Biografia:
O The Bloodhound Gang iniciou como uma pequena banda alternativa em 1992 chamada Bang Chamber 8. O grupo consistia em Jimmy Pop e Daddy Long Legs. Lançaram somente uma fita auto entitulada. Logo mudaram seu nome para Bloodhound Gang, mudando também seu estilo musical. Incapazes de apresentar-se em casas noturnas, a banda apresentou-se pela primeira vez no Evil Jared Hasselhoff, por troca de cigarros e uma chance em gravar uma demo, entitulada Just Another Demo. começaram então a apresentar-se mensalmente no CBGBs em Nova Iorque
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Outras músicas:
- Fire Water Burn
- Foxtrot Uniform Charlie Kilo
- The Bad Touch
- The Roof Is On Fire
- Three Point One Four
- Uhn Tiss
- Vagina Song
- Bad Touch
- A Lap Dance Is So Much Better When The Stripper Is Crying
- Along Comes Mary
- Altogether Ooky
- American Bitches
- Clean Up In Aisle Sexy
- Dimes
- I Hope You Die
- I Wish I Was Queer So I Could Get Chicks
- Im The Least You Could Do
- Jackass
- Magna Cum Nada
- My Dad Says Thats For Pussies
- Pennsylvania
- Ralph Wiggum
- Right Turn Clyde
- Screwing You On The Beach At Night
- Socially Awkward Penguin
- Something Diabolical
- The Ballad Of Chasey Lain
- Uhn Tiss Uhn Tiss Uhn Tiss
- Uncool As Me
- Your Only Friends Are Make Believe
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Intro: G 6x C 2x D 6x C 2x D# 6x D 2x C 6x D 2x
G D
1. Every times I think that I'm the only one who's lonely,
D# C
someone calls on me.
G D
And every now and then I spend my time at rhyme and verse and curse
D# C
those faults in me.
Refr.:
G Bb G B
And then along comes Mary. Mary Mary. Then along comes Mary. Mary Mary.
G D D#
And does she want to give me kicks and be my steady chick
C G Bb
and give me pick of memories.
G D D#
Or maybe rather gather tales from all the fails
C G Bb
and tribulations no one ever sees.
D D# D C
When we met I was sure out to lunch.
D G D D# G
Now my empty cup tastes as sweet as the punch. Sweet as the punch.
Intro: G 6x C 2x D 6x C 2x D# 6x D 2x C 6x D 2x
G D
2. When vague desire is the fire in the eyes of chicks whose sickness
D# C
is the games they play.
G D
And when the masquerade is played and neighbor folks make jokes as who
D# C
is most to blame today.
Refr.:
G Bb G B
And then along comes Mary. Mary Mary. Then along comes Mary. Mary Mary.
G D D#
And does she want to set them free and let them see reality
C G Bb
from where she got her name.
G D D#
And will they struggle much when told that such a tender touch of hers
C G Bb
Will make them not the same.
D D# D C
When we met I was sure out to lunch.
D G D D# G
Now my empty cup tastes as sweet as the punch. Sweet as the punch.
G D
3. And when the morning of warnings passed the gassed and flacid kids
D# C
are flung across the stars.
G D
The psychodramas and the traumas gone, the songs are left unsung and
D# C
hung upon the scars.
Refr.:
G Bb G B
And then along comes Mary. Mary Mary. Then along comes Mary. Mary Mary.
Refr.:
G Bb G B
And does she want to see the strains the dead remains of all the pains
C G Bb
She left the night before.
G D D#
Or will their waking eyes reflect the lies
C G Bb
and make them realize their urgent cry for sight no more.
D D# D C
When we met I was sure out to lunch.
D G D D# G
Now my empty cup tastes as sweet as the punch. Sweet as the punch.
G D
1. Every times I think that I'm the only one who's lonely,
D# C
someone calls on me.
G D
And every now and then I spend my time at rhyme and verse and curse
D# C
those faults in me.
Refr.:
G Bb G B
And then along comes Mary. Mary Mary. Then along comes Mary. Mary Mary.
G D D#
And does she want to give me kicks and be my steady chick
C G Bb
and give me pick of memories.
G D D#
Or maybe rather gather tales from all the fails
C G Bb
and tribulations no one ever sees.
D D# D C
When we met I was sure out to lunch.
D G D D# G
Now my empty cup tastes as sweet as the punch. Sweet as the punch.
Intro: G 6x C 2x D 6x C 2x D# 6x D 2x C 6x D 2x
G D
2. When vague desire is the fire in the eyes of chicks whose sickness
D# C
is the games they play.
G D
And when the masquerade is played and neighbor folks make jokes as who
D# C
is most to blame today.
Refr.:
G Bb G B
And then along comes Mary. Mary Mary. Then along comes Mary. Mary Mary.
G D D#
And does she want to set them free and let them see reality
C G Bb
from where she got her name.
G D D#
And will they struggle much when told that such a tender touch of hers
C G Bb
Will make them not the same.
D D# D C
When we met I was sure out to lunch.
D G D D# G
Now my empty cup tastes as sweet as the punch. Sweet as the punch.
G D
3. And when the morning of warnings passed the gassed and flacid kids
D# C
are flung across the stars.
G D
The psychodramas and the traumas gone, the songs are left unsung and
D# C
hung upon the scars.
Refr.:
G Bb G B
And then along comes Mary. Mary Mary. Then along comes Mary. Mary Mary.
Refr.:
G Bb G B
And does she want to see the strains the dead remains of all the pains
C G Bb
She left the night before.
G D D#
Or will their waking eyes reflect the lies
C G Bb
and make them realize their urgent cry for sight no more.
D D# D C
When we met I was sure out to lunch.
D G D D# G
Now my empty cup tastes as sweet as the punch. Sweet as the punch.
Blue Diamonds
Blue Foundation
Blue Kid
Blue Mink
Blue October