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Duffy

Delayed Devotion

por Duffy
Duffy

Biografia:

Aimée Ann Duffy ou simplesmente Duffy, é uma cantora de soul galesa nascida em 23 de Junho de 1984 em Gwynedd, País de Gales, Reino Unido,. Tornou-se famosa em todo o mundo com o lançamento do single Mercy, que alcançou a 1ª posição em vários países. Seu álbum de estréia, Rockferry já vendeu mais de 6 milhões de cópias mundialmente, foi aclamado pelos críticos e vencedor de um Grammy Awards.
A cantora tem um jeito bem peculiar e envolvente, o que torna sua música ainda mais agradável.

Read more on Last.fm

Duffy

Outras músicas:

  • Delayed Devotion
  • Distant Dreamer
  • Hanging On Too Long
  • I'm Scared
  • Mercy
  • Stepping Stone
  • Syrup And Honey
  • Warwick Avenue
  • Breath Away
  • Dont Forsake Me
  • Endlessly
  • Im Scared
  • Keeping My Baby
  • Oh Boy
  • Rain On Your Parade
  • Ready For The Floor Hot Chip Cover
  • Rockferry
  • Serious
  • Smoke Without Fire
  • Syrup Honey
  • Too Hurt To Dance
  • Warick Avenue
  • Well Well Well

Compartilhe a música

           

Quatro anos de trabalho duro!

Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Alternativas deste artista

197 Artista   105 Música   117 Cifra Cifra
____________________
/ Duffy / I think this song is about a boy who has been taking
/ Delayed Devotion / too long to make a pass at the girl and perhaps being
/ Rockferry / too cool before actually showing any feelings. And now
/___________________/ he has wasted his chance. This is probably my favourite
song off the album for the cool groove and the singing!

This is really a piano song, so here I've transcribed the piano and bass part:
www.ultimate-guitar.com/tabs/d/duffy/delayed_devotion_guitar_pro.htm

The chords here are notated in Alla Breve, so just count 1-2 for each bar.
After the chords I've suggested a way of playing it on guitar.



Verse:
||: figure | Do | Cm/Eb | Fm7 |

| Eb/G | Ab | Eb/Bb | % :||



Bridge:
| Fm7 | % | % | Cm/G |

| Fm7 | % | % | Cm/G |

| Cm | % | % | % |

[wait]
| Bbm7 | % | Bbm7 | % |



Chorus:
||: Fm7 | Cm | Ab | Eb/Bb | Fm7 | G/D | Cm/Eb :||

| Fm7 | Cm | Ab | Eb/Bb | Ab | Eb | % | % |



Verse

Bridge

Chorus (quit the last bar of Eb before moving on)

Bridge (wait on Bbm7 for 2 bars more)

Chorus



------------------------------------------------------------------------------

The best sounding way, I have found for guitar, is to play the song in
Drop-D tuning (D A D G B E), and with capo 3rd fret.

Verse:
figure Do Cm/Eb Fm7 Eb/G Ab Eb/Bb %
||--0--1--3-----|--1--|--0--|--1--|-----|-----|-----|------||
||o-1--3--5-----|--0--|--1--|--1--|--1--|--1--|-----|-----o||
||--0--2--5-----|--1--|--2--|--2--|--0--|--2--|--5--|--5---||
||--------------|--0--|--2--|--0--|--2--|--3--|--5--|--5---||
||o-------------|--2--|--3--|-----|-----|-----|--7--|--7--o||
||--------------|-----|-----|-----|--2--|--3--|--5--|--5---||

Bridge:
Fm7 % % Cm/G Cm % % % Bbm7 % Bbm7 %
|--1--|--1--|--1--|--0--| r |--0--|--0--|--0--|--0--|--3--|--3--|-3---|-----|
|--1--|--1--|--1--|--1--| e |--1--|--1--|--1--|--1--|--3--|--3--|-3---|-----|
|--2--|--2--|--2--|--2--| p |--2--|--2--|--2--|--2--|--3--|--3--|-3---|-----|
|--0--|--0--|--0--|--2--| e |--2--|--2--|--2--|--2--|--3--|--3--|-3---|-----|
|--0--|--0--|--0--|-----| a |--0--|--0--|--0--|--0--|--5--|--5--|-5---|-----|
|--0--|--0--|--0--|--2--| t |-----|-----|-----|-----|--5--|--5--|-5---|-----|

Chorus:
Fm7 Cm Ab Eb/Bb Fm7 G/D Cm/Eb
||---1--|--0--|-----|-----|--1--|--0--|--0---||
||o--1--|--1--|--1--|--5--|--1--|--0--|--1--o||
||---2--|--2--|--2--|--5--|--2--|--1--|--2---||
||---0--|--2--|--3--|--5--|--0--|--2--|--2---||
||o--0--|--0--|-----|--7--|--0--|--2--|--3--o||
||---0--|-----|--3--|--5--|--0--|-----|------||

Fm7 Cm Ab Eb/Bb Ab Eb % %
|--1--|--0--|-----|-----|-----|--0--|--0--|--0--|
|--1--|--1--|--1--|-----|--1--|--1--|--1--|--1--|
|--2--|--2--|--2--|--5--|--2--|--0--|--0--|--0--|
|--0--|--2--|--3--|--5--|--3--|--2--|--2--|--2--|
|--0--|--0--|-----|--7--|-----|--3--|--3--|--3--|
|--0--|-----|--3--|--5--|--3--|-----|-----|-----|




LYRICS
**********
It seems you wanna give me, oh, a life time of security
Down on your dying knees I watch you, babe, I watch you plead

But your words come much too late
My love for you has turned to hate
'Cause you've taken too much time
To show me that you're mine

When I drop you boy
You'll need another toy
One that won't stand up for herself
When I knock you down
You'll need another town
Where somebody's gonna talk to you
You just let me wait
Now it's too late
For your delayed, delayed devotion

You try to convince me, oh, about the possibilities
But I know that all your poetry just comes from insecurity

'Cause your actions speak nothing no more
When it's what I've been waiting for
'Cause you've taken too much time
To show me that you're mine

When I drop you boy
You'll need another toy
One that won't stand up for herself
When I knock you down
You'll need another town
Where somebody's gonna talk to you
'Cause you just let me wait
Now it's too late
For your delayed devotion

You played me for a fool for too long
Blinded by your lies I never saw your all
I'm no longer under your spell
Hear it in a song
You can go to Hell

When I drop you boy
You'll need another toy
One that won't stand up for herself
When I knock you down
You'll need another town
Where somebody's gonna talk to you
You just let me wait
And now its too late
For your delayed, delayed devotion



------------------------------------------------------------------------------
6th /June /10
Just mail me at [email protected] with questions, comments and corrections!
------------------------------------------------------------------------------


" Maitinin writing here - the author of this tab.

The past 11 years, I have generated 10,318,000 views and 815 top-rated tabs for this site.
If you want to support an eager contributor like me, check out my own site:


_____ http://www.PlayLikeTheGreats.com _____


Here I will continue uploading my transcriptions - and hopefully make a bit more than nothing.

Best regards,
Maitinin "




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