Biografia:
Ativa desde 1995 e formada em 2001 com seu nome atual, Coheed and Cambria é uma banda de alternative rockprogressive americana de Nyack, Nova York. O grupo, considerado por alguns como new prog, incorpora aspectos de progressive rock, punk rock, metal e post-hardcore.
A banda possui seis álbuns de estúdio, e seu sexto álbum, intitulado The Afterman, foi lançado em duas partes, Ascension e Descension, a primeira foi lançada em 9 de outubro de 2012 e a segunda em 5 de fevereiro de 2013.
Read more on Last.fm
Outras músicas:
- Far
- In Keeping Secrets Of Silent Earth 3
- Mother Superior
- Random Reality Shift
- Wake Up
- Welcome Home
- en-US
- 2S My Favorite 1
- 33
- A Favor House Atlantic
- Atlas
- Away We Go
- Black Sunday
- Blood Red Summer
- Colors
- Cuts Marked In The March Of Men
- Dark Side Of Me
- Deranged
- Devil In Jersey City
- Eraser
- Everything Evil
- Feathers
- Here To Mars
- Here We Are Juggernaut
- I Shall Be Released
- Iron Fist
- Island
- Junesong Provision
- Justice In Murder
- Key Entity Extraction V Sentry The Defiant
- Lucky Stars
- Number City
- Old Flames
- Once Upon Your Dead Body
- Peace To The Mountain
- Pearl Of The Stars
- The Afterman
- The Camper Velourium I Faint Of Hearts
- The Camper Velourium Iii Al The Killer
- The Crowing
- The Dark Sentencer
- The Echomaker
- The End Complete Ii Radio Bye Bye
- The End Complete Iv The Road And The Damned
- The Gutter
- The Hound Of Blood And Rank
- The Light And The Glass
- The Pavilion A Long Way Back
- The Running Free
- The Suffering
- Three Evils Embodied In Love And Shadow
- Time Consumer
- Unheavenly Creatures
- Young Love
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
All i've ever wanted with guitar is to strum some chords and jam out my favorite songs.
Disclaimer: I use Asus2 in the verses. I feel it emphasizes the G more when it hits towards the end of
each line and doesn't stray far at all from the original. I dig it, if you don't like you can always just
replace the verse Asus2 with G.
[Intro]
Hee-hee, Shabutie
[Verse 1]
B5 D5
New Jersey bound, when sound asleep
Asus2 G B5
They'll find you at your most vulnerable poll position
D5
Speak up, let out, when down the street
Asus2 G
The corner boys fuck shit up
[Pre-Chorus]
B5 D5
Scream loud, scream sayonara oh hu-oh
Asus2 G
Sweet Josephine, will you follow me home?
B5 D5
Scream loud, scream sayonara oh hu-oh
Asus2 G
Sweet Josephine, will you fuck me back home?
[Chorus]
(Briskly, you'll have to play with it a little, listen to the song for reference, of course.)
G A5 B5 A5 B5 A5 B5 A5 A5 A5 B5 A5 B5 A5 B5 A5 G
Let's fire it uuuuoooop, ha-ha, now
G A5 B5 A5 B5 A5 B5 A5 A5 A5 B5 A5 B5 A5 B5 A5 G
Let's fire it uuuuoooop, ha-ha, now
G Asus2
Sayonara!
[Post-Chorus]
G
Don't let them scare you
B5 A
When you're down on the floor bleeding bastard
G
You'll be getting home real soon
Asus2
And I'll pray for you high health
G
Don't let them scare you
B5 A
When you're down on the floor bleeding bastard
G
You'll be getting home real soon
[Verse 2]
B5 D5
Speak up, let out, caught in the crossfire
Asus2 G
Compared to the step to the bone that might break
B5 D5
It's too late to find a better way out of this
Asus2 G
With the finest regards that I lost in the cracks of this street
[Pre-Chorus]
B5 D5
Scream loud, scream sayonara
(Wide open, now your're dead and gone.)
Asus2 G
Sweet Josephine, will you follow me home?
B5 D5
Scream loud, scream sayonara
Asus2 G
Sweet Josephine, will you fuck me back home?
[Chorus]
G A5 B5 A5 B5 A5 B5 A5 A5 A5 B5 A5 B5 A5 B5 A5 G
Let's fire it uuuuoooop, ha-ha, now
G A5 B5 A5 B5 A5 B5 A5 A5 A5 B5 A5 B5 A5 B5 A5 G
Let's fire it uuuuoooop, ha-ha, now
G Asus2
Sayonara!
[Post-Chorus]
G
Don't let them scare you
B5 A
When you're down on the floor bleeding bastard
G
You'll be getting home real soon
Asus2
And I'll pray for you high health
G
Don't let them scare you
B5 A
When you're down on the floor bleeding bastard
G
You'll be getting home real soon
[Bridge]
A G A G A G A
At the end of the A I play the 3rd fret of the B String and lift off that to G.
Instead of playing G with 3rd fret on B and high E (ring and pinkie),
I play third fret B (ring/optional) and 5th fret high E (pinkie).
This makes some of that nice shiney sound played in the bridge before the end of the song.
A G
(Don't let them scare you)
[Outro]
B5 D5 B5 C#5 B5 D5 B5 C#5 G
(Take me home) When you run, they'll follow you
B5 D5 B5 C#5 B5 D5 B5 C#5 G
(Take me home) When you run, they'll follow you
B5 D5 B5 C#5 B5 D5 B5 C#5 G
(Take me home) When you run, they'll follow you
B5 D5 B5 C#5 B5 D5 B5 C#5
(Take me home)
Disclaimer: I use Asus2 in the verses. I feel it emphasizes the G more when it hits towards the end of
each line and doesn't stray far at all from the original. I dig it, if you don't like you can always just
replace the verse Asus2 with G.
[Intro]
Hee-hee, Shabutie
[Verse 1]
B5 D5
New Jersey bound, when sound asleep
Asus2 G B5
They'll find you at your most vulnerable poll position
D5
Speak up, let out, when down the street
Asus2 G
The corner boys fuck shit up
[Pre-Chorus]
B5 D5
Scream loud, scream sayonara oh hu-oh
Asus2 G
Sweet Josephine, will you follow me home?
B5 D5
Scream loud, scream sayonara oh hu-oh
Asus2 G
Sweet Josephine, will you fuck me back home?
[Chorus]
(Briskly, you'll have to play with it a little, listen to the song for reference, of course.)
G A5 B5 A5 B5 A5 B5 A5 A5 A5 B5 A5 B5 A5 B5 A5 G
Let's fire it uuuuoooop, ha-ha, now
G A5 B5 A5 B5 A5 B5 A5 A5 A5 B5 A5 B5 A5 B5 A5 G
Let's fire it uuuuoooop, ha-ha, now
G Asus2
Sayonara!
[Post-Chorus]
G
Don't let them scare you
B5 A
When you're down on the floor bleeding bastard
G
You'll be getting home real soon
Asus2
And I'll pray for you high health
G
Don't let them scare you
B5 A
When you're down on the floor bleeding bastard
G
You'll be getting home real soon
[Verse 2]
B5 D5
Speak up, let out, caught in the crossfire
Asus2 G
Compared to the step to the bone that might break
B5 D5
It's too late to find a better way out of this
Asus2 G
With the finest regards that I lost in the cracks of this street
[Pre-Chorus]
B5 D5
Scream loud, scream sayonara
(Wide open, now your're dead and gone.)
Asus2 G
Sweet Josephine, will you follow me home?
B5 D5
Scream loud, scream sayonara
Asus2 G
Sweet Josephine, will you fuck me back home?
[Chorus]
G A5 B5 A5 B5 A5 B5 A5 A5 A5 B5 A5 B5 A5 B5 A5 G
Let's fire it uuuuoooop, ha-ha, now
G A5 B5 A5 B5 A5 B5 A5 A5 A5 B5 A5 B5 A5 B5 A5 G
Let's fire it uuuuoooop, ha-ha, now
G Asus2
Sayonara!
[Post-Chorus]
G
Don't let them scare you
B5 A
When you're down on the floor bleeding bastard
G
You'll be getting home real soon
Asus2
And I'll pray for you high health
G
Don't let them scare you
B5 A
When you're down on the floor bleeding bastard
G
You'll be getting home real soon
[Bridge]
A G A G A G A
At the end of the A I play the 3rd fret of the B String and lift off that to G.
Instead of playing G with 3rd fret on B and high E (ring and pinkie),
I play third fret B (ring/optional) and 5th fret high E (pinkie).
This makes some of that nice shiney sound played in the bridge before the end of the song.
A G
(Don't let them scare you)
[Outro]
B5 D5 B5 C#5 B5 D5 B5 C#5 G
(Take me home) When you run, they'll follow you
B5 D5 B5 C#5 B5 D5 B5 C#5 G
(Take me home) When you run, they'll follow you
B5 D5 B5 C#5 B5 D5 B5 C#5 G
(Take me home) When you run, they'll follow you
B5 D5 B5 C#5 B5 D5 B5 C#5
(Take me home)
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