Biografia:
Bayside foi formada em meado de 2000, entrando assim pra gravadora Dying Wish Records, assim é lançado seu primeiro álbum "Long Stories Short EP" em 2001 e em 2003 "Name Taken" um pouco antes de entrar pra gravadora "Victory Records". Em 2004 lança "Sirens And Condolences" (Victory Records). Isso antes da morte do baterista da banda John "Beatz" Holahan, em um acidente de carro envolvendo o integrante da banda, a banda lança um tributo Acustico a Holahan, em 2007 Lança "The Walking Wounded" (Victory Records).
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Outras músicas:
- Beautiful Girls
- Blame It On Bad Luck
- Dear Your Holiness
- Don't Call Me Peanut
- Just Enough To Love You
- Masterpeice
- On Love, On Life
- Sick Sick Sick
- Talking Of Michelangelo
- Landing Feet First
- A Call To Arms
- A Rite Of Passage
- A Synonym For Acquiesce
- A Synonym For Aquiesce
- Alcohol And Altar Boys
- Already Gone
- Battle Scars
- Bear With Me
- Big Cheese
- Boy
- Carry On
- Choice Hops And Bottled Self Esteem
- Dancing Like An Idiot
- Demons
- Devotion And Desire
- Dont Call Me Peanut
- Duality
- Enemy Lines
- Guardrail
- Hate Me
- Have Fun Storming The Castle
- Head On A Plate
- How To Fix Everything
- Howard
- I And I
- I Cant Go On
- I Think Ill Be Okay
- If Youre Bored
- Indiana
- It Doesnt Make It True
- It Dont Exist
- Its Not A Bad Little War
- Its Not As Depressing As It Sounds
- Ive Been Dead All Day
- Just To See You Smile
- Killing Time
- Mary
- Masterpiece
- Maybe Tennessee
- Megan
- Meghan
- Moceanu
- Mona Lisa
- Monster
- Montauk
- Movin Out
- No One Understands
- Not Fair
- Objectivist On Fire
- On Love On Life
- Phone Call From Poland
- Pigsty
- Poison In My Veins
- Popular Science
- Pretty Vacant
- Rochambo Rock Paper Scissors
- Rumspringa Return To The Heartbreak Road
- Seeing Sound
- Sinking And Swimming On A Long Island
- Sinking And Swimming On Long Island
- Somethings Wrong
- Stuttering
- Thankfully
- The Ghost
- The Ghost Of Saint Valentine
- The New Flesh
- The Whitest Lie
- The Wrong Way
- They Look Like Stong Hands
- Theyre Not Horses Theyre Unicorns
- Time Has Come
- Tortures Of The Damned
- Transitive Property
- Two Letters
- Walking Wounded
- Well Be Ok
- What And What Not
- Winter
- Youre No Match
- Youve Already Been
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Bayside
Two Letters
Vacancy
2016 Hopeless Records
Submitted by: [email protected]
Key: Bb
Tuning: Standard EADGBe
Chords used:
Bb - x13331
F - 133211
Gm - 355333
Eb - x68886
Cm - x35543
D - xx0232
D/F# - 2x23xx
F/A - x032xx
Intro: Gm(hold)
then
Gm Bb Eb Gm Bb Eb F
Gm Bb Eb D
Gm Bb Eb Gm Bb Eb F
Gm Bb Eb D
Verse 1:
Gm
I know I know I
should be better
Eb
I think I am to
some degree I
Gm
can't explain why
Bb
it gets harder
Eb
The more people
Cm Gm
count on me Maybe
it's all in my head
Eb Gm
And nothing's changed
Bb
and I'm still in the
Eb
basement With no
tattoos or
Cm
mortgage payments
Chorus 1:
Eb
Well I'm not so
F
good with tenses
Gm Bb
I'm tensing up
F/A
thinking about
Eb F
What I'm supposed
Gm Bb F/A
to call you now
Eb F
It takes a lot
Gm
to shake me My
Bb
body breaks to
F/A Eb
figure out How
F
to leave the past
D/F#
behind When it
Gm
surrounds all of
Eb
the time And I don't
F
know what I should
Gm Bb Eb Gm
call you now
Bb
I don't know
Eb
what I should
F Gm Bb Eb D Gm(hold)
call you now
Verse 2:
Gm
I don't believe
that anyone runs
Eb
From their past
Gm
so easily Unless
they run towards
Bb Eb
someone else
and I've seen you
Cm Gm
lacing up for years
I guess your future
Eb
looks great Well
Gm
good for you You're
Bb
still my inspiration
Eb
But less in tune
Cm
and more abrasive
Chorus 2:
Eb
Well I'm not so
F
good with tenses
Gm Bb
I'm tensing up
F/A
thinking about
Eb F
What I'm supposed
Gm Bb F/A
to call you now
Eb F
It takes a lot
Gm
to shake me My
Bb
body breaks to
F/A Eb
figure out How
F
to leave the past
D/F#
behind When it
Gm
surrounds all of
Eb
the time And I don't
F
know what I should
Gm Bb Eb Gm
call you now
Bb
I don't know
Eb
what I should
F Gm Bb Eb D
call you now
Bridge:
Gm
Ex sounds dirty
Eb
I can't say it
Bb
Sounds so final
F
and I'm still
Gm
praying For the
Eb
words for the
Bb
better Nothing
F
now just two
Gm
letters I hope
Eb Bb
you understand
F
I'm not prepared
Gm
to call you
Eb Bb F
just a friend
Chorus 3:
Eb
Well I'm not so
F
good with tenses
Gm Bb
I'm tensing up
thinking about
Eb F
What I'm supposed
Gm Bb
to call you now
Eb
Well I'm not so
F
good with tenses
Gm Bb
I'm tensing up
F/A
thinking about
Eb F
What I'm supposed
Gm Bb F/A
to call you now
Chorus 4:
Eb
Well I'm not so
F
good with tenses
Gm Bb
I'm tensing up
F/A
thinking about
Eb F
What I'm supposed
Gm Bb F/A
to call you now
Eb F
It takes a lot
Gm
to shake me My
Bb
body breaks to
F/A Eb
figure out How
F
to leave the past
D/F#
behind When it
Gm
surrounds all of
Eb
the time And I
don't know what
F
I should call
D/F#
And I don't
Gm
know what I
should call
Eb
And I don't
F
know what I
D/F# Gm(hold)
should call you now
Two Letters
Vacancy
2016 Hopeless Records
Submitted by: [email protected]
Key: Bb
Tuning: Standard EADGBe
Chords used:
Bb - x13331
F - 133211
Gm - 355333
Eb - x68886
Cm - x35543
D - xx0232
D/F# - 2x23xx
F/A - x032xx
Intro: Gm(hold)
then
Gm Bb Eb Gm Bb Eb F
Gm Bb Eb D
Gm Bb Eb Gm Bb Eb F
Gm Bb Eb D
Verse 1:
Gm
I know I know I
should be better
Eb
I think I am to
some degree I
Gm
can't explain why
Bb
it gets harder
Eb
The more people
Cm Gm
count on me Maybe
it's all in my head
Eb Gm
And nothing's changed
Bb
and I'm still in the
Eb
basement With no
tattoos or
Cm
mortgage payments
Chorus 1:
Eb
Well I'm not so
F
good with tenses
Gm Bb
I'm tensing up
F/A
thinking about
Eb F
What I'm supposed
Gm Bb F/A
to call you now
Eb F
It takes a lot
Gm
to shake me My
Bb
body breaks to
F/A Eb
figure out How
F
to leave the past
D/F#
behind When it
Gm
surrounds all of
Eb
the time And I don't
F
know what I should
Gm Bb Eb Gm
call you now
Bb
I don't know
Eb
what I should
F Gm Bb Eb D Gm(hold)
call you now
Verse 2:
Gm
I don't believe
that anyone runs
Eb
From their past
Gm
so easily Unless
they run towards
Bb Eb
someone else
and I've seen you
Cm Gm
lacing up for years
I guess your future
Eb
looks great Well
Gm
good for you You're
Bb
still my inspiration
Eb
But less in tune
Cm
and more abrasive
Chorus 2:
Eb
Well I'm not so
F
good with tenses
Gm Bb
I'm tensing up
F/A
thinking about
Eb F
What I'm supposed
Gm Bb F/A
to call you now
Eb F
It takes a lot
Gm
to shake me My
Bb
body breaks to
F/A Eb
figure out How
F
to leave the past
D/F#
behind When it
Gm
surrounds all of
Eb
the time And I don't
F
know what I should
Gm Bb Eb Gm
call you now
Bb
I don't know
Eb
what I should
F Gm Bb Eb D
call you now
Bridge:
Gm
Ex sounds dirty
Eb
I can't say it
Bb
Sounds so final
F
and I'm still
Gm
praying For the
Eb
words for the
Bb
better Nothing
F
now just two
Gm
letters I hope
Eb Bb
you understand
F
I'm not prepared
Gm
to call you
Eb Bb F
just a friend
Chorus 3:
Eb
Well I'm not so
F
good with tenses
Gm Bb
I'm tensing up
thinking about
Eb F
What I'm supposed
Gm Bb
to call you now
Eb
Well I'm not so
F
good with tenses
Gm Bb
I'm tensing up
F/A
thinking about
Eb F
What I'm supposed
Gm Bb F/A
to call you now
Chorus 4:
Eb
Well I'm not so
F
good with tenses
Gm Bb
I'm tensing up
F/A
thinking about
Eb F
What I'm supposed
Gm Bb F/A
to call you now
Eb F
It takes a lot
Gm
to shake me My
Bb
body breaks to
F/A Eb
figure out How
F
to leave the past
D/F#
behind When it
Gm
surrounds all of
Eb
the time And I
don't know what
F
I should call
D/F#
And I don't
Gm
know what I
should call
Eb
And I don't
F
know what I
D/F# Gm(hold)
should call you now
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Bbmak
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