Biografia:
Cymbals Eat Guitars is an indie rock band from Staten Island, New York. Joseph Ferocious (Joseph D'Agostino) and Matthew Miller attended Southern Regional High School in Manahawkin, New Jersey where they graduated in the class of 2006 together.
Read more on Last.fm
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
https://www.youtube.com/watch?v=mMSgt8hQoAI
(note: The importance of the B7/D# chord in this particular song is the tension heard between the D# and A
[the tritone interval]. To make the chord sound better in the the context of the song, emphasize/highlight
the dissonance between the two notes. On guitar, I like to make the tension most audible by playing a chord
shape that has the tritone interval on the highest strings, shown below.
e--5--
B--4--
G--4--
D--4--
A--6--
E-----
B
As the descent began I got the distinct impression
Lake Michigan had been frozen for decades
I conducted the warmth from my metronome sternum
To our massive jetting vessel billowing plumes of spent fuel
B D#m
The tundra under us cracked and ruptured
G#m
To reveal palisades
C#m
Made of blades of gray, gray bristling grass
E
And papulose lichen
B
I was so frightened
E
As my grip on you tightened
E
Your skin got slicker
B D#m
I am a deserted bus depot
G#m
Though our approach suggested
B7/D# D#7 E
An American hazy sea
C#m
Like the one I found inside
E
After driving you home once
E
Still half high
B E x3
G#m7 E
B E B E
I-90 through utter desolation
B E B E
I sense evil at the heart of each far flung well lighted home
B E B E
I close my eyes and see cellar stairways
B E G#m7 E
Vermiculated with delicate animal bone
B D#m
Musty rooms house racks of fur jackets
G#m
Spattered with plasma
C#m
On a bus in Indiana
E
I called you and screamed
B E E
Under ceaseless patterns of weeping light
B B7/D# D#7 G#m B7/D# D#7 E C#m
D# E E
G#m B C#m B7/D#
B G#m B7/D# E C#m E C#m
Although the original song ends with the C#m, I like resolving the song by adding a B at
the end.
(note: The importance of the B7/D# chord in this particular song is the tension heard between the D# and A
[the tritone interval]. To make the chord sound better in the the context of the song, emphasize/highlight
the dissonance between the two notes. On guitar, I like to make the tension most audible by playing a chord
shape that has the tritone interval on the highest strings, shown below.
e--5--
B--4--
G--4--
D--4--
A--6--
E-----
B
As the descent began I got the distinct impression
Lake Michigan had been frozen for decades
I conducted the warmth from my metronome sternum
To our massive jetting vessel billowing plumes of spent fuel
B D#m
The tundra under us cracked and ruptured
G#m
To reveal palisades
C#m
Made of blades of gray, gray bristling grass
E
And papulose lichen
B
I was so frightened
E
As my grip on you tightened
E
Your skin got slicker
B D#m
I am a deserted bus depot
G#m
Though our approach suggested
B7/D# D#7 E
An American hazy sea
C#m
Like the one I found inside
E
After driving you home once
E
Still half high
B E x3
G#m7 E
B E B E
I-90 through utter desolation
B E B E
I sense evil at the heart of each far flung well lighted home
B E B E
I close my eyes and see cellar stairways
B E G#m7 E
Vermiculated with delicate animal bone
B D#m
Musty rooms house racks of fur jackets
G#m
Spattered with plasma
C#m
On a bus in Indiana
E
I called you and screamed
B E E
Under ceaseless patterns of weeping light
B B7/D# D#7 G#m B7/D# D#7 E C#m
D# E E
G#m B C#m B7/D#
B G#m B7/D# E C#m E C#m
Although the original song ends with the C#m, I like resolving the song by adding a B at
the end.
Cyria
Cyril Tawney
Cyrus
Czerwone Gitary
Czerwony Tulipan
D.A.
D.A. Wallach
D.A.D.
D.D.E.
D.D.T. (Italy)