Biography:
The Pipettes was a British indie pop girl group formed in 2003 in Brighton. The band ceased in 2011.
Gwenno and Ani Saunders were singers in the group with Gwenno occasionally taking to the keyboard.
The Pipettes, at that time consisting of Julia Clark-Lowes, Rose Elinor Dougall, and Becki Stephens and their backing band, The Cassette, formed at a seaside party in Brighton in 2003 and entertained audiences with their trademark polka dot dresses, doowop anthems and choreographed hand movements.
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Other songs:
- It Hurts To See You Dance So Well
- Judy
- Pull Shapes
- A Winters Sky
- Abc
- Baby Just Be Yourself
- Because Its Not Love But Its Still A Feeling
- Burning Ambition Of Early Diuretics
- Dirty Mind
- Feminist Complaints
- Getting Coal
- Guess Who Ran Away With The Milkman
- I Like A Boy In Uniform School Uniform
- I Love You
- I Think Were Alone Now
- One Night Stand
- Really That Bad
- Sex
- Tell Me What You Want
- True Love Waits Patiently For A Miracle
- We Are The Pipettes
- Why Did You Stay
- Your Kisses Are Wasted On Me
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
Artist: The Pipettes http://www.thepipettes.co.uk/
Track: Really That Bad
Pull Shapes B-Side
Tabber: Woodshed
VERSE 1
G B Ab
He's the boy that always sits at the back of the class
A E
He never does what he's told (oh no he never does)
A E
They say he's several years older
F#
Than the rest of us
B
Who wanna know if that is true (Oh yes, you better believe it)
G B Ab
I once set next to him in geography when he was thrown out of his class
A E
He's got a tattoo on his arm (I wonder where else)
A E
They say he'll only come to harm
F# B
But I can see that he has got a certain charm
But what's beneath his smile
B
But what's beneath his smile
B
But what's beneath his smile
B - A - Ab - F#
CHORUS
E A
He's good enough to smile at me
Am D
When he passes me in the corridor
E A
He's good enough to know my name
Am
Coz I heard him once
D
Can he really be that bad?
D
Can he be that bad?
D
Can he really, really, really be that bad?
VERSE 2
G B Ab
He's the boy who always stands by the bikes smoking on his own
A E
And he once offered me a try (Oh, did you really? Did you try?)
A E F#
But I was always too shy though I regret in now (Just to be near him for a while)
B
I doubt he needs much longer.
B
I doubt he needs much longer.
B
I doubt he needs much longer.
B - A - Ab - F#
CHORUS
E A
He's good enough to smile at me
Am D
When he passes me in the corridor
E A
He's good enough to know my name
Am
Coz I heard him once
D
Can he really be that bad?
D
Can he be that bad?
D
Can he really, really, really be that bad?
E A
He's good enough to smile at me
Am D
When he passes me in the corridor
E A
He's good enough to know my name
Am
Coz I heard him once
D
Can he really be that bad?
D
Can he be that bad?
D
Can he really, really, really, really, really, really, really, really, really, really, really be that bad?
Track: Really That Bad
Pull Shapes B-Side
Tabber: Woodshed
VERSE 1
G B Ab
He's the boy that always sits at the back of the class
A E
He never does what he's told (oh no he never does)
A E
They say he's several years older
F#
Than the rest of us
B
Who wanna know if that is true (Oh yes, you better believe it)
G B Ab
I once set next to him in geography when he was thrown out of his class
A E
He's got a tattoo on his arm (I wonder where else)
A E
They say he'll only come to harm
F# B
But I can see that he has got a certain charm
But what's beneath his smile
B
But what's beneath his smile
B
But what's beneath his smile
B - A - Ab - F#
CHORUS
E A
He's good enough to smile at me
Am D
When he passes me in the corridor
E A
He's good enough to know my name
Am
Coz I heard him once
D
Can he really be that bad?
D
Can he be that bad?
D
Can he really, really, really be that bad?
VERSE 2
G B Ab
He's the boy who always stands by the bikes smoking on his own
A E
And he once offered me a try (Oh, did you really? Did you try?)
A E F#
But I was always too shy though I regret in now (Just to be near him for a while)
B
I doubt he needs much longer.
B
I doubt he needs much longer.
B
I doubt he needs much longer.
B - A - Ab - F#
CHORUS
E A
He's good enough to smile at me
Am D
When he passes me in the corridor
E A
He's good enough to know my name
Am
Coz I heard him once
D
Can he really be that bad?
D
Can he be that bad?
D
Can he really, really, really be that bad?
E A
He's good enough to smile at me
Am D
When he passes me in the corridor
E A
He's good enough to know my name
Am
Coz I heard him once
D
Can he really be that bad?
D
Can he be that bad?
D
Can he really, really, really, really, really, really, really, really, really, really, really be that bad?
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