Biografia:
Andrew Lloyd Webber (Londres, 22 de março de 1948) é um compositor e produtor musical britânico, oriundo de uma família de músicos, e por muitos considerado um dos compositores teatrais de maior renome do fim do século XX.
É autor de obras que mantiveram com grande êxito tanto na Broadway com em West End. Durante a sua carreira, produziu quinze musicais, dois filmes, entre outras obras, tendo acumulado ainda um número de honras e prémios
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Outras músicas:
- (there's) One More Angel In Heaven
- All I Ask Of You
- Angel Of Music
- Close Every Door
- Don't Cry For Me Argentina
- Heaven On Their Minds
- Jesus Must Die
- King Herod's Song
- Memory
- Music Of The Night
- On This Night Of A Thousand Stars
- Passa Il Ponte Fra Noi Due
- Phantom Of The Opera
- The Last Supper (from 'jesus Christ Superstar')
- The Phantom Of The Opera
- Theme To The Phantom Of The Opera
- Think Of Me (from The Phantom Of The Opera)
- Till I Hear You Sing
- Wishing You Were Somehow Here Again
- Wishing You Were Somehow Here Agian
- Think Of Me
- Another Suitcase In Another Hall
- Any Dream Will Do
- Bathing Beauty
- Beneath A Moonless Sky
- Blood Money
- Could We Start Again Please
- Devil Take The Hindmost
- Dont Cry For Me Argentina
- Du Allein
- Everythings Alright
- Gethsemane
- Go Go Go Joseph
- Gus The Theatre Cat
- Hilf Mir Verstehen
- I Dont Know How To Love Him
- Id Be Surprisingly Good For You
- If Only You Would Listen
- Jacob And Sons
- Jellicle Songs For Jellicle Cats
- Joseph And The Amazing Technicolor Dreamcoat
- King Herods Song
- Lament
- Learn To Be Lonely
- Look With Your Heart
- Love Never Dies
- Macavity The Mystery Cat
- Masquerade
- Mr Mistoffelees
- Mungojerrie And Rumpleteazer
- No One Would Listen
- Notes
- Oh What A Circus
- Once Upon Another Time
- Pharaoh Story
- Pilates Dream
- Prima Donna
- Prologue
- Shed Be Far Better Off With You
- Skimbleshanks The Railway Cat
- Starlight Express
- Superstar
- Take That Look Off Your Face
- Tell Me On A Sunday
- The Battle Of The Pekes And The Pollicles
- The Last Supper
- The Mirror Angel Of Music
- The Music Of The Night
- The Point Of No Return
- The Rum Tum Tugger
- The Vaults Of Heaven
- Then We Are Decided
- Theres Me
- This Jesus Must Die
- Those Canaan Days
- Where Did The Rock Go
- Why Does She Love Me
- Why Have You Brought Me Here Raoul Ive Been There
- Wishing You Were Somehow Here Again Wandering Child
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
ANDRE:
Your public needs you!
FIRMIN:
We need you, too!
CARLOTTA:
Would you not rather have your precious little ingenue?
ANDRE/FIRMIN:
C
Signora, no! The world wants you!
Prima donna, first lady of the stage!
Am G
Your devotees are on their knees to im-plore you!
ANDRE:
Dm G F Em Am
Can you bow out when they're shouting your name?
FIRMIN:
F C/E Bb7 G
Think of how they all a-dore you!
BOTH:
C
Prima donna, enchant us once again!
ANDRE:
Think of your muse
FIRMIN:
C7 F
And of the queues round the theatre!
BOTH WITH PIANGI:
Dm G F Em7 Am
Can you de-ny us the tri-umph in store?
Dm G7 C7
Sing, prima donna, once more!
RAOUL:
C7 F
Chris-tine spoke of an angel...
CARLOTTA:
F
Prima donna, your so-ong shall live again
(ANDRE/FIRMIN:
F
Think of your public!)
CARLOTTA:
F Dm C
You took a snub but there's a public who needs you!
[GIRY:
Dm C
We have heard the voice of the angel]
(ANDRE/FIRMIN:
C Gm
Those who hear your voice liken you to an angel!)
CARLOTTA:
Gm C Am7 Dm
Think of their cry of un-dying sup-port!
(ANDRE:
Bb
We get our opera
FIRMIN:
F/A
She gets her limelight!)
CARLOTTA:
Bb F/A Eb7 C7
Follow where the lime-light leads you!
(ANDRE/FIRMIN:
C7 F
Leading ladies are a trial!)
CARLOTTA:
F
Prima donna, your song shall never die!
(PIANGI:
F
When she sings we see heaven)
CARLOTTA:
F7 Bb
You'll sing a-gain, and to unending o-vation!
(RAOUL:
F7 Bb
Orders! Warnings! Lunatic demands!)
[ANDRE/FIRMIN:
F7 Bb Gm7
Tears... Oaths... Lunatic demands are regular oc-currences!]
CARLOTTA:
Gm C Bb Am Dm
Think how you'll shine in that final en-core!
Gm C7 Fm
Sing, prima donna, once more!
RAOUL:
Gm
Surely, for her sake...
(ANDRE/FIRMIN:
Gm C7
Surely there'll be further scenes - worse than this!)
[RAOUL:
Fm Bb
...I must see these demands are rejected!]
ANDRE/FIRMIN:
Bb
Who'd believe a diva happy to relieve a chorus girl,
F
Who's gone and slept with her pat-ron?
Bb
Raoul and his soubrette, entwined in love's duet!
F7
Al-though he may demur, he must have been with her!
(CARLOTTA
Bb
O, fortunata!
F7
Non ancor
Cm
Abbandonata!)
ANDRE/FIRMIN:
Cm F7
You'd never get away with all this in a play,
Dm7 Gm
But if it's loudly sung and in a foreign tongue,
Eb Bb/D Ab F
It's just the sort of story audiences adore, in fact, a perfect opera!
GIRY/MEG:
Bb
For (But) if his curse is on this opera...
COMPANY:
Bb
Prima donna, the world is at your feet!
Bb7 Eb
A nation waits, and how it hates to be cheated!
(song slows down)
Cm F Eb Dm Cm
Light up that stage with that age-old rap-port!
(Strum rapidly and VERY loudly)
F NC
Sing, prima donna...
(COMPANY takes a HUGE gulp of air, watch out for Carlotta's very high D notes.)
Bb Edim B Edim NC
ONCE MORE!
(Curtain closes)
Bb Bb/D Bb/F...
Intro to another song.
Your public needs you!
FIRMIN:
We need you, too!
CARLOTTA:
Would you not rather have your precious little ingenue?
ANDRE/FIRMIN:
C
Signora, no! The world wants you!
Prima donna, first lady of the stage!
Am G
Your devotees are on their knees to im-plore you!
ANDRE:
Dm G F Em Am
Can you bow out when they're shouting your name?
FIRMIN:
F C/E Bb7 G
Think of how they all a-dore you!
BOTH:
C
Prima donna, enchant us once again!
ANDRE:
Think of your muse
FIRMIN:
C7 F
And of the queues round the theatre!
BOTH WITH PIANGI:
Dm G F Em7 Am
Can you de-ny us the tri-umph in store?
Dm G7 C7
Sing, prima donna, once more!
RAOUL:
C7 F
Chris-tine spoke of an angel...
CARLOTTA:
F
Prima donna, your so-ong shall live again
(ANDRE/FIRMIN:
F
Think of your public!)
CARLOTTA:
F Dm C
You took a snub but there's a public who needs you!
[GIRY:
Dm C
We have heard the voice of the angel]
(ANDRE/FIRMIN:
C Gm
Those who hear your voice liken you to an angel!)
CARLOTTA:
Gm C Am7 Dm
Think of their cry of un-dying sup-port!
(ANDRE:
Bb
We get our opera
FIRMIN:
F/A
She gets her limelight!)
CARLOTTA:
Bb F/A Eb7 C7
Follow where the lime-light leads you!
(ANDRE/FIRMIN:
C7 F
Leading ladies are a trial!)
CARLOTTA:
F
Prima donna, your song shall never die!
(PIANGI:
F
When she sings we see heaven)
CARLOTTA:
F7 Bb
You'll sing a-gain, and to unending o-vation!
(RAOUL:
F7 Bb
Orders! Warnings! Lunatic demands!)
[ANDRE/FIRMIN:
F7 Bb Gm7
Tears... Oaths... Lunatic demands are regular oc-currences!]
CARLOTTA:
Gm C Bb Am Dm
Think how you'll shine in that final en-core!
Gm C7 Fm
Sing, prima donna, once more!
RAOUL:
Gm
Surely, for her sake...
(ANDRE/FIRMIN:
Gm C7
Surely there'll be further scenes - worse than this!)
[RAOUL:
Fm Bb
...I must see these demands are rejected!]
ANDRE/FIRMIN:
Bb
Who'd believe a diva happy to relieve a chorus girl,
F
Who's gone and slept with her pat-ron?
Bb
Raoul and his soubrette, entwined in love's duet!
F7
Al-though he may demur, he must have been with her!
(CARLOTTA
Bb
O, fortunata!
F7
Non ancor
Cm
Abbandonata!)
ANDRE/FIRMIN:
Cm F7
You'd never get away with all this in a play,
Dm7 Gm
But if it's loudly sung and in a foreign tongue,
Eb Bb/D Ab F
It's just the sort of story audiences adore, in fact, a perfect opera!
GIRY/MEG:
Bb
For (But) if his curse is on this opera...
COMPANY:
Bb
Prima donna, the world is at your feet!
Bb7 Eb
A nation waits, and how it hates to be cheated!
(song slows down)
Cm F Eb Dm Cm
Light up that stage with that age-old rap-port!
(Strum rapidly and VERY loudly)
F NC
Sing, prima donna...
(COMPANY takes a HUGE gulp of air, watch out for Carlotta's very high D notes.)
Bb Edim B Edim NC
ONCE MORE!
(Curtain closes)
Bb Bb/D Bb/F...
Intro to another song.
Andrew White
Andrius Mamontov (...)
Andy Gibb
Andy Grammer
Andy Kaufman
Angel Taylor
Angel Xiong
Angela Aki
Angela Bofill
Angela Moyra