Biografia:
Dando uma sugestão dos juvenis revivalistas folk como Laura Marling, Mountain Man e The Pierces, The Staves de Watford, Inglaterra mistura as cadências saudosas do clássico folk britânico com a jovial americana da era Laura Canyon. O trio foi formado em 2010 em torno das irmãs Emily (vocais), Jessica (vocais/violão) e Camilla Staveley-Taylor (vocais/ukelele), que fez sua primeira aparição gravada como vocalistas de apoio na coleção gospel Praise & Blame de Tom Jones de 2010 antes de lançar um par de EPs
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Outras músicas:
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Capo on 7th fret
Picking pattern (Play through the whole song except the chorus)
G
E|---------------------------------------|
B|---0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-------|
G|---0-4-0-0-0-0-4-0-0-0-0-4-0-0-4-0-0-0-|
D|---------------------------------------|
A|---------------------------------------|
E|--3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3--|
C
E|---------------------------------------|
B|---0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-------|
G|---0-4-0-0-0-0-4-0-0-0-0-4-0-0-4-0-0-0-|
D|---------------------------------------|
A|--3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3--|
E|---------------------------------------|
[Intro]
G C
[Verse 1]
G
I know you, I need you
C
I had you, did I let you down?
G
You come and you go
C
I wait but never really know, mhm did I ever know?
[Pre-chorus]
G
Don't let me down
C
Don't you let me down
[Chorus]
A G A G
On and on, even the good die young
F#m G F#m G
Heavy hands, scupper the best laid plans
A G A G
On and on, ever the foolish one
C
Who says what he wants but he wants what he can't understand
[Instrumental]
G C
[Verse 2]
G
Unfolding, strung out
C
I'm holding on, you're holding out (mhmm)
G
Don't kiss me, don't lie
C
You ask for freedom then you cry, oh did I ever lie?
[Pre-chorus]
G
Don't let me down
C
Don't you let me down
[Chorus]
A G A G
On and on, even the good die young
F#m G F#m G
Heavy hands, scupper the best laid plans
A G A G
On and on, ever the foolish one
C
Who says what he wants but he wants what he can't understand
G
[Outro]
N.C.
Don't let me down,
N.C.
Don't let me down.
N.C.
Don't let me down,
N.C.
Don't you let me down.
N.C.
Don't let me down,
N.C.
Don't let me down.
The Strumbrellas
The Struts
The Submarines
The Subways
The Suicide Mach (...)