Biografia:
A The Devil Makes Three é um banda estadunidense, de Santa Cruz, Califórnia. Surgiu em 2002 e é conhecida por tocar um som bem interessante, diferente. Eles desempenham um tipo de música acústica conhecida por alguns como o Punk Folk, que engloba uma mistura de Bluegrass, old time music, Country, Folk, Blues, Jazz, Ragtime e Rockabilly. A banda é formada pelo guitarrista Pete Bernhard, a contrabaixista Lucia Turino e o guitarrista e tocador de banjo Cooper McBean.
Read more on Last.fm
Outras músicas:
- A Moment's Rest
- All Hail
- Cheap Reward
- Do Wrong Right
- Gracefully Face Down
- Graveyard
- Ol Number Seven
- Ten Feet Tall
- The Bullet
- They Call That Religion
- A Moments Rest
- Aces And Twos
- Bad Idea
- Bangor Mash
- Beneath The Piano
- Car Wreck
- Chained To The Couch
- Chains Are Broken
- Champagne And Reefer
- Chase The Feeling
- Dragging Chains
- For Good Again
- For My Family
- Forty Days
- Goodbye Old Friend
- Gracefully Facedown
- Hallelu
- Hand Back Down
- Help Yourself
- I Gotta Get Drunk
- Im Gonna Get High
- Johnson Family
- Judgement Day
- Man Tap
- Mr Midnight
- Native Son
- Never Learn
- Nobodys Dirty Business
- North Carolina
- Old Number 7
- Paint My Face
- Poison Trees
- River Deep
- Robot
- Shades
- Spinning Like A Top
- St James
- Statesboro Blues
- Stranger
- The Angel Of Death
- The Plank
- Therell Be A Jubilee
- To The Hilt
- Tow
- Uncle Harveys Plane
- What Would You Give In Exchange For Your Soul
- Working Mans Blues
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Car Wreck by Devil Makes Three
Tabbed By: Taylor Sansom
Capo 4
I'm still not sure of the picking pattern but when I get it I'll tab it out as well. I'm
90% sure of the chords except it might go C to Am in the verse instead of C to F but
both sound pretty good and can be accomplished with a slight change in your singing. C/B
is just the walkdown/transition chord between C and Am
C F
He grew up in a one-horse town
G C G
Wasn't much to do since all them bars had closed down
C F
He'd stare up to the stars sometimes when no one was around
G C
And he dreamed of getting out
F G
So he bought himself a pick-up truck that was covered up in rust
F G
He found a buddy for of shotgun seat that was someone he could trust
C C/B Am
And they hit the gas, headed west out to the setting sun
F G C
When the dust had cleared, they were gone.
F G
Well leaving just came natural, that's the way it seemed to him
F G
He'd been doing it so long, that's the way he'd always been
C C/B Am
And you can find him in some hotel room with the television on
C C/B Am
He might be high and he'll probably ramble on
C C/B Am
You can laugh beneath fluorescent lights and drink until the dawn
F G C
But in the mornin'....in the mornin' when you wake up he'll be gone.
C F
So he met a girl in a town along the way
G C G
She had beautiful brown eyes and a place that he could stay
C F
So he fell in love, and she fell in love in kind
G C G
It was so perfect that of course he lost his mind.
F G
He snuck of the kitchen one day before the dawn
F G
She called out after him and ran across the lawn
C C/B
And he said some things that he didn't mean
Am
That he'd best be travelin' on
F G C
She shed some tears and he was gone.
F G
Well leaving just came natural, that's the way it seemed to him
F G
He'd been doing it so long, that's the way he'd always been
C C/B Am
And you can find him in some hotel room with the television on
C C/B Am
He might be high and he'll probably ramble on
C C/B Am
You can laugh beneath fluorescent lights and drink until the dawn
F G C
But in the mornin'....in the mornin' when you wake up he'll be gone.
C F
Eighteen years later, fifteen-hundred miles from home
G C G
He can't shake her from his mind though the whiskey soaks his bones
C F
He heads out on a back-roads in the middle of the night
G C G
Head up to the meadow, you know he timed that curve just right
F G
But some bridges you cross over but the rest you've got to burn
F G
He may have lost the road the road but I know he made his turn
C C/B Am
And as we pulled him from the wreckage, I promised him a song
F G C
Cuz it was clear that he was gone.
F G
Well leaving just came natural, that's the way it seemed to him
F G
He'd been doing it so long, that's the way he'd always been
C C/B Am
And you can find him in some hotel room with the television on
C C/B Am
He might be high and he'll probably ramble on
C C/B Am
You can laugh beneath fluorescent lights and drink until the dawn
F G C
But in the mornin'....in the mornin' when you wake up he'll be gone.
Tabbed By: Taylor Sansom
Capo 4
I'm still not sure of the picking pattern but when I get it I'll tab it out as well. I'm
90% sure of the chords except it might go C to Am in the verse instead of C to F but
both sound pretty good and can be accomplished with a slight change in your singing. C/B
is just the walkdown/transition chord between C and Am
C F
He grew up in a one-horse town
G C G
Wasn't much to do since all them bars had closed down
C F
He'd stare up to the stars sometimes when no one was around
G C
And he dreamed of getting out
F G
So he bought himself a pick-up truck that was covered up in rust
F G
He found a buddy for of shotgun seat that was someone he could trust
C C/B Am
And they hit the gas, headed west out to the setting sun
F G C
When the dust had cleared, they were gone.
F G
Well leaving just came natural, that's the way it seemed to him
F G
He'd been doing it so long, that's the way he'd always been
C C/B Am
And you can find him in some hotel room with the television on
C C/B Am
He might be high and he'll probably ramble on
C C/B Am
You can laugh beneath fluorescent lights and drink until the dawn
F G C
But in the mornin'....in the mornin' when you wake up he'll be gone.
C F
So he met a girl in a town along the way
G C G
She had beautiful brown eyes and a place that he could stay
C F
So he fell in love, and she fell in love in kind
G C G
It was so perfect that of course he lost his mind.
F G
He snuck of the kitchen one day before the dawn
F G
She called out after him and ran across the lawn
C C/B
And he said some things that he didn't mean
Am
That he'd best be travelin' on
F G C
She shed some tears and he was gone.
F G
Well leaving just came natural, that's the way it seemed to him
F G
He'd been doing it so long, that's the way he'd always been
C C/B Am
And you can find him in some hotel room with the television on
C C/B Am
He might be high and he'll probably ramble on
C C/B Am
You can laugh beneath fluorescent lights and drink until the dawn
F G C
But in the mornin'....in the mornin' when you wake up he'll be gone.
C F
Eighteen years later, fifteen-hundred miles from home
G C G
He can't shake her from his mind though the whiskey soaks his bones
C F
He heads out on a back-roads in the middle of the night
G C G
Head up to the meadow, you know he timed that curve just right
F G
But some bridges you cross over but the rest you've got to burn
F G
He may have lost the road the road but I know he made his turn
C C/B Am
And as we pulled him from the wreckage, I promised him a song
F G C
Cuz it was clear that he was gone.
F G
Well leaving just came natural, that's the way it seemed to him
F G
He'd been doing it so long, that's the way he'd always been
C C/B Am
And you can find him in some hotel room with the television on
C C/B Am
He might be high and he'll probably ramble on
C C/B Am
You can laugh beneath fluorescent lights and drink until the dawn
F G C
But in the mornin'....in the mornin' when you wake up he'll be gone.
The Distillers
The Districts
The Divine Comed (...)
The Divinyls
The Do
The Drifters
The Driver Era
The Drums
The Du
The Dubliners