Biografia:
Formado em Los Angeles, em 1998, o Rilo Kiley é Jenny Lewis e mais Blake Sennet, Pierre de Reeder e Jason Boesel. Depois de três anos tocando em buracos e toda sorte de lugares e biroscas, o RK conseguiu lançar seu primeiro disco, chamado Take Offs And Landings, através de um contrato com o selo independente Barsuk Records, o mesmo de Nada Surf e Death Cab For Cutie.
Logo ficou evidente o carisma da vocalista ruivinha que dava o mimo pop para as guitarrices indie que Sennet capitaneava.
Read more on Last.fm
Outras músicas:
- 15
- 85
- A Better Son. Daughter
- Accidntel Deth
- Bulletproof
- Close Call
- It Just Is
- It's A Hit
- Let Me Back In (i Love L.a.)
- Ripchord
- Salute My Shorts
- Silver Lining
- Sword
- Under The Blacklight
- With Arms Outstretched
- A Better Son Daughter
- A Man Me Then Jim
- About The Moon
- Always
- Asshole
- August
- Bonus Track
- Breakin Up
- Bury Bury Bury Another
- Capturing Moods
- Does He Love You
- Dont Deconstruct
- Emotional
- Go Ahead
- Gravity
- I Love La
- I Never
- I Remember You
- Itll Get You There
- Its A Hit
- Jenny Youre Barely Alive
- More Adventurous
- My Slumbering Heart
- Papillon
- Patiently
- Pictures Of Success
- Plane Crash In C
- Portions For Foxes
- Pull Me In Tighter
- Rest Of My Life
- Room 8
- Science Vs Romance
- Small Figures In A Vast Expanse
- So Long
- Somebody Elses Clothes
- Steve
- Take Offs And Landings
- Teenage Love Song
- The Execution Of All Things
- Three Hopeful Thoughts
- Well Never Sleep God Knows Well Try
- Wires And Waves
- With Arms Outsteched
- Xmas Cake
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
This is basically a stripped down, solo acoustic version. If you wanna play electric,
try using the bar chords.
intro (i play this twice):
e----------------15------|
B-----------15-----------|
G--7---12----------------|
D------------------------|
A------------------------|
E------------------------|
For the C chord, pluck the strings in this order: A D B G D G
For the Fmaj7 chord, pluck the strings in this order: D G B G D G (sometimes switch out the B with the
E string)
C Fmaj7 x6
Verse 1:
C Fmaj7
I'm just of real sad folk
C Fmaj7
And '85 was our best year
C Fmaj7
And she says it gets much worse
C Fmaj7
Before it gets any better
Prechorus, strummed (you can absolutely still pluck this, i just play it this way):
Am G Fmaj7
So I take it with a grain of salt for the other means
Am G Fmaj7 (hold)
I wonder why it doesn't keep her up at night
Like it does me
(under a solo)
C Fmaj7 x2
Verse 2:
C Fmaj7
We talk the way you do
C Fmaj7
I have a sweet or two
C Fmaj7
For my only plus you say
C Fmaj7
They're getting bigger everyday
Pre-chorus:
Am G Fmaj7
So I take it with a grain of salt for the other means
Am G Fmaj7 (hold)
I wonder why it doesn't keep him up at night
Like it does me
(under a solo)
C Fmaj7 x2
Chorus:
Am G Fmaj7
I'll be in your car
Am G Fmaj7
I locked the keys in your car
Am G Fmaj7
I'll be in your car for now
C Fmaj7 x2
Verse 3:
C Fmaj7
You wanna fool around? I ask
C Fmaj7
I get a sour reply
C Fmaj7
From the other wheel
C Fmaj7
That always rises to the occasion
Pre-chorus:
Am G Fmaj7
So I take it with a grain of salt for the other means
Am G Fmaj7 (hold)
I wonder why it doesn't keep you up at night
(under a solo)
C Fmaj7 x 2
Chorus:
Am G Fmaj7
I'll be in your car
Am G Fmaj7
I locked the keys in your car
Am G Fmaj7
I'll be in your car for now
(under another solo)
C Fmaj7 x a lot
hold an Fmaj7 at some point and then strum the chords each only once and holding it:
C Fmaj7 x 2
then, again strumming each chord only once and holding it:
Verse 4:
C Fmaj7 C
I've been a mess for some time now
Fmaj7
I get what I deserve
C Fmaj7 C
For someone who leaves behind a life
Fmaj7
I can't do better
Pre-chorus:
Am G Fmaj7
So I take it with a grain of salt for the other means
Am G Fmaj7 (hold)
I wonder why it doesn't keep you up at night
(Up at night, up at night, up at night)
Like it does me
C Fmaj7 to close it out, under a final solo
try using the bar chords.
intro (i play this twice):
e----------------15------|
B-----------15-----------|
G--7---12----------------|
D------------------------|
A------------------------|
E------------------------|
For the C chord, pluck the strings in this order: A D B G D G
For the Fmaj7 chord, pluck the strings in this order: D G B G D G (sometimes switch out the B with the
E string)
C Fmaj7 x6
Verse 1:
C Fmaj7
I'm just of real sad folk
C Fmaj7
And '85 was our best year
C Fmaj7
And she says it gets much worse
C Fmaj7
Before it gets any better
Prechorus, strummed (you can absolutely still pluck this, i just play it this way):
Am G Fmaj7
So I take it with a grain of salt for the other means
Am G Fmaj7 (hold)
I wonder why it doesn't keep her up at night
Like it does me
(under a solo)
C Fmaj7 x2
Verse 2:
C Fmaj7
We talk the way you do
C Fmaj7
I have a sweet or two
C Fmaj7
For my only plus you say
C Fmaj7
They're getting bigger everyday
Pre-chorus:
Am G Fmaj7
So I take it with a grain of salt for the other means
Am G Fmaj7 (hold)
I wonder why it doesn't keep him up at night
Like it does me
(under a solo)
C Fmaj7 x2
Chorus:
Am G Fmaj7
I'll be in your car
Am G Fmaj7
I locked the keys in your car
Am G Fmaj7
I'll be in your car for now
C Fmaj7 x2
Verse 3:
C Fmaj7
You wanna fool around? I ask
C Fmaj7
I get a sour reply
C Fmaj7
From the other wheel
C Fmaj7
That always rises to the occasion
Pre-chorus:
Am G Fmaj7
So I take it with a grain of salt for the other means
Am G Fmaj7 (hold)
I wonder why it doesn't keep you up at night
(under a solo)
C Fmaj7 x 2
Chorus:
Am G Fmaj7
I'll be in your car
Am G Fmaj7
I locked the keys in your car
Am G Fmaj7
I'll be in your car for now
(under another solo)
C Fmaj7 x a lot
hold an Fmaj7 at some point and then strum the chords each only once and holding it:
C Fmaj7 x 2
then, again strumming each chord only once and holding it:
Verse 4:
C Fmaj7 C
I've been a mess for some time now
Fmaj7
I get what I deserve
C Fmaj7 C
For someone who leaves behind a life
Fmaj7
I can't do better
Pre-chorus:
Am G Fmaj7
So I take it with a grain of salt for the other means
Am G Fmaj7 (hold)
I wonder why it doesn't keep you up at night
(Up at night, up at night, up at night)
Like it does me
C Fmaj7 to close it out, under a final solo
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