Biografia:
Counting Crows é uma banda americana de rock alternativo. Tem como vocalista Adam Duritz, e entre seus maiores sucessos as músicas "Mr. Jones", do álbum "August and Everything After", que é uma das músicas mais tocadas nas rádios do mundo todo, e "Accidentally In Love", que estourou nas paradas depois de fazer parte da trilha sonora do filme Shrek 2. Foi formada em 1991 em São Francisco pelo vocalista Adam F. Duritz e o guitarrista David Bryson.
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Outras músicas:
- 1492
- A Long December
- Accidentally In Love
- Accidentaly In Love
- Accidentially In Love
- Acciedentaly In Love
- Anna Begins
- Big Yellow Taxi
- Colorblind
- Hangin' Around
- Long December
- Mr Jones
- Mr. Jones
- Omaha
- Round Here
- St Robinson In His Cadillac Dream
- Sullivan Street
- Walkways
- 40 Years
- A Good Year For The Roses
- A Murder Of One
- All My Friends
- American Girls
- Amie
- Amy Hit The Atmosphere
- Angels Of The Silence
- Angels Of The Silences
- Another Horsedreamers Blues
- Anyone But You
- August
- August And Everything After
- Baby Im A Big Star Now
- Ballad Of El Goodo
- Barely Out Of Tuesday
- Black And Blue
- Carriage
- Chelsea
- Come Around
- Cover Up The Sun
- Cowboys
- Daylight Fading
- Earthquake Driver
- Einstein On The Beach
- Einstein On The Beach For An Eggman
- Elvis Went To Hollywood
- Four Days
- Four White Stallions
- Friend Of The Devil
- Ghost In You
- Ghost Train
- God Of Ocean Tides
- Goin Down To New York Town
- Good Time
- Goodnight Elisabeth
- Goodnight La
- Hangin Around
- Hanginaround
- Hanging Tree
- Hard Candy
- Have You Seen Me Lately
- High Life
- Holiday In Spain
- Hospital
- I Wish I Was A Girl
- Im Not Sleeping
- Insignificant
- John Appleseeds Lament
- Kid Things
- Like Teenage Gravity
- Los Angeles
- Marjorie
- Mean Jumper Blues
- Mercury
- Mercy
- Millers Angels
- Monkey
- Mrs Potters Lullaby
- On A Tuesday In Amsterdam Long Ago
- On Almost Any Sunday Morning
- Open All Night
- Palisades Park
- Perfect Blue Buildings
- Possibility Days
- Rain King
- Rain King Thunder Road
- Raining In Baltimore
- Recovering The Satellites
- Return Of The Grievous Angel
- Scarecrow
- Sessions
- Shallow Days
- She Dont Want Nobody Near
- Speedway
- Sundays
- There Goes Everything
- This Land Is Your Land
- Time And Time Again
- Untitled Love Song
- Up All Night
- Walkaways
- Washington Square
- Were Only Love
- When I Dream Of Michelangelo
- Why Should You Come When I Call
- You Cant Count On Me
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Amy Hit the Atmosphere
Counting Crows
*** Capo on 1 ***
The previous version was close, but some of the chords sounded weird and he
missed a couple of key spots. I think I've figure them out, and tranposed
this into a set of chords that work really nice -- many pair above, below
each other on same frets and make intuitive slides in the progression. These
chords appear to have F basses often, example B/F anc C/F. Well, this is
much easier with capo as A/E and B/E (just leave top E open).
(Updated: I corrected the intro and outro, which are not the same as the
verse chords as suggested. I also realized the timing was off, and that is
now reflected correctly.)
Great song, one of my CC favorites. Take it nice and mellow.
Chords: (Capo on 1 brings chords to key of F)
E - 022100
A - x02220 (often A/E, 002220)
F#m - 244222
B - x24442
C#m - x46654
G#m - 466444
> = slide up
< = slide down
~ = ring (and/or rake)
Section detail
--------------
Intro:
1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |
E A |B* A (E)(A)| (*B/E, 024442)
/ /// / /// / /// / / /
E A |B* A (E)(A)| (*E/B, x22100, but B is fine)
/ /// / /// / /// / / /
(note: second line's B is closer to an E. But, it is most important to hit
the B note, in E/B or B, so I list it as a B)
Verse:
1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |
E A |F#m A (E)(A)|
/ /// / /// / /// / / /
E A |F#m B |
/ /// / /// / /// / ///
E A |F#m A (E)(A)|
/ /// / /// / /// / / /
E A |F#m B |
/ /// / /// / /// / //<
A B |E |
/ //> / /// / (/ / /)
Chorus:
1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |
C#m |G#m |
/ /// / /// / /// / ///
A E |B |
/ /// / /// / /// / / /
G#m |C#m |
/ /// / /// /~ / //
A E |A E |
/ /// / /// / /// / ///
A E |C#m |
/ /// / /// / /// / / /
B |A B |
/ / //< / //> / ///
E* (start intro)
/
=======
Okay, let's get into it...
Intro: (really piano, play chords faintly)
E A |B A(E)(A)|
E A |B A(E)(A)|
(repeat)
Verse 1 & 2:
E A |F#m A (E)(A) |
If I could make it rain to-day,
E A |F#m B |
And wash away this sunny day down to the gutter, I
E A |F#m A (E)(A) |
would, justa getta change of pace.
E A |F#m B |
Things are getting worse, but I feel a lot better, and
A B |E |
that's all that really matters to me.
E A F#m A (E)(A)
Amy hit the at-mo-sphere
E A F#m B
Caught herself a rocket ride out of this gutter. And,
E A F#m A (E)(A)
she's never coming back, I fear.
E A F#m B
Any time it rains she just feels a lot better, and
A B
that's all that really matters to
E
me. (We've waited...)
Chorus:
C#m |G#m |
Sooooooooo-ooo-ooo-ooo long, for
A E |B |
someone to take us back home. It just takes...
G#m |C#m |
Sooooooooo-ooo-o-o-ooo long!
A E |A E |
Meanwhile the days are driftin' a-way and
A E |C#m |
some of us sink like a stoooooooo-ooo-ooo-ooo-
B |A B |
-ne! Waiting for mothers to
E* (start intro)
come.
E* A |B A(E)(A)|
E A |B A(E)(A)|
Verse 3:
E A F#m A (E)(A)
There has to be a change, I'm sure.
E A F#m B
Today was just a day fading into another. And,
E A F#m A (E)(A)
that can't be what a life is for
E A F#m B
The only thing she said was she feels a lot better. And,
A B
that's all that really matters to
E
me. 'Cuz we've waited...
C#m G#m
Soooooooo long, for
A E B
someone to take us back home. It just takes...
G#m C#m
Soooooooo long
A E A E
Meanwhile the day’s are driftin' away and
A E C#m
some of us sink like we're stoooooooo-
B A B
-one! Waiting for mothers to
E* (start outro)
come.
Guitar Solo & Outro (using Intro chords):
E* A |B A(E)(A)|
E A |B A(E)(A)|
E A |
I wanna know, I wanna know
B A (E) (A) |
I wanna know, I don't wanna know
(repeat a bunch, then...)
E A
I wanna know, I wanna know
B A (E) (A)
All I really know is I don't wanna know
(repeat a bunch, then last time play...)
E A (slow down)
I wanna know, I wanna know
B A
All I really know is
E A
I don't wanna
E (single strum)
know
-C.Hall
Counting Crows
*** Capo on 1 ***
The previous version was close, but some of the chords sounded weird and he
missed a couple of key spots. I think I've figure them out, and tranposed
this into a set of chords that work really nice -- many pair above, below
each other on same frets and make intuitive slides in the progression. These
chords appear to have F basses often, example B/F anc C/F. Well, this is
much easier with capo as A/E and B/E (just leave top E open).
(Updated: I corrected the intro and outro, which are not the same as the
verse chords as suggested. I also realized the timing was off, and that is
now reflected correctly.)
Great song, one of my CC favorites. Take it nice and mellow.
Chords: (Capo on 1 brings chords to key of F)
E - 022100
A - x02220 (often A/E, 002220)
F#m - 244222
B - x24442
C#m - x46654
G#m - 466444
> = slide up
< = slide down
~ = ring (and/or rake)
Section detail
--------------
Intro:
1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |
E A |B* A (E)(A)| (*B/E, 024442)
/ /// / /// / /// / / /
E A |B* A (E)(A)| (*E/B, x22100, but B is fine)
/ /// / /// / /// / / /
(note: second line's B is closer to an E. But, it is most important to hit
the B note, in E/B or B, so I list it as a B)
Verse:
1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |
E A |F#m A (E)(A)|
/ /// / /// / /// / / /
E A |F#m B |
/ /// / /// / /// / ///
E A |F#m A (E)(A)|
/ /// / /// / /// / / /
E A |F#m B |
/ /// / /// / /// / //<
A B |E |
/ //> / /// / (/ / /)
Chorus:
1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |
C#m |G#m |
/ /// / /// / /// / ///
A E |B |
/ /// / /// / /// / / /
G#m |C#m |
/ /// / /// /~ / //
A E |A E |
/ /// / /// / /// / ///
A E |C#m |
/ /// / /// / /// / / /
B |A B |
/ / //< / //> / ///
E* (start intro)
/
=======
Okay, let's get into it...
Intro: (really piano, play chords faintly)
E A |B A(E)(A)|
E A |B A(E)(A)|
(repeat)
Verse 1 & 2:
E A |F#m A (E)(A) |
If I could make it rain to-day,
E A |F#m B |
And wash away this sunny day down to the gutter, I
E A |F#m A (E)(A) |
would, justa getta change of pace.
E A |F#m B |
Things are getting worse, but I feel a lot better, and
A B |E |
that's all that really matters to me.
E A F#m A (E)(A)
Amy hit the at-mo-sphere
E A F#m B
Caught herself a rocket ride out of this gutter. And,
E A F#m A (E)(A)
she's never coming back, I fear.
E A F#m B
Any time it rains she just feels a lot better, and
A B
that's all that really matters to
E
me. (We've waited...)
Chorus:
C#m |G#m |
Sooooooooo-ooo-ooo-ooo long, for
A E |B |
someone to take us back home. It just takes...
G#m |C#m |
Sooooooooo-ooo-o-o-ooo long!
A E |A E |
Meanwhile the days are driftin' a-way and
A E |C#m |
some of us sink like a stoooooooo-ooo-ooo-ooo-
B |A B |
-ne! Waiting for mothers to
E* (start intro)
come.
E* A |B A(E)(A)|
E A |B A(E)(A)|
Verse 3:
E A F#m A (E)(A)
There has to be a change, I'm sure.
E A F#m B
Today was just a day fading into another. And,
E A F#m A (E)(A)
that can't be what a life is for
E A F#m B
The only thing she said was she feels a lot better. And,
A B
that's all that really matters to
E
me. 'Cuz we've waited...
C#m G#m
Soooooooo long, for
A E B
someone to take us back home. It just takes...
G#m C#m
Soooooooo long
A E A E
Meanwhile the day’s are driftin' away and
A E C#m
some of us sink like we're stoooooooo-
B A B
-one! Waiting for mothers to
E* (start outro)
come.
Guitar Solo & Outro (using Intro chords):
E* A |B A(E)(A)|
E A |B A(E)(A)|
E A |
I wanna know, I wanna know
B A (E) (A) |
I wanna know, I don't wanna know
(repeat a bunch, then...)
E A
I wanna know, I wanna know
B A (E) (A)
All I really know is I don't wanna know
(repeat a bunch, then last time play...)
E A (slow down)
I wanna know, I wanna know
B A
All I really know is
E A
I don't wanna
E (single strum)
know
-C.Hall
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