Biografia:
Alexandra "Sandy" Elene MacLean Denny (Londres, 6 de janeiro de 1947 — Londres, 21 de abril de 1978) foi um cantora e compositora britânica.
O folk rock inglês tem suas estrelas. Uma das cantoras mais celebradas da cena folk britânica, Sandy Denny (nascida em 6 de janeiro de 1947 em Londres), que ganhou respeito com o grupo Fairport Convention, e no auge da fama abandonou o grupo para gravar um dos discos mais esquecidos de uma das bandas mais esquecidas de todos os tempos: Fotheringay
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Outras músicas:
- 3 10 To Yuma
- Banks Of The Nile
- Carnival
- Crazy Lady Blues
- Im A Dreamer
- It Suits Me Well
- Itll Take A Long Time
- John The Gun
- Late November
- Like An Old Fashioned Waltz
- Listen Listen
- No More Sad Refrains
- Nothing More
- Sail Away To The Sea
- Silver Threads And Golden Needles
- Solo
- The North Star Grassman And The Ravens
- Until The Real Thing Comes Along
- Who Knows Where The Sun
- Who Knows Where The Time Goes
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
From the album "Like an old fashioned waltz" (1974).
Acoustic version on "I've Always Kept a Unicorn - The Acoustic Sandy Denny" (2016).
Listen: https://www.youtube.com/watch?v=d3RJWbvhi_U
The falling baselines in the verse are crucial to the song, so the bass notes must be played:
First from F sharp down to G and in the second half from G to A.
One way is to start the progression with a barre on 7th freth
e: x x x x x x 3 and then x x x x x x 5
b: 10 8 7 2 3 2 3 12 10 8 7 2 3 2
G: 7 9 7 2 5 2 0 12 7 9 7 2 5 2
D: 7 9 7 2 5 2 0 12 7 9 7 2 5 2
A: 9 7 5 4 2 0 2 10 9 7 5 4 2 0
E: x x x x x x 3 x x x x x x x
Sandy's singing in the chorus is very rubato; take the chord placements as an approximation.
[Verse 1]
D/F# Em D A/C#
Good morning, good afternoon,
Bm A G
and what have you got to say?
G D/F# Em D
Well I'm waiting, but I can't stay long,
A/C# Bm A
it's such a lovely day.
D/F# Em D A/C#
There's a time to be talking
Bm A G
and a time when it's no use.
G D/F# Em D
Right now I think the things you say
A/C# Bm A
are liable to confuse.
[Chorus]
D G
I've just gone solo.
D G
Do you play solo?
D A G D
Ain't life a solo?
[Verse 2]
D/F# Em D A/C#
What a wonderful way to live,
Bm A G
She's travelling all over the world.
G D/F# Em
Why, the fame and all the golden
D A/C# Bm A
Opportunities unfurled.
D/F# Em D A/C#
No time for the gent with the Mulliner Bentley
Bm A G
And heaven knows what else.
G D/F# Em D
Why, he wouldn't even stand a chance
A/C# Bm A
With all his oilwells.
[Chorus]
D G
She just went solo.
D G
Do you play solo?
D A G D
Ain't life a solo?
[Verse 3]
D/F# Em D A/C#
I've always lived in a mansion
Bm A G
On the other side of the moon.
G D/F# Em D
I've always kept a unicorn
A/C# Bm A
And I never sing out of tune.
D/F# Em D A/C#
I could tell you that the grass is really greener
Bm A G
On the other side of the hill,
G D/F# Em D
But I can't communicate with you
A/C# Bm A
And I guess I never will.
[Chorus]
D G
We've all gone solo.
D G
We all play solo?
D A G D
Ain't life a solo?
Acoustic version on "I've Always Kept a Unicorn - The Acoustic Sandy Denny" (2016).
Listen: https://www.youtube.com/watch?v=d3RJWbvhi_U
The falling baselines in the verse are crucial to the song, so the bass notes must be played:
First from F sharp down to G and in the second half from G to A.
One way is to start the progression with a barre on 7th freth
e: x x x x x x 3 and then x x x x x x 5
b: 10 8 7 2 3 2 3 12 10 8 7 2 3 2
G: 7 9 7 2 5 2 0 12 7 9 7 2 5 2
D: 7 9 7 2 5 2 0 12 7 9 7 2 5 2
A: 9 7 5 4 2 0 2 10 9 7 5 4 2 0
E: x x x x x x 3 x x x x x x x
Sandy's singing in the chorus is very rubato; take the chord placements as an approximation.
[Verse 1]
D/F# Em D A/C#
Good morning, good afternoon,
Bm A G
and what have you got to say?
G D/F# Em D
Well I'm waiting, but I can't stay long,
A/C# Bm A
it's such a lovely day.
D/F# Em D A/C#
There's a time to be talking
Bm A G
and a time when it's no use.
G D/F# Em D
Right now I think the things you say
A/C# Bm A
are liable to confuse.
[Chorus]
D G
I've just gone solo.
D G
Do you play solo?
D A G D
Ain't life a solo?
[Verse 2]
D/F# Em D A/C#
What a wonderful way to live,
Bm A G
She's travelling all over the world.
G D/F# Em
Why, the fame and all the golden
D A/C# Bm A
Opportunities unfurled.
D/F# Em D A/C#
No time for the gent with the Mulliner Bentley
Bm A G
And heaven knows what else.
G D/F# Em D
Why, he wouldn't even stand a chance
A/C# Bm A
With all his oilwells.
[Chorus]
D G
She just went solo.
D G
Do you play solo?
D A G D
Ain't life a solo?
[Verse 3]
D/F# Em D A/C#
I've always lived in a mansion
Bm A G
On the other side of the moon.
G D/F# Em D
I've always kept a unicorn
A/C# Bm A
And I never sing out of tune.
D/F# Em D A/C#
I could tell you that the grass is really greener
Bm A G
On the other side of the hill,
G D/F# Em D
But I can't communicate with you
A/C# Bm A
And I guess I never will.
[Chorus]
D G
We've all gone solo.
D G
We all play solo?
D A G D
Ain't life a solo?
Sandy Posey
Sandy Rogers
Sandy Yu
Sanford - Townse (...)
Sanford Clark
Sanisah Huri
Sanjeeb Chowdhur (...)
Sanjeep Pradhan
Sanji The Dramma
Sanjosex