Biografia:
Banda britânica formada em 1987, por Harriet Wheeler (vocalista), David Gavurin (guitarrista),Paul Brindley(baixista) e Patrick Hannan(baterista).
The Sundays teve influência na vida de vários jovens e emplacaram sucessos como : Here's Where The Story Ends e Wild Horses.
Em 1990,lançam o álbum Reading, Writing, and Arithmetic, muito bem recebido
pela crítica e pelo público,graças à angelical voz de Wheeler e às belas melodias,que criavam uma feliz combinação entre Smiths e Cocteau Twins.
Read more on Last.fm
Outras músicas:
- Wild Horses
- Cant Be Sure
- Cry
- Folk Song
- God Made Me
- Gone
- Goodbye
- Heres Where The Story Ends
- Homeward
- I Feel
- I Kicked A Boy
- Leave This City
- Life And Soul
- Life Goes On
- Medicine
- More
- My Finest Hour
- Nothing Sweet
- On Earth
- She
- Skin And Bones
- So Much
- Something More
- Summertime
- Through The Dark
- When Im Thinking About You
- Your Eyes
- Youre Not The Only One I Know
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Fmaj7/C: x33210
Cmaj7: x32000
G/E: 020003 (which might also be a Gadd6 and an Em7)
Dm7: xx0211
Dm7/C: x30211
Intro:
Fmaj7/C Cmaj7 Fmaj7/C Cmaj7
Fmaj7/C Cmaj7
Where's the harm in voicing a doubt
Fmaj7/C Cmaj7
You'll find me in the lavatory
Fmaj7/C Cmaj7
And where's the harm in talking out loud
G/E Fmaj7/C
When I'm on my own
Fmaj7/C Cmaj7
What's so wrong with reading my stars
Fmaj7/C Cmaj7
When I'll be in the lavatory
Fmaj7/C Cmaj7
And what is so wrong with counting the cards
G/E Fmaj7/C
When I'm all alone
G/E Fmaj7/C (on 'one", lift your pinky)
You're not the only one
Dm7 Dm7/C
That I know
Fmaj7/C G/E
But I'm too proud to talk to you anyway
G/E Fmaj7/C
You're not the only one
Dm7 Dm7/C
That I know
Fmaj7/C G/E Fmaj7/C
But I'm far too proud to talk to you any day
Cmaj7
So I say
Fmaj7/C Cmaj7
I'm in love with the world
Fmaj7/C Cmaj7
And what is so wrong with voicing a doubt
G/E Fmaj7/C
When I'm on my own
Fmaj7/C Cmaj7
It's perfectly fine to sleep in a chair
Fmaj7/C Cmaj7
From Monday 'til Saturday
Fmaj7/C Cmaj7
And what is so wrong with talking out loud
G/E Fmaj7/C
When I'm all alone
Repeat Chorus
Break:
G/E
Fmaj7/C
G/E
Fmaj7/C Cmaj7
Fmaj7/C Cmaj7
Fmaj7/C Cmaj7
So they rode out west to the seaside
Fmaj7/C Cmaj7
And they gladly decided to stay
Fmaj7/C Cmaj7
But after two hours wandering outside
G/E Fmaj7/C
Ooh the sea air drove them away, yeah
Repeat Chorus
End on Fmaj7/C
Cmaj7: x32000
G/E: 020003 (which might also be a Gadd6 and an Em7)
Dm7: xx0211
Dm7/C: x30211
Intro:
Fmaj7/C Cmaj7 Fmaj7/C Cmaj7
Fmaj7/C Cmaj7
Where's the harm in voicing a doubt
Fmaj7/C Cmaj7
You'll find me in the lavatory
Fmaj7/C Cmaj7
And where's the harm in talking out loud
G/E Fmaj7/C
When I'm on my own
Fmaj7/C Cmaj7
What's so wrong with reading my stars
Fmaj7/C Cmaj7
When I'll be in the lavatory
Fmaj7/C Cmaj7
And what is so wrong with counting the cards
G/E Fmaj7/C
When I'm all alone
G/E Fmaj7/C (on 'one", lift your pinky)
You're not the only one
Dm7 Dm7/C
That I know
Fmaj7/C G/E
But I'm too proud to talk to you anyway
G/E Fmaj7/C
You're not the only one
Dm7 Dm7/C
That I know
Fmaj7/C G/E Fmaj7/C
But I'm far too proud to talk to you any day
Cmaj7
So I say
Fmaj7/C Cmaj7
I'm in love with the world
Fmaj7/C Cmaj7
And what is so wrong with voicing a doubt
G/E Fmaj7/C
When I'm on my own
Fmaj7/C Cmaj7
It's perfectly fine to sleep in a chair
Fmaj7/C Cmaj7
From Monday 'til Saturday
Fmaj7/C Cmaj7
And what is so wrong with talking out loud
G/E Fmaj7/C
When I'm all alone
Repeat Chorus
Break:
G/E
Fmaj7/C
G/E
Fmaj7/C Cmaj7
Fmaj7/C Cmaj7
Fmaj7/C Cmaj7
So they rode out west to the seaside
Fmaj7/C Cmaj7
And they gladly decided to stay
Fmaj7/C Cmaj7
But after two hours wandering outside
G/E Fmaj7/C
Ooh the sea air drove them away, yeah
Repeat Chorus
End on Fmaj7/C
The Swingers
The Sword
The Taj Motel Tr (...)
The Tallest Mab (...)
The Tallest Man (...)