Biografia:
Trevor Hall é um cantor, letrista e guitarrista. Ele é mais frequentemente conhecido por sua canção "Other Ways", que foi parte da trilha sonora de Shrek Terceiro.
Trevor Hall nasceu em 28 de novembro de 1986, é natural de Hilton Head, Carolina do Sul, onde residiu até aos 16 anos de idade. Seus pais, Jeff e Wendy, ainda residem em South Carolina. Ele tem uma irmã mais nova chamada Chloe. Começou a escrever e realizar, quando ele foi de cerca de 11 anos, em torno do mesmo tempo, ele ganhou sua primeira guitarra.
Read more on Last.fm
Outras músicas:
- All I Ever Know
- Girls Song
- Green Mountain State
- Many Roads
- Om Shakti Om
- Other Ways
- Parachutes
- Proof Of Destruction
- Te Amo
- The Lime Tree
- The Mountain (tab)
- Unity Ft Matisyahu
- Well I Say
- Who You Gonna Turn To
- World Keeps Turning
- A Reminder
- All I Can Do
- Bharat
- Bowl Of Light
- Brand New Day
- Different Hunger
- Dust
- Forgive
- Good Rain
- Great Mirror
- House Of Cards
- Indigo
- Just In Time
- Liquor Store
- Moon Sun
- My Beating Heart
- O Haleakala
- Once In A While
- Samay
- Something For You
- Standing Rock
- Sunny Sky
- The Aftermath
- The Love Song
- The Mountain
- The Rascals Have Returned
- The Return
- Times Like These
- Uncle Jo
- Under The Blanket
- Unity
- Volume
- When Cocoons Become Butterflies
- Wheres The Love
- Wish Man
- You Find Me
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Where Cocoons Become Butterflies- Trevor Hall
Standard Tuning with Capo on the 2nd fret
F: xx3210
C: x32010
Am: x02210
G:3200xx
C/B: x2001x
A/C: x2001x
A/C and C/B are the same chord, it is just easier to process as a transition if its
notation is relevant to the transitory chords.
C A/C Am
Too bad that love is blind because it took out both my knees
Am A/C C
Now all my restless nights are as bright as movie screens
C A/C Am
I spilt milk on all your dresses now they're covered with stains
Am
I now hide under the covers and take a different name
F G Am
He is in the face of all forgivers
F G Am
Dust on the window sill and I shiver
F G C C/B Am
It's either hide or seek you see there is nothing in between
G Am A/C C
I guess its best that we both bleed
Am A/C C F
We both bleed
C A/C Am
Pick me up and throw me down I'll fall without a blink
Am A/C C
Burn my clothes and wash me gently like a baby in a sink
C A/C Am
Well they captured all of my family and they took them down town
Am
But we saved our pictures of mother Mary we hide them six feet in the ground
F G Am
He is in the face of all forgivers
F G Am
Dust on the window sill and I shiver
F G C C/B Am
It's either hide or seek you see there is nothing in between
G
I guess its best that we both bleed
G
I guess its best that
Am A/C C F
We both bleed
Am A/C C
Stars fall in pastures on Sundays and after
F
I kissed her the moon fell the children said that secrets tell about
Am A/C C
Angels with white eyes and the places where God hides
F
I'll see you in the next life when cocoons become butterflies
Standard Tuning with Capo on the 2nd fret
F: xx3210
C: x32010
Am: x02210
G:3200xx
C/B: x2001x
A/C: x2001x
A/C and C/B are the same chord, it is just easier to process as a transition if its
notation is relevant to the transitory chords.
C A/C Am
Too bad that love is blind because it took out both my knees
Am A/C C
Now all my restless nights are as bright as movie screens
C A/C Am
I spilt milk on all your dresses now they're covered with stains
Am
I now hide under the covers and take a different name
F G Am
He is in the face of all forgivers
F G Am
Dust on the window sill and I shiver
F G C C/B Am
It's either hide or seek you see there is nothing in between
G Am A/C C
I guess its best that we both bleed
Am A/C C F
We both bleed
C A/C Am
Pick me up and throw me down I'll fall without a blink
Am A/C C
Burn my clothes and wash me gently like a baby in a sink
C A/C Am
Well they captured all of my family and they took them down town
Am
But we saved our pictures of mother Mary we hide them six feet in the ground
F G Am
He is in the face of all forgivers
F G Am
Dust on the window sill and I shiver
F G C C/B Am
It's either hide or seek you see there is nothing in between
G
I guess its best that we both bleed
G
I guess its best that
Am A/C C F
We both bleed
Am A/C C
Stars fall in pastures on Sundays and after
F
I kissed her the moon fell the children said that secrets tell about
Am A/C C
Angels with white eyes and the places where God hides
F
I'll see you in the next life when cocoons become butterflies
Trey Smoov
Trey Songz
Tri Yann
Triana
Tribal Seeds