Biografia:
Robert Nesta Marley, mais conhecido como Bob Marley, foi um cantor, guitarrista e compositor jamaicano. Ele é o mais conhecido músico de reggae de todos os tempos, famoso por popularizar o gênero pelos quatro cantos do mundo. Grande parte do seu trabalho lidava com os problemas dos pobres e oprimidos, ele era considerado a voz dos oprimidos e lutava por um mundo de justiça e direitos iguais. Ele foi chamado de "Charles Wesley dos rastafaris" pela maneira com que divulgava a Cultura através de suas músicas.
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Outras músicas:
- 3 Little Birds
- 400 Years
- Africa Unite
- All In One
- Bad Card
- Bob Marley Lively Up Yourself
- Buffalo Soldier
- Burnin' And Lootin'
- Bus Dem Shut (pyaka)
- Coming In From The Cold
- Concrete Jungle
- Could You Be Loved
- Crazy Baldheads
- Cry To Me
- Dont Worry, Be Happy
- Dreamland
- Easy Skanking
- Forever Loving Jah
- Get Up Stand Up
- Guava Jelly
- Guiltiness
- High Tide Or Low Tide
- I Shot The Sheriff
- I'm Hurting Inside
- Iron Lion Zion
- Is This Love
- Jammin
- Jamming
- Judge Not
- Kaya
- Kinky Reggae
- Misty Morning
- Natural Mystic
- Night Shift
- No More Trouble
- No Woman No Cry
- No Woman No Cry(correction)
- No Woman, No Cry
- One Drop
- One Foundation
- One Love
- One Love/people Get Ready
- Pimper's Paradise
- Punky Reggae Party
- Rastaman Live Up
- Rebel Music
- Redemption Song
- Redemption Songs
- Redemtion Song (intro)
- Ride Natty Ride
- Roots Rock Reggae
- Satisfy My Soul
- She's Gone
- Simmer Down
- Slogans
- Small Axe
- Soul Rebel
- Stir It Up
- Stop That Train
- Sun Is Shining
- Talkin' Blues
- Them Belly Full
- There She Goes
- This Train
- Three Little Birds
- Three Little Birds!!!
- Trench Town Rock
- Turn Your Lights Down Low
- Waiting In Vain
- Waiting In Vain Guting Style
- War
- Whos The Cap Fit
- Zimbabwe
- Zion Train
- Jammin’ (feat. The Wailers)
- A Lalala Long
- Acoustic Medley
- African Herbsman
- All Day And All Night
- Am
- Ambush In The Night
- Baby Weve Got A Date
- Babylon System
- Back Out
- Bend Down Low
- Burnin And Lootin
- Butterfly
- Caution
- Chances Are
- Chant Down Babylon
- Cornerstone
- Crisis
- Dewdrops
- Do It Twice
- Dont Rock My Boat
- Dont Worry About A Thing
- Duppy Conqueror
- Exodus
- Ganja Gun
- Give Thanks And Praises
- Hallelujah Time
- Hammer
- How Many Times
- Hurting Inside
- I Know
- I Know A Place
- Im Hurting Inside
- Im Still Waiting
- Jah Live
- Johnny Was
- Keep On Moving
- Legend
- Lick Samba
- Looking In Your Big Brown Eyes
- Mellow Mood
- Midnight Ravers
- Mix Up Mix Up
- Mr Brown
- Natty Dread
- Nice Time
- One Cup Of Coffee
- One Love People Get Ready
- Pass It On
- Pimpers Paradise
- Positive Vibration
- Put It On
- Rastaman Vibration
- Rat Race
- Real Situation
- Red Red Wine
- Revolution
- Rivers Of Babylon
- Rock To The Rock
- Screwface
- Selassie Is The Chapel
- Shes Gone
- Slave Driver
- Smile Jamaica
- So Jah Seh
- So Much Things To Say
- So Much Trouble In The World
- Soul Captives
- Soul Shake Down Party
- Stand Alone
- Stiff Necked Fools
- Survival
- Talkin Blues
- Thank You Lord
- The Heathen
- Them Belly Full But We Hungry
- They Set You Up My Son
- Time Will Tell
- Top Rankin
- Trenchtown Rock
- Want More
- We And Dem
- Who Colt The Game
- Who The Cap Fit
- Work
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
[GUAVA JELLY]
G C D G
Baby, I really, really love you now.
G C D
I think you should stop your cryin';
C D
Here my kerchief to dry your eyes,
C D
You know that I love you, yea-eah-eah.
G D Em D
Groovy; here I am:
C Bm
Come rub it 'pon me belly
Am G
Like a guava jelly.
G D Em D
Damsel, here I stand:
C Bm
Come rub it 'pon me belly
Am G
Like-a guava jelly.
G C G Am G
[THIS TRAIN]
G C
This train - mm - mm - mm;
G C G
This train is bound to glory - this train;
C D G C
G
Talkin' 'bout ma: this train is bound to glory - this train:
G C
This train is bound to glory,
D
This train carry no un'oly;
G C D G
D4 D D4
This train - I'm a-talkin' 'bout: this train.
G C
When I was just a kid,
G C
My mommy used to sing this song.
Bm Am
Now I've grown to be a man,
G Am Bm
Well, it still lingers deep down in my soul;
G Bm Am
I said, it still lingers deep down in my soul.
C G C G C G
I'm talkin' 'bout: this train is bound to glory - this train;
G C G D D4 D
D4
This train is bound to glory - this train;
G C
This train is bound to glory,
D
O dis 'ere train carry no un'oly.
G D G D
This train - I'm a-talkin' 'bout: this train.
G C G
[CORNERSTONE]
G C G C
The stone that the builder refuse
G C G C
Will always be the head cornerstone-a;
G C G C
The stone that the builder refuse
G C G C
Will always be the head cornerstone.
D G
You're a builder, baby;
C G
Here I am, a stone.
D G
Don't you pick and refuse me,
G C
'Cause the things people refuse
G C
Are the things they should choose.
G D
Do you 'ear me? Hear what I say!
G C G C
Stone that the builder refuse
G C G C
Will always be the head cornerstone-a;
G C G C
The stone that the builder refuse, yeah! ?
G C G C
Will always be the head cornerstone.
D G
You're a builder, baby;
C G
Wo, here I am, a stone!
D G
Don't you pick and refuse me,
G C
'Cause the t'ings people refuse
G C
Are the things they should use;
G C
The things people refuse
G C
Are the things they should use.
G D
Do you 'ear me? Hear what I say!
G C G C
Stone dat them builder refuse
G C G C
Will always be the head cornerstone-a;
G C G C
The stone that dem builder refuse
G C Bm D C#
C Bm
Will always be the head cornerstone.
[COMMA COMMA]
G C
Comma, comma, come back here,
G C
My-y young lady;
G C
Comma, comma, come back here to me,
G C
My-y young lady, yeah!
G C
Jus' while I thought
G C G
Everything was running smooth,
C
She left me
G C
While I was in the mood.
G C
Now I'm callin' to you,
G C
But my world is relying for you to:
G C
Comma, comma, come back here,
G C
My-y young lady, yeah!
G C
Comma, comma, come back here to me,
G C
My-y young lady!
G C
Jus' while I thought
G C
Everything was running smooth.
G C (vai abaixando até parar)
You know I love you;
Oh now I love you. /fadeout/
[DEWDROPS]
63 - 63 52 55 42 43 42 55 - 63
Mm-mm-hm.
G Bm
I've been searchin' the whole darn day
Am G
For a little woman of mine - mine - mine - mine.
G Bm
Someone a-told me I could find her here
Am G
But it seem she disappear.
G Bm
Said, I searched the whole darn day;
Am G
Night is drawing nigh.
G Bm
I t'ink I'd better go home;
Am G
Try tomorrow again.
G Bm
But when I reached that railroad station,
Am G
I missed the last train,
C Bm
And then it seemed like dewdrops
Am G
Gonna fall on me;
C Bm
Yes, it seem like teardrops
Am D G
Gonna call on me now.
G Bm
I said, I'd better make up my mind
Am G
What am I gonna do.
G Bm
Am I gonna rest up here,
Am G
Or am I gonna push on through?
G Bm
My mind say, "Hey, man, ya hit the road."
Am G
Down there I missed the track - track - track;
G Em
I'm lost! Lord, I'm lost, eh!
C D G
Love is such a heavy load!
C G
And then: for crying out loud, come back to me!
C G
For crying out loud, hear my plea!
C G
For crying out loud, come back to me!
Am C G
Why do you treat me so bad?
Am C G
Why do you treat me so bad?
G Bm
Mm - mm - mm - mm - bam, bam.
Am G
Bom, bom, bome, bome.
[STIR IT UP]
G C
Let's stir it up!
G C D
Stir it up, little darlin';
G
Stir it up. Yaga, yaga.
C D G
Little darlin', stir it up. Mm.
C D
Little darlin'.
G
It's been a long, long time
C C G C D
Since I've got you on my mind, o-oh.
G
Now you are here
C D
It's so clear:
G
See what we could do,
C D
Just you and me, yea-eah!
G
Let's stir it up!
C D G
Little darlin', stir it up!
Oh, come on, woman!
C D G
Little darlin', come on! Stir it up. ...
C D
Little darlin'.
G C G C
I'll push the wood, blaze the fire;
G C G C
Satisfy your heart desire.
G C G C
I'll a-stir it, yeah - every minute, yeah!
G C G C
All you got to do, honey, Keep it in it.
G
Let's stir it up!
C D G
Little darlin', let's stir it up!
C D G
Little darlin', stir it up!
C D G Am G F
Oh, wo - wo - wo - wo-ah, li'l darlin'. Lead up now.
[I'M HURTING INSIDE]
Am G F
When I was just a little child,
Am G F
'Appiness was there awhile.
Am G F
Then from me it slipped one day:
Am G F
'Appiness, come back, I say,
Am
'Cause if you don't come - come,
G
I go looking, yeah! ?
F
For 'appiness.
Am
'Cause if you don't come - come,
G
I go looking now! ?
F
For 'appiness.
Am G F
Then together like school children,
Am G F
Then your hurt was just in vain.
Am G F
Lord, I'm your weary child:
Am G F
'Appiness, come back. Oh, I ?
Am
'Cause if you don't come
G
Gonna go lookin', yeah! ?
F
For 'appiness.
Am
And if you don't come,
G
Gonna go lookin', yeah! ?
F
For 'appiness.
Am G F
Like Jah said, I'm a-hurtin' inside;
Am G F
I'm a-hurtin' inside.
G C D G
Baby, I really, really love you now.
G C D
I think you should stop your cryin';
C D
Here my kerchief to dry your eyes,
C D
You know that I love you, yea-eah-eah.
G D Em D
Groovy; here I am:
C Bm
Come rub it 'pon me belly
Am G
Like a guava jelly.
G D Em D
Damsel, here I stand:
C Bm
Come rub it 'pon me belly
Am G
Like-a guava jelly.
G C G Am G
[THIS TRAIN]
G C
This train - mm - mm - mm;
G C G
This train is bound to glory - this train;
C D G C
G
Talkin' 'bout ma: this train is bound to glory - this train:
G C
This train is bound to glory,
D
This train carry no un'oly;
G C D G
D4 D D4
This train - I'm a-talkin' 'bout: this train.
G C
When I was just a kid,
G C
My mommy used to sing this song.
Bm Am
Now I've grown to be a man,
G Am Bm
Well, it still lingers deep down in my soul;
G Bm Am
I said, it still lingers deep down in my soul.
C G C G C G
I'm talkin' 'bout: this train is bound to glory - this train;
G C G D D4 D
D4
This train is bound to glory - this train;
G C
This train is bound to glory,
D
O dis 'ere train carry no un'oly.
G D G D
This train - I'm a-talkin' 'bout: this train.
G C G
[CORNERSTONE]
G C G C
The stone that the builder refuse
G C G C
Will always be the head cornerstone-a;
G C G C
The stone that the builder refuse
G C G C
Will always be the head cornerstone.
D G
You're a builder, baby;
C G
Here I am, a stone.
D G
Don't you pick and refuse me,
G C
'Cause the things people refuse
G C
Are the things they should choose.
G D
Do you 'ear me? Hear what I say!
G C G C
Stone that the builder refuse
G C G C
Will always be the head cornerstone-a;
G C G C
The stone that the builder refuse, yeah! ?
G C G C
Will always be the head cornerstone.
D G
You're a builder, baby;
C G
Wo, here I am, a stone!
D G
Don't you pick and refuse me,
G C
'Cause the t'ings people refuse
G C
Are the things they should use;
G C
The things people refuse
G C
Are the things they should use.
G D
Do you 'ear me? Hear what I say!
G C G C
Stone dat them builder refuse
G C G C
Will always be the head cornerstone-a;
G C G C
The stone that dem builder refuse
G C Bm D C#
C Bm
Will always be the head cornerstone.
[COMMA COMMA]
G C
Comma, comma, come back here,
G C
My-y young lady;
G C
Comma, comma, come back here to me,
G C
My-y young lady, yeah!
G C
Jus' while I thought
G C G
Everything was running smooth,
C
She left me
G C
While I was in the mood.
G C
Now I'm callin' to you,
G C
But my world is relying for you to:
G C
Comma, comma, come back here,
G C
My-y young lady, yeah!
G C
Comma, comma, come back here to me,
G C
My-y young lady!
G C
Jus' while I thought
G C
Everything was running smooth.
G C (vai abaixando até parar)
You know I love you;
Oh now I love you. /fadeout/
[DEWDROPS]
63 - 63 52 55 42 43 42 55 - 63
Mm-mm-hm.
G Bm
I've been searchin' the whole darn day
Am G
For a little woman of mine - mine - mine - mine.
G Bm
Someone a-told me I could find her here
Am G
But it seem she disappear.
G Bm
Said, I searched the whole darn day;
Am G
Night is drawing nigh.
G Bm
I t'ink I'd better go home;
Am G
Try tomorrow again.
G Bm
But when I reached that railroad station,
Am G
I missed the last train,
C Bm
And then it seemed like dewdrops
Am G
Gonna fall on me;
C Bm
Yes, it seem like teardrops
Am D G
Gonna call on me now.
G Bm
I said, I'd better make up my mind
Am G
What am I gonna do.
G Bm
Am I gonna rest up here,
Am G
Or am I gonna push on through?
G Bm
My mind say, "Hey, man, ya hit the road."
Am G
Down there I missed the track - track - track;
G Em
I'm lost! Lord, I'm lost, eh!
C D G
Love is such a heavy load!
C G
And then: for crying out loud, come back to me!
C G
For crying out loud, hear my plea!
C G
For crying out loud, come back to me!
Am C G
Why do you treat me so bad?
Am C G
Why do you treat me so bad?
G Bm
Mm - mm - mm - mm - bam, bam.
Am G
Bom, bom, bome, bome.
[STIR IT UP]
G C
Let's stir it up!
G C D
Stir it up, little darlin';
G
Stir it up. Yaga, yaga.
C D G
Little darlin', stir it up. Mm.
C D
Little darlin'.
G
It's been a long, long time
C C G C D
Since I've got you on my mind, o-oh.
G
Now you are here
C D
It's so clear:
G
See what we could do,
C D
Just you and me, yea-eah!
G
Let's stir it up!
C D G
Little darlin', stir it up!
Oh, come on, woman!
C D G
Little darlin', come on! Stir it up. ...
C D
Little darlin'.
G C G C
I'll push the wood, blaze the fire;
G C G C
Satisfy your heart desire.
G C G C
I'll a-stir it, yeah - every minute, yeah!
G C G C
All you got to do, honey, Keep it in it.
G
Let's stir it up!
C D G
Little darlin', let's stir it up!
C D G
Little darlin', stir it up!
C D G Am G F
Oh, wo - wo - wo - wo-ah, li'l darlin'. Lead up now.
[I'M HURTING INSIDE]
Am G F
When I was just a little child,
Am G F
'Appiness was there awhile.
Am G F
Then from me it slipped one day:
Am G F
'Appiness, come back, I say,
Am
'Cause if you don't come - come,
G
I go looking, yeah! ?
F
For 'appiness.
Am
'Cause if you don't come - come,
G
I go looking now! ?
F
For 'appiness.
Am G F
Then together like school children,
Am G F
Then your hurt was just in vain.
Am G F
Lord, I'm your weary child:
Am G F
'Appiness, come back. Oh, I ?
Am
'Cause if you don't come
G
Gonna go lookin', yeah! ?
F
For 'appiness.
Am
And if you don't come,
G
Gonna go lookin', yeah! ?
F
For 'appiness.
Am G F
Like Jah said, I'm a-hurtin' inside;
Am G F
I'm a-hurtin' inside.
Bob's Burge (...)
Bobbie Gentry
Bobby Bare
Bobby Birdman
Bobby Caldwell