Biografia:
Mary Hopkins (3 de Maio, 1950) nascida no País de Gales, no Reino Unido, é uma cantora folk autora da famosa música Those Were The Days, produzida em 1968 por Paul McCartney, versão original da música cantada no Show de Calouros do Silvio Santos. Seu primeiro single foi gravado em galês, língua que era usada normalmente por sua família. Casada com o produtor musical Tony Visconti, já gravou canções de autoria de David Bowie, Cat Stevens, Julian Lloyd Weber, dentre outros. Toca violão.
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Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Let My Name Be Sorrow:Mary Hopkin.
#46 in UK on APPLE Records in 1971.
INTRO: D Em7 Gbm Dm Gm G Gm G D A
D Dm
#1.
Dm Em7 F Bm G
When I watch you sadly going when all you
D Gm A Dm B
can say is no, let my name be sorrow, let
G Fm C A
my name be sorrow.
#2.
Dm A Dm D Gm A
When I long to see you smiling when your fear
Am7 Gm A Gm Dm
just won't let go..let my name be sorrow,
B G Fm C
let my name be sorrow.
BRIDGE:
Am7 D G Dm
Once we had laughs as big as lies, we had
E Am Gbm Bm B E
lies as sweet as youth, til one morning for us
Em7 A
two, all was ov--er.
#2.
D A F Gb Gm7 Am7
When the dawn is softly showing, darkness lingers
G A Dm G
on your brow..let my name be sorrow, let my name
C
be sorrow.
#3.
Dm D Dm D G D
When the roses we were growing lose their petals
G Gm7 A D Dm Bm G
one by one, let my name be sorrow, let my name be
C A
sorrow.
BRIDGE:
Am7 D G Dm
Once we had laughs as big as lies, we had
E Am Gbm Bm B E
lies as sweet as youth, til one morning for us
Em7 A
two, all was ov--er.
#4.
D A D Gbm G A
You didn't have to say I love you when your heart is
Bb G Gm7 A Dm G
far behind..just let my name be sorrow, let my name
F C
be sorrow.
INTERLUDE:OUTRO: D A F D G A Bb Gm7..Dbm A Dm G Ab C..
A D E Gbm Dm Gm7..D G A D
A seventies smash from Kraziekhat.
#46 in UK on APPLE Records in 1971.
INTRO: D Em7 Gbm Dm Gm G Gm G D A
D Dm
#1.
Dm Em7 F Bm G
When I watch you sadly going when all you
D Gm A Dm B
can say is no, let my name be sorrow, let
G Fm C A
my name be sorrow.
#2.
Dm A Dm D Gm A
When I long to see you smiling when your fear
Am7 Gm A Gm Dm
just won't let go..let my name be sorrow,
B G Fm C
let my name be sorrow.
BRIDGE:
Am7 D G Dm
Once we had laughs as big as lies, we had
E Am Gbm Bm B E
lies as sweet as youth, til one morning for us
Em7 A
two, all was ov--er.
#2.
D A F Gb Gm7 Am7
When the dawn is softly showing, darkness lingers
G A Dm G
on your brow..let my name be sorrow, let my name
C
be sorrow.
#3.
Dm D Dm D G D
When the roses we were growing lose their petals
G Gm7 A D Dm Bm G
one by one, let my name be sorrow, let my name be
C A
sorrow.
BRIDGE:
Am7 D G Dm
Once we had laughs as big as lies, we had
E Am Gbm Bm B E
lies as sweet as youth, til one morning for us
Em7 A
two, all was ov--er.
#4.
D A D Gbm G A
You didn't have to say I love you when your heart is
Bb G Gm7 A Dm G
far behind..just let my name be sorrow, let my name
F C
be sorrow.
INTERLUDE:OUTRO: D A F D G A Bb Gm7..Dbm A Dm G Ab C..
A D E Gbm Dm Gm7..D G A D
A seventies smash from Kraziekhat.
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