Biografia:
Nacida en Los Angeles en 1954, la carrera de la cantante, teclista y compositora Patrice Rushen tuvo su espaldarazo al ganar en 1972 en la Monterey Jazz Festival Competition. Grabó tres álbumes para Prestige, luego fue contratada por Elektra en 1978, tocando jazz/funk/fusion/R&B. Muchas de sus canciones fueron hits del R&B y han sido sampleadas en multitud de ocasiones por otros artistas del hip-hop. Rushen pasó a ser miembro del grupo de jazz The Meeting en los 90 y colaboró con ellos en varios trabajos.
Read more on Last.fm
Outras músicas:
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
"Forget Me Not" by Patrice Rushen
There are just two differently-chorded parts to this song:
1.
F#m7 F#m7 DM7 DM7 EM EM C#m7 C#m7
sending you for-get me nots
---------------------------------------------------
DM7 DM7 Bm7 Bm7 g#m7b5 g#m7b5 C#7#9 C#7#9
to help me to re-mem - ber
---------------------------------------------------
2.
---------------------------------------------------
DM7 DM7 DM7 DM7 Bm7 Bm7 EM EM
those were the ti-imes we had
---------------------------------------------------
F#m7 F#m7 F#m7 F#m7 F#m7 F#m7 F#m7
sharing a joy that we tho-ught wo-uld la-ast
---------------------------------------------------
Keep the chords beating on even 8ths, and sing the lyrics
approximately according to their spacial placement here.
Also, listening to the song would be extremely helpful.
Here are the chords, as I've figured them. Number on the
bottom indicates the fret, "X" means "don't play that
string", number indicate corresponding finger. Omit some
notes, exchange barres for fingertips, etc -- use free-
form. Convention says "minor chord letters in lower case,
major chord letters in upper case". the letter "b" means
"flat".
f#m7 - f sharp minor 7
|---1--|------|------|
|---1--|---2--|------|
|---1--|------|------|
|---1--|------|---3--|
|---1--|------|------|
|------|------|------|X
9
DM7 - D major 7
|---1--|------|------|
|---1--|------|---4--|
|---1--|---2--|------|
|---1--|------|---3--|
|---1--|------|------|
|------|------|------|X
5
EM - E major
|---1--|------|------|
|---1--|------|---3--|
|---1--|------|---3--|
|---1--|------|---3--|
|---1--|------|------|
|------|------|------|X
7
c#m7 - c sharp minor 7
|---1--|------|------|
|---1--|---2--|------|
|---1--|------|------|
|---1--|------|---3--|
|---1--|------|------|
|------|------|------|X
4
bm7 - b minor 7
|---1--|------|------|
|---1--|------|------|
|---1--|------|------|
|---1--|------|------|
|---1--|------|---3--|
|---1--|------|------|
7
g#m7b5 - g sharp minor 7 flat 5
|------|------|------|X
|---1--|------|------|
|------|---4--|------|
|------|---3--|------|
|------|------|------|X
|------|---2--|------|
3
C#7#9 - C sharp 7 sharp 9
|------|------|------|X
|------|------|---4--|
|------|---3--|------|
|---1--|------|------|
|------|---2--|------|
|------|------|------|X
3
Jazz up the rhythm -- the aforementioned "even 8th"s are
just for demonstration purposes.
Figured out by Matthew Teigen, with his mp3 player and
acoustic guitar. My contribution to the internet.
[email protected]
AIM - luminousturtle
There are just two differently-chorded parts to this song:
1.
F#m7 F#m7 DM7 DM7 EM EM C#m7 C#m7
sending you for-get me nots
---------------------------------------------------
DM7 DM7 Bm7 Bm7 g#m7b5 g#m7b5 C#7#9 C#7#9
to help me to re-mem - ber
---------------------------------------------------
2.
---------------------------------------------------
DM7 DM7 DM7 DM7 Bm7 Bm7 EM EM
those were the ti-imes we had
---------------------------------------------------
F#m7 F#m7 F#m7 F#m7 F#m7 F#m7 F#m7
sharing a joy that we tho-ught wo-uld la-ast
---------------------------------------------------
Keep the chords beating on even 8ths, and sing the lyrics
approximately according to their spacial placement here.
Also, listening to the song would be extremely helpful.
Here are the chords, as I've figured them. Number on the
bottom indicates the fret, "X" means "don't play that
string", number indicate corresponding finger. Omit some
notes, exchange barres for fingertips, etc -- use free-
form. Convention says "minor chord letters in lower case,
major chord letters in upper case". the letter "b" means
"flat".
f#m7 - f sharp minor 7
|---1--|------|------|
|---1--|---2--|------|
|---1--|------|------|
|---1--|------|---3--|
|---1--|------|------|
|------|------|------|X
9
DM7 - D major 7
|---1--|------|------|
|---1--|------|---4--|
|---1--|---2--|------|
|---1--|------|---3--|
|---1--|------|------|
|------|------|------|X
5
EM - E major
|---1--|------|------|
|---1--|------|---3--|
|---1--|------|---3--|
|---1--|------|---3--|
|---1--|------|------|
|------|------|------|X
7
c#m7 - c sharp minor 7
|---1--|------|------|
|---1--|---2--|------|
|---1--|------|------|
|---1--|------|---3--|
|---1--|------|------|
|------|------|------|X
4
bm7 - b minor 7
|---1--|------|------|
|---1--|------|------|
|---1--|------|------|
|---1--|------|------|
|---1--|------|---3--|
|---1--|------|------|
7
g#m7b5 - g sharp minor 7 flat 5
|------|------|------|X
|---1--|------|------|
|------|---4--|------|
|------|---3--|------|
|------|------|------|X
|------|---2--|------|
3
C#7#9 - C sharp 7 sharp 9
|------|------|------|X
|------|------|---4--|
|------|---3--|------|
|---1--|------|------|
|------|---2--|------|
|------|------|------|X
3
Jazz up the rhythm -- the aforementioned "even 8th"s are
just for demonstration purposes.
Figured out by Matthew Teigen, with his mp3 player and
acoustic guitar. My contribution to the internet.
[email protected]
AIM - luminousturtle
Patricia Losada
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