Biografia:
Joey Cape é o vocalista da banda de punk rock Lagwagon, da Califórnia. Ele também faz os vocais na banda de punk rock experimental Bad Astronaut e é um dos guitarristas da banda Cover, também de punk rock, Me First and the Gimme Gimmes. Joey Cape lançou em 2004 um álbum split com Tony Sly, vocalista da banda No Use for a Name , chamado Joey Cape * Tony Sly: Acoustic, tocando versões acústicas de 6 músicas de cada banda. Cape também trabalhou em trabalhos solos como o cd Bridge lançado em 2004 totalmente acústico.
Read more on Last.fm
Outras músicas:
- Violins
- Acoustic
- Acoustic Volume Two
- Alien8
- Alisons Disease
- Angry Days
- B
- Broken
- Broken Record
- Burn That Bridge When We Get To It
- Canoe
- Confession
- Errands
- Going For The Bronze
- Goodbye
- Gun It No Dont
- I Must Be Hateful
- Im Not Gonna Save You
- Its Always Sunny
- Know It All
- Love Story
- Making Friends
- Me The Witness
- Memoirs And Landmines
- Moral Compass
- Move The Car
- No Little Pill
- No Mirror
- Non Sequitur
- Okay
- Owen Meaney
- Resolve
- Spill My Guts
- St Marys
- The Contortionist
- The Ramones Are Dead
- This Life Is Strange
- To All My Friends
- Tracks
- Tragic Vision
- Twenty Seven
- Violet
- Watch Me Bleed
- Were Not In Love Anymore
- Whipping Boy
- Who Weve Become
- Wind In Your Sail
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
noticed there was no tab for this amazing song so ill post my shitty rendering and
by shitty i mean a different key
Chords used
B:799877
G#?:466444
F#:244322
E:022100
and im gonna call this B# cuz i dont know what else to call it
B#:698xxx
B B# G# F# G#
If you could feel your legs falling out
B B# G# F# E
Then you might find the strength to stand your ground
B
Then you'd be close to them
B# G# F# B
Then you'd be be close to God but you know you're not
B B# G# F# G#
If you could make a fist you could punch
B B# G# F# E
If you could fly your faith you could jump
B F#
Born insecurity, fear at most everything
E F#
And anyone you can be
E
F#
We could have been dull Kristina
B G# E
We could have been sane
F# B
It isn't just death, drugs and lost love
G# E
These honors leave stains
F# B G# E
So just let the freaks of failure sing obvious songs
F# E B
The B side is real and it plays on
B B# G# F# G#
Hey Kristina, are you sleeping in?
G# F# E
I'm leaving you another long message
E B
Interstate ten, I lost my voice again
F#
The game is fixed
E F#
Seems like I've been eighty-sixed
E
F# B G#
But your life is one, zero, zero, one and analog faith
E F# B G#
But even if you lay witness, too little, too late
E F#
Because your life is like a B-side
B G#
It's odder than A
E F#
The B-side is real
E B
The B-side's on
E B
On and on
E B
On and on
by shitty i mean a different key
Chords used
B:799877
G#?:466444
F#:244322
E:022100
and im gonna call this B# cuz i dont know what else to call it
B#:698xxx
B B# G# F# G#
If you could feel your legs falling out
B B# G# F# E
Then you might find the strength to stand your ground
B
Then you'd be close to them
B# G# F# B
Then you'd be be close to God but you know you're not
B B# G# F# G#
If you could make a fist you could punch
B B# G# F# E
If you could fly your faith you could jump
B F#
Born insecurity, fear at most everything
E F#
And anyone you can be
E
F#
We could have been dull Kristina
B G# E
We could have been sane
F# B
It isn't just death, drugs and lost love
G# E
These honors leave stains
F# B G# E
So just let the freaks of failure sing obvious songs
F# E B
The B side is real and it plays on
B B# G# F# G#
Hey Kristina, are you sleeping in?
G# F# E
I'm leaving you another long message
E B
Interstate ten, I lost my voice again
F#
The game is fixed
E F#
Seems like I've been eighty-sixed
E
F# B G#
But your life is one, zero, zero, one and analog faith
E F# B G#
But even if you lay witness, too little, too late
E F#
Because your life is like a B-side
B G#
It's odder than A
E F#
The B-side is real
E B
The B-side's on
E B
On and on
E B
On and on
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