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Jason Isbell

Children Of Children

por Jason Isbell
Jason Isbell

Biografia:

Jason Isbell is an alt-country singer /songwriter /guitarist from Muscle Shoals, Alabama. Best known for his years with the Drive-By Truckers where he played with his then wife, bassist Shonna Tucker. Isbell - who joined the Truckers in 2001 - left the band in early 2007 around the same time as his divorce from Tucker was finalized.

In addition to being a gifted songwriter, Isbell is regarded as an exceptional guitar player. His style is mostly in the alt-country genre, but is also infused with rock and blues elements.

Read more on Last.fm

Jason Isbell

Outras músicas:

  • Alabama Pines
  • Codeine
  • We've Met
  • 24 Frames
  • Anxiety
  • Chaos And Clothes
  • Chicago Prominade
  • Children Of Children
  • Cigarettes And Wine
  • Cover Me Up
  • Cumberland Gap
  • Daisy Mae
  • Danko Manuel
  • Decoration Day
  • Devil Is My Running Mate
  • Different Days
  • Dress Blues
  • Elephant
  • Flagship
  • Flying Over Water
  • Go It Alone
  • God Is A Working Man
  • Goddamn Lonely Love
  • Good
  • Grown
  • Heart On A String
  • Hope The High Road
  • How To Forget
  • However Long
  • Hudson Commodore
  • Hurricanes And Hand Grenades
  • I Follow Rivers
  • If I Needed You
  • If It Takes A Lifetime
  • If We Were Vampires
  • Last Of My Kind
  • Live Oak
  • Molotov
  • Mutineer
  • Never Could Believe
  • New South Wales
  • Old Flame
  • Outfit
  • Palmetto Rose
  • Relatively Easy
  • Save It For Sunday
  • Seven Mile Island
  • Shotgun Wedding
  • Soldiers Get Strange
  • Something More Than Free
  • Something To Love
  • Songs That She Sang In The Shower
  • Speed Trap Town
  • Stockholm
  • Stopping By
  • Streetlights
  • Sunstroke
  • Super 8
  • The Blue
  • The Devil Is My Running Mate
  • The Last Song I Will Write
  • The Life You Chose
  • The Magician
  • The Pilgrim
  • To A Band That I Loved
  • Tour Of Duty
  • Traveling Alone
  • Tupelo
  • Weve Met
  • White Mans World
  • Yvette

Compartilhe a música

           

Quatro anos de trabalho duro!

Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!

203 Artista   78 Música   139 Cifra Cifra
[Intro]
D Dsus2 Am Em D

[Verse 1]
D
Pictures of the farm before us
Am
Old men in a gospel chorus
Em
Sepia and saddle horses
D
Easy on the reins
D
Eighty-one, a motor-inn
Am
Your momma's seventeen again
Em
She's squinting at at the dusty wind
D
The anger of the plains

[Interlude]
D Dm9 Csus2 G D7sus2 G C D

[Verse 2]
D
You and I were almost nothing
Am
Pray to God the gods were bluffing
Em D
Seventeen ain't old enough to reason with the pain
D Am
How could we expect the two to stay in love,
Em
When neither knew the meaning of
D
The difference between sacred and profane?

[Chorus]
Cadd9 G
I was riding on my mother's hip
D Dsus4 D Dsus2 D
She was shorter than the corn
Cadd9 G
And all the years I took from her
Asus4 Cadd9
Just by being born

[Interlude]
D Dm9 Csus2 G D7sus2 G C D
D Dm9 Csus2 G D7sus2 G C D

[Verse 3]
D
I didn't mean to break the cycle
Am
At seventeen, I went by Michael
Em D
No one ever called me by my own name anyway
D
Five full generations living
Am Em
All these expectations giving way to one
D
So late to have a baby on the way

[Chorus]
Cadd9 G
You were riding on your mother's hip
D Dsus4 D Dsus2 D
She was shorter than the corn
Cadd9 G
And all the years you took from her
Asus4 Cadd9
Just by being born

[Outro]
D Am Em D
(repeat)


[Chords]
[Interlude]
D Dsus2 Dsus4 Cadd9 Am G Asus4 Em D Dm9 Csus2 G D7sus2 C
e|-2----0-----3-----3---0---3---0----0--|--2----0-----3----3---5----0----|
B|-3----3-----3-----3---1---3---3----0--|--3----6-----3----3---5----1----|
G|-2----2-----2-----0---2---0---2----0--|--2----5-----5----4---5----0----|
D|-0----0-----0-----2---2---0---2----2--|-------0-------------------2----|
A|-0----0-----0-----3---0---5--------2--|--------------------------------|
D|-0----0-----0-------------5--------2--|--------------------------------|

The Em chords are typically hammered on, necessitating the drop D tuning, although
the song can easily be modified to play in standard tuning, which Jason tends to do.




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