario fue la guitarra acústica, acompañada en otras canciones por bajo, batería y piano entre otros. Su voz era como un susurro, que en muchas canciones tenía un extraño efecto de doble voz. Vivió casi toda su vida en Portland, Oregon (Estados Unidos).
Antes de empezar su carrera en solitario, tocaba en la banda de rock Heatmiser, con la que llegó a sacar varios discos.
Read more on Last.fm
Otras canciones:
- 2:45 A.m.
- Alameda
- All Cleaned Out
- Angeles
- Baby Britain
- Ballad Of Big Nothing
- Between The Bars
- Big Problem
- Coast To Coast
- Division Day
- First Timer
- Happiness
- I Figured You Out
- King's Crossing
- Kings Crossing
- La
- Memory Lane
- Miss Misery
- Needle In The Hay
- No Name 3
- Oh Well, Ok
- Pretty Ugly Before
- Rose Parade
- Say Yes
- Shake Sugaree
- She Won't Ever Look At Me
- Some Song
- Somebody That I Used To Know
- Son Of Sam
- Speed Trials
- The Biggest Lie
- Thirteen (cover)
- Twilight
- Waltz #2
- Whatever Folk Song In C
- Wouldn't Mama Be Proud
- You Make It Seem Like Nothing
- Pitseleh
- 2 45 Am
- A Distorted Reality Is Now A Necessity To Be Free
- A Fond Farewell
- A Question Mark
- Alphabet Town
- Amity
- Another Standard Folk Song
- Big Decision
- Bled White
- Bottle Up And Explode
- Cant Make A Sound
- Cecilia Amanda
- Christian Brothers
- Coming Up Roses
- Condor Ave
- Confusion
- Dancing On The Highway
- Drive All Over Town
- Easy Way Out
- Either Or
- Everybody Cares Everybody Understands
- Everything Means Nothing To Me
- Everything Reminds Me Of Her
- Fear City
- Flowers For Charlie
- Fond Farewell
- From A Poison Well
- Golden Street
- Grand Mal
- Half Right
- Have You Seen Her
- High Times
- I Better Be Quiet Now
- I Cant Answer You Anymore
- I Didnt Understand
- Im Gonna Get Crushed
- In The Lost And Found
- Independence Day
- Jealous Guy
- Junk Bond Trader
- Last Call
- Lets Get Lost
- Like A Cop
- Looking Over My Shoulder
- New Monkey
- No Confidence Man
- No Name 1
- No Name 2
- No Name 4
- No Name 5
- Oh Well Okay
- Passing Feeling
- Pictures Of Me
- Placeholder
- Plainclothes Man
- Pretty Mary K
- Punch And Judy
- Roman Candle
- Satellite
- See You Later
- She Wont Ever Look At Me
- Shiva Opens Her Arms
- Shooting Star
- Shooting Xstar
- Shytown
- Single File
- Splitzville
- St Ides Heaven
- Stickman
- Strung Out Again
- Stupidity Tries
- Sweet Adeline
- Talking To Mary
- The Real Estate
- The White Lady Loves You More
- Trouble
- Troubles
- True Love
- Unlucky Charm Come Out Now
- Waltz 1
- Waltz 2 Xo
- Waterloo Sunset
- Were All Friends Now
- Where I Get It From
- Wouldnt Mama Be Proud
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
have you seen her - elliott smith
tab by alexander rex
standard tuning
capo on 4th fret
Em* x250xx C x320xx
B x210xx D x540xx
B/C x310xx G x550xx
Am x02210 C* x32010
Em** x2245x C** x3x550
D# x6x88x Em x22000
Em* C B/C C B C D C repeat
g#|---------------------------------------------------------|
D#|---------------------------------------------------------|
B |-0--0-0-0--0-0-0--0-0-0--0-0-0--0-0-0--0-0-0--0-0-0--0-0-|
F#|-5--5-5-1--2-2-1--1-1/2--2-2-1--1-1-2--2-2-4--4-4-2--2-2-|
C#|-2--2-2-2--3-3-3--3-3-3--3-3-2--2-2-3--3-3-5--5-5-3--3-3-|
G#|---------------------------------------------------------|
Em* C B/C C
come in, amanda, with the sheet
B C D C
looking out on the street in the side
Em* C B/C C B C
the real kids were still complete with fraction of faults
D C
that's supposed to keep them in line
Em* C B/C C
the returned ringing and back to bed
B C D C
half pretending that you want me to call
Em* C B/C C
the truth of the moment just a rat
B/C G
speaking in a southerner drawl
C* Em C* Em Am
have you seen her? have you seen her?
C* Em C* Em Am
have you seen her? have you seen her?
Em* C B/C C
the figurine seems so white
B C D C
let me come in on a second flight
Em* C B/C C
when i went downtown to meet the girl
B C D C
i sleep next to now every night
Em* C B/C C
she doesn't acknowledge work for a sense
B C D C
she doesn't listen to how long it'll take
Em* C B/C C
her face is simple.. excellence
B/C G
but it's always changing shape
C* Em C* Em Am
have you seen her? have you seen her?
C* Em C* Em Am
have you seen her? have you seen her?
C* Em C Em Am
i miss her i miss her
C* Em C Em**
i miss her i miss her
Em** C** slide to D# Em**
i'm over it now i'm over it now
Em** C** slide to D# Em*
i'm over it now i'm over it now
Em* C B/C C
i've got accident my cheek
B C D C
i've got acid and i'm not gonna wait
Em* C B/C C
'cause every minute i've been shot up
B C D C
all of yesterday's new hate
Em* C B/C C
i saw you just plain forget
B C D C
i saw you move remember and cry
Em* C B/C C
the time that you didn't give a shit
B C D C
the time you did but i didn't know why
Em* C B/C C
i saw you come right in motel del
B C D C
looking for somebody to score
Em* C B/C C
i saw you in king's row with some clown
B C D C
but i couldn't stand to see you anymore
Em* C B/C C B C D
i've been meaning to tell you i'm all over it now
Em* C B/C C B/C G
man, i've been meaning to tell you i'm all over it now
C* Em C* Em Am
have you seen her? have you seen her?
C* Em C* Em Am
have you seen her? have you seen her?
C* Em C* Em Am
i miss her i miss her
C* Em Em* C Am
i miss her
tab by alexander rex
standard tuning
capo on 4th fret
Em* x250xx C x320xx
B x210xx D x540xx
B/C x310xx G x550xx
Am x02210 C* x32010
Em** x2245x C** x3x550
D# x6x88x Em x22000
Em* C B/C C B C D C repeat
g#|---------------------------------------------------------|
D#|---------------------------------------------------------|
B |-0--0-0-0--0-0-0--0-0-0--0-0-0--0-0-0--0-0-0--0-0-0--0-0-|
F#|-5--5-5-1--2-2-1--1-1/2--2-2-1--1-1-2--2-2-4--4-4-2--2-2-|
C#|-2--2-2-2--3-3-3--3-3-3--3-3-2--2-2-3--3-3-5--5-5-3--3-3-|
G#|---------------------------------------------------------|
Em* C B/C C
come in, amanda, with the sheet
B C D C
looking out on the street in the side
Em* C B/C C B C
the real kids were still complete with fraction of faults
D C
that's supposed to keep them in line
Em* C B/C C
the returned ringing and back to bed
B C D C
half pretending that you want me to call
Em* C B/C C
the truth of the moment just a rat
B/C G
speaking in a southerner drawl
C* Em C* Em Am
have you seen her? have you seen her?
C* Em C* Em Am
have you seen her? have you seen her?
Em* C B/C C
the figurine seems so white
B C D C
let me come in on a second flight
Em* C B/C C
when i went downtown to meet the girl
B C D C
i sleep next to now every night
Em* C B/C C
she doesn't acknowledge work for a sense
B C D C
she doesn't listen to how long it'll take
Em* C B/C C
her face is simple.. excellence
B/C G
but it's always changing shape
C* Em C* Em Am
have you seen her? have you seen her?
C* Em C* Em Am
have you seen her? have you seen her?
C* Em C Em Am
i miss her i miss her
C* Em C Em**
i miss her i miss her
Em** C** slide to D# Em**
i'm over it now i'm over it now
Em** C** slide to D# Em*
i'm over it now i'm over it now
Em* C B/C C
i've got accident my cheek
B C D C
i've got acid and i'm not gonna wait
Em* C B/C C
'cause every minute i've been shot up
B C D C
all of yesterday's new hate
Em* C B/C C
i saw you just plain forget
B C D C
i saw you move remember and cry
Em* C B/C C
the time that you didn't give a shit
B C D C
the time you did but i didn't know why
Em* C B/C C
i saw you come right in motel del
B C D C
looking for somebody to score
Em* C B/C C
i saw you in king's row with some clown
B C D C
but i couldn't stand to see you anymore
Em* C B/C C B C D
i've been meaning to tell you i'm all over it now
Em* C B/C C B/C G
man, i've been meaning to tell you i'm all over it now
C* Em C* Em Am
have you seen her? have you seen her?
C* Em C* Em Am
have you seen her? have you seen her?
C* Em C* Em Am
i miss her i miss her
C* Em Em* C Am
i miss her
Elsie Lovelock
Elton John
Eluveitie
Elvis Costello
Elvis Costello, (...)
Embrace
Emel Sayin
Emeli Sand&eacut (...)
Emeli Sande
Emerson Hart