Biografia:
Banda de Rock Progressivo surgida no final dos anos 60 que tinha em sua primeira formação Tony Banks (teclados), Peter Gabriel (vocal), Anthony Phillips (guitarra) e Mike Rutherford (baixo). Formada em Godalming, Reino Unido, gravaram o primeiro disco, o "From Genesis To Revelation", de 1969. De 1967 a 1970, houve a passagem de alguns bateristas pela banda, dentre eles Chris Stewart e John Silver.
Em 1970, no lançamento do segundo LP (Trespass), John Mayhew assumiu as baquetas, gravou o disco e logo foi substituido por Phill Collins.
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Outras músicas:
- I Can't Dance
- I Know What I Like (in Your Wardrobe)
- Invisible Touch
- Land Of Confusion Acoustic
- Misunderstanding
- The Cinema Show
- Tonight, Tonight, Tonight
- A Trick Of The Tail
- Abacab
- Afterglow
- Aisle Of Plenty
- Alone Tonight
- Am I Very Wrong
- Amor Vs Amistad
- Another Record
- Calling All Stations
- Congo
- Counting Out Time
- Dancing With The Moonlit Knight
- Down And Out
- Duchess
- Dusk
- Entangled
- Fading Lights
- Fireside Song
- Firth Of Fifth
- Fly On A Windshield
- Follow You Follow Me
- For A While
- For Absent Friends
- Guide Vocal
- Harlequin
- Harold The Barrel
- Heathaze
- Hold On My Heart
- Home By The Sea
- I Cant Dance
- I Know What I Like In Your Wardrobe
- If Thats What You Need
- Illegal Alien
- In Hiding
- In The Cage
- In The Rapids
- In The Wilderness
- In Too Deep
- Inside And Out
- It
- Its Gonna Get Better
- Jesus He Knows Me
- Just A Job To Do
- Keep It Dark
- Land Of Confusion
- Like It Or Not
- Mad Man Moon
- Mama
- Man On The Corner
- Many Too Many
- Match Of The Day
- Mi Alma Bendishon Jehova Live
- More Fool Me
- Musical Box
- Never A Time
- No Reply At All
- No Son Of Mine
- Not About Us
- Not About Us Video Edit
- One Eyed Hound
- One For The Vine
- Paperlate
- Pigeons
- Please Dont Ask
- Ripples
- Rosa Di Saron Live
- Say Its Alright Joe
- Scenes From A Nights Dream
- Shipwrecked
- Silent Sun
- Silver Rainbow
- Since I Lost You
- Snowbound
- Squonk
- Suppers Ready
- Suppers Ready I
- Taking It All Too Hard
- Tell Me Why
- Thats All
- Thats Me
- The Carpet Crawlers
- The Chamber Of 32 Doors
- The Colony Of Slippermen
- The Lady Lies
- The Lamb Lies Down On Broadway
- The Lamia
- The Light Dies Down On Broadway
- Throwing It All Away
- Time Table
- Tonight Tonight Tonight
- Turn It On Again
- Uncertain Weather
- Undertow
- Vancouver
- Way Of The World
- We Cant Dance
- Window
- You Might Recall
- Your Own Special Way
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
[Verse]
B/Eb C#6
The scent grows richer,
B6 A#m7
he knows he must be here,
E/G# Ebm/F#
He finds a long passageway lit by
Fm7/5
chandelier.
B/Eb C#6
Each step he takes, the perfumes change
B6 A#m7
From familiar fragrance to flavours strange.
E/G# Ebm/F#
A magnificent chamber meets his
Fm7 E7+
eye.
[Instrumental]
G#m/Eb E G#m7/F# E B/Eb B4/E B/Eb E7+
[Verse]
B/Eb C#6
Inside, a long rose-water pool
B6 A#m7
is shrouded by fine mist.
E/G# Ebm/F#
Stepping in the moist silence, with a
Fm7/5
warm breeze he's gently kissed.
B/Eb C#6
Thinking he is quite alone,
B6 A#m7
He enters the room, as if it were his own
E/G# Ebm/F#
But ripples on the sweet pink water
Fm7/5
Reveal some company unthought of
Cm Ab/C Cm7 Ab/C Bb6
Rael stands astonished doubting his sight,
Ab7+ Eb Eb/D
Struck by beauty, gripped in fright;
Cm Ab/C Cm7 Ab/C Bb6
Three ver-milion snakes of female face
Ab7+ Eb F
The smallest motion, filled with grace.
Gm Dm F7+ C7+ D
Muted melodies fill the echoing hall,
Gm Dm F7+ C7+ F7+ C7+/9 D
But there is no sign of warning in the siren's call:
Gm Dm Am/E Em Bm F#m C#m G#m
"Rael welcome, we are the Lamia of the pool.
A E A E F#m C#m
We have been waiting for our waters to bring you cool."
F#m C#/F Eb4/Bb Bb Ebm/Bb Bb7 Bb
[Piano Solo]
Eb7 C#7+/F Eb7 C#7+/F Eb7 Fm/Bb C#m/F#
[Verse]
B/Eb C#6
Putting fear beside him,
B6 A#m7
he trusts in beauty blind
E/G# Ebm/F#
He slips into the nectar, leaving his
Fm7/5
shredded clothes behind.
B/Eb C#6
"With their tongues, they test, taste and judge
B6 A#m7
all that is mine.
E/G# Ebm/F#
They move in a series of caresses
Fm7 E7+
That glide up and down my spine.
G#m/Eb E G#m7/F# E B/Eb B4/E B/Eb E7+
B/Eb C#6
As they nibble the fruit of my flesh,
B6 A#m7
I feel no pain,
E/G# Ebm/F#
Only a magic that a
Fm7/5
name would stain.
B/Eb C#6
With the first drop of my blood in their veins
B6 A#m7
Their faces are convulsed in mortal pains.
E/G# Ebm/F#
The fairest cries, 'We all have loved you,
Fm7/5
Rael'."
Cm Ab/C Cm7 Ab/C Bb6
Each empty snakelike body floats,
Ab7+ Eb Eb/D
Silent sorrow in empty boats.
Cm Ab/C Cm7 Ab/C Bb6
A sickly sourness fills the room,
Ab7+ Eb F
The bitter harvest of a dying bloom.
Gm Dm F7+ C7+ D
Looking for motion I know I will not find,
Gm Dm F7+ C7+ F7+ C7+/9 D
I stroke the curls now turning pale, in which I'd lain entwined.
Gm Dm Am/E Em Bm F#m C#m G#m
"Oh Lamia, your flesh that remains I will take as my food."
A E A E F#m C#m
It is the scent of garlic that lingers on my chocolate fingers.
F#m C#/F Eb4/Bb Bb Ebm/Bb Bb7 Bb
[Piano Solo]
Eb7 C#7+/F Eb7 C#7+/F Eb7 Fm/Bb C#m/F#
[Outro]
B/Eb C#6
Looking behind me,
B6 A#m7
the water turns icy blue,
E/G# Ebm/F# Fm7/5
The lights are dimmed and once again the stage is set for you.
B/Eb C#6 B6 A#m7 E/G# Ebm/F# Fm7/5
B/Eb C#6
The scent grows richer,
B6 A#m7
he knows he must be here,
E/G# Ebm/F#
He finds a long passageway lit by
Fm7/5
chandelier.
B/Eb C#6
Each step he takes, the perfumes change
B6 A#m7
From familiar fragrance to flavours strange.
E/G# Ebm/F#
A magnificent chamber meets his
Fm7 E7+
eye.
[Instrumental]
G#m/Eb E G#m7/F# E B/Eb B4/E B/Eb E7+
[Verse]
B/Eb C#6
Inside, a long rose-water pool
B6 A#m7
is shrouded by fine mist.
E/G# Ebm/F#
Stepping in the moist silence, with a
Fm7/5
warm breeze he's gently kissed.
B/Eb C#6
Thinking he is quite alone,
B6 A#m7
He enters the room, as if it were his own
E/G# Ebm/F#
But ripples on the sweet pink water
Fm7/5
Reveal some company unthought of
Cm Ab/C Cm7 Ab/C Bb6
Rael stands astonished doubting his sight,
Ab7+ Eb Eb/D
Struck by beauty, gripped in fright;
Cm Ab/C Cm7 Ab/C Bb6
Three ver-milion snakes of female face
Ab7+ Eb F
The smallest motion, filled with grace.
Gm Dm F7+ C7+ D
Muted melodies fill the echoing hall,
Gm Dm F7+ C7+ F7+ C7+/9 D
But there is no sign of warning in the siren's call:
Gm Dm Am/E Em Bm F#m C#m G#m
"Rael welcome, we are the Lamia of the pool.
A E A E F#m C#m
We have been waiting for our waters to bring you cool."
F#m C#/F Eb4/Bb Bb Ebm/Bb Bb7 Bb
[Piano Solo]
Eb7 C#7+/F Eb7 C#7+/F Eb7 Fm/Bb C#m/F#
[Verse]
B/Eb C#6
Putting fear beside him,
B6 A#m7
he trusts in beauty blind
E/G# Ebm/F#
He slips into the nectar, leaving his
Fm7/5
shredded clothes behind.
B/Eb C#6
"With their tongues, they test, taste and judge
B6 A#m7
all that is mine.
E/G# Ebm/F#
They move in a series of caresses
Fm7 E7+
That glide up and down my spine.
G#m/Eb E G#m7/F# E B/Eb B4/E B/Eb E7+
B/Eb C#6
As they nibble the fruit of my flesh,
B6 A#m7
I feel no pain,
E/G# Ebm/F#
Only a magic that a
Fm7/5
name would stain.
B/Eb C#6
With the first drop of my blood in their veins
B6 A#m7
Their faces are convulsed in mortal pains.
E/G# Ebm/F#
The fairest cries, 'We all have loved you,
Fm7/5
Rael'."
Cm Ab/C Cm7 Ab/C Bb6
Each empty snakelike body floats,
Ab7+ Eb Eb/D
Silent sorrow in empty boats.
Cm Ab/C Cm7 Ab/C Bb6
A sickly sourness fills the room,
Ab7+ Eb F
The bitter harvest of a dying bloom.
Gm Dm F7+ C7+ D
Looking for motion I know I will not find,
Gm Dm F7+ C7+ F7+ C7+/9 D
I stroke the curls now turning pale, in which I'd lain entwined.
Gm Dm Am/E Em Bm F#m C#m G#m
"Oh Lamia, your flesh that remains I will take as my food."
A E A E F#m C#m
It is the scent of garlic that lingers on my chocolate fingers.
F#m C#/F Eb4/Bb Bb Ebm/Bb Bb7 Bb
[Piano Solo]
Eb7 C#7+/F Eb7 C#7+/F Eb7 Fm/Bb C#m/F#
[Outro]
B/Eb C#6
Looking behind me,
B6 A#m7
the water turns icy blue,
E/G# Ebm/F# Fm7/5
The lights are dimmed and once again the stage is set for you.
B/Eb C#6 B6 A#m7 E/G# Ebm/F# Fm7/5
Geoffrey O' (...)
Geoffrey Oryema
Geographer
George
George Baker Sel (...)
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George M. Cohan
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George Pritchard (...)