Biografia:
The National é uma banda de rock alternativo formada em 1999 por amigos de Cincinnati, Ohio.
As influências vão de Bruce Springsteen a Tindersticks. E as músicas são escritas e cantadas por Matt Berninger com sua diferente voz de barítono
O resto da banda é formado por dois pares de irmãos: Aaron e Bryce Dessner e Scott e Bryan Devendorf. Padma Newsome, da banda Clogs, frequentemente colabora no teclado e nos arranjos da banda.
Read more on Last.fm
Outras músicas:
- About Today (transposed)
- Bloodbuzz Ohio
- Conversation 16
- Exily Vilify
- Fake Empire
- I Need My Girl
- I Should Live In Salt
- Slipping Husband
- Slow Show
- Sorrow
- Start A War
- The Rains Of Castamere
- The System Only Dreams In Total Darkness
- This Is The Last Time
- Trophy Wife
- Lemonworld
- The Runaway
- Wasp Nest
- 29 Years
- 90 Mile Water Wall
- A Little Faith
- About Today
- Afraid Of Everyone
- All Dolled
- All The Wine
- American Mary
- Anna Freud
- Anyones Ghost
- Apartment Story
- Ashamed Of The Story I Told
- Available
- Baby Well Be Fine
- Bitters Absolut
- Born To Beg
- Brainy
- Cardinal Song
- Carin At The Liquor Store
- City Middle
- Cold Girl Fever
- Dark Side Of The Gym
- Daughters Of The Soho Riots
- Day I Die
- Demons
- Dont Swallow The Cap
- Driver Surprise Me
- Empire Line
- England
- Exile Vilify
- Fireproof
- Forever After Days
- Graceless
- Green Gloves
- Guest Room
- Guilty Party
- Hard To Find
- Heavenfaced
- Humiliation
- I Should Live In A Salt
- Ill Still Destroy You
- It Never Happened
- Karen
- Lean
- Learning
- Lit Up
- Looking For Astronauts
- Lucky You
- Mistaken For Strangers
- Mr November
- Murder Me Rachael
- Nobody Else Will Be There
- Patterns Of Fairytales
- Pay For Me
- Peggy
- Pink Rabbits
- Pretty Forever
- Reasonable Man I Dont Mind
- Rest Of Years
- Rylan
- Sailors In Your Mouth
- Santa Clara
- Sea Of Love
- Secret Meeting
- Sleep All Summer
- Sleep Well Beast
- Slipped
- So Far Around The Bend
- Sugar Wife
- Sunshine On My Back
- Tall Saint
- Terrible Love
- The Day I Die
- The Geese Of Beverly Road
- The Perfect Song
- The Thrilling Of Claire
- Theory Of The Crows
- Think You Can Wait
- Thirsty
- Turtleneck
- Vanderlyle Crybaby Geeks
- Wake Up Your Saints
- Walk It Back
- Watching You Well
- Without Permission
- You Were A Kindness
- Youve Done It Again Virginia
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
The National, City Middle
AT LONG LAST somebody has put some chords up.
This is by no means an easy song to pick out. There are a lot of tracks and there seems
be a degree of improvisation particularly
in the low synthy noises so, it won't be exact by any stretch of the imagination but I
give you what are some damned
close chords and will certainly be recognisable as the song. It's just with all the
you've then got woodwind, a violin and a
piano, it's a bloody nightmare.
I will give you the chords and any important 'licks' that recur.
Whenever I give a chord with a specific bass note (e.g. G/B) please pay attention
it matters a lot in this song.
At the first instance of "I have weird memories of you" I have given three slightly
D/A chords. While they shouldn't
really be treated as separate chords it serves to highlight the musical idea of going
the 'e' to the 'f#' and down to 'b', which
at concert pitch (w/o capo) is 'g' to 'a' to 'd'.
I recommend playing it this way for the first line, but it's up to you if you want to do
every time it appears.
________________________________________
*CAPO on 3rd*
e|-0-----0--3----2---0------0---0------0--------2----2-----2------0---0----0---------|
B|-0-----1--0----3---3------2---3------3--------3----0-----3------0---3----0---------|
G|-0-----0--0----4---2------0---0------2--------2----2-----4------0---0----2---------|
D|-2-----2--0----4---0------2---2------0--------0----0-----4------0---2----2---------|
A|-2-----3--2----2---x------0---3------0--------0----0-----2------2---2----0---------|
E|-x-----x--x----x---x------x---x------x--------x----x-----2------3---0----0---------|
Em/B C G/B Bm Dsus2 A7 Cadd9 Dsus2/A D/A D6/A Bm/F# G6 Em7 Asus2/E
"Karen take me to..." (fret positions given WITHOUT capo)
e|--------------------------------------------------------------------------|
B|----10--11--13--10--------------------10--11--13--13----------------------|
G|12------------------12--10--------12--------------------------------------|
D|--------------------------------------------------------------------------|
A|--------------------------------------------------------------------------|
E|--------------------------------------------------------------------------|
Em/B C G/B
Karen, take me to the nearest famous city middle
Bm
Where they hang the lights
Em/B C
Where it's random, and it's common versus common
Dsus2
La di la
[repeat]
Em/B A7
I've got five hundred in twenties
Cadd9
And I've got a ton of great ideas
Dsus2
I'm really worked up
Em/B A7
I'm on a good mixture, I don't want to waste it
Cadd9 Dsus2
I'm on a good mixture, I do not want to waste it
Em/B A7 Cadd9
I wanna go gator around the warm beds of beginners
Dsus2
I'm really worked up
Em/B C G/B
Karen, take me to the nearest famous city middle
Bm
Where they hang the lights
Em/B C
Where it's random, and it's common versus common
Dsus2
La di la
[repeat]
Dsus2/A------D/A---------D6/A Em/B
I have weird memories of you
G
Wearing long red socks and red shoes
Bm/F#
I have weird memories
D/A Em/B
I have weird memories of you (there is also a guitar track on the
G CD that repeats 'f# b b' over and
Pissing in a sink, I think over which colours the harmony
Bm/F# significantly. Add your own f#s if
I have weird memories of you you like)
Em/B A7 Cadd9
I wanna go gator around the warm beds of beginners
Dsus2
I'm really worked up
Em/B A7 Cadd9
I wanna go gator around the warm beds of beginners
Dsus2
I'm really worked up
Em/B C G/B
Karen, take me to the nearest famous city middle
Bm
Where they hang the lights
Em/B C
Where it's random, and it's common versus common
Dsus2
La di la
[repeat]
D/A Em/B
I have weird memories of you
G
Wearing long red socks and red shoes
Bm/F#
I have weird memories
D/A Em/B
I have weird memories of you
G
Pissing in a sink, I think
Bm/F#
I have weird memories of you
D/A Em
Parking your car, you said, I'm overwhelmed
G6 Bm/F#
You were thinking out loud, you said, I'm overwhelmed
D/A Em
You were parking your car, you said, I'm overwhelmed
G6 Bm/F#
You were thinking out loud, you said, I'm overwhelmed
D Em
You said, I think I'm like Tennessee Williams
G
I wait for the click
Bm/F#
I wait, but it doesn't kick in
D Em
I think I'm like Tennesse Williams
G
I wait for the click
Bm/F#
I wait, but it doesn't kick in
D/A Em/B
I have weird memories of you
G
Wearing long red socks and red shoes
Bm/F#
I have weird memories
D/A Em/B
I have weird memories of you
G
Pissing in a sink, I think
Bm/F#
I have weird memories of you
D/A Em
la da da da...
G6 Bm/F#
D Em
la da da da...
G6 Bm/F#
D/A Em Em7 Asus2/E....
I have weird memories of you
_______________________________________
If you're going to perform this with a band, then do some listening, have a think about
you yourself want to do, and let this
serve as a guideline for your arrangement.
Any queries,
[email protected]
Please don't forget to rate, and comment if you think you've spotted something that I haven't.
AT LONG LAST somebody has put some chords up.
This is by no means an easy song to pick out. There are a lot of tracks and there seems
be a degree of improvisation particularly
in the low synthy noises so, it won't be exact by any stretch of the imagination but I
give you what are some damned
close chords and will certainly be recognisable as the song. It's just with all the
you've then got woodwind, a violin and a
piano, it's a bloody nightmare.
I will give you the chords and any important 'licks' that recur.
Whenever I give a chord with a specific bass note (e.g. G/B) please pay attention
it matters a lot in this song.
At the first instance of "I have weird memories of you" I have given three slightly
D/A chords. While they shouldn't
really be treated as separate chords it serves to highlight the musical idea of going
the 'e' to the 'f#' and down to 'b', which
at concert pitch (w/o capo) is 'g' to 'a' to 'd'.
I recommend playing it this way for the first line, but it's up to you if you want to do
every time it appears.
________________________________________
*CAPO on 3rd*
e|-0-----0--3----2---0------0---0------0--------2----2-----2------0---0----0---------|
B|-0-----1--0----3---3------2---3------3--------3----0-----3------0---3----0---------|
G|-0-----0--0----4---2------0---0------2--------2----2-----4------0---0----2---------|
D|-2-----2--0----4---0------2---2------0--------0----0-----4------0---2----2---------|
A|-2-----3--2----2---x------0---3------0--------0----0-----2------2---2----0---------|
E|-x-----x--x----x---x------x---x------x--------x----x-----2------3---0----0---------|
Em/B C G/B Bm Dsus2 A7 Cadd9 Dsus2/A D/A D6/A Bm/F# G6 Em7 Asus2/E
"Karen take me to..." (fret positions given WITHOUT capo)
e|--------------------------------------------------------------------------|
B|----10--11--13--10--------------------10--11--13--13----------------------|
G|12------------------12--10--------12--------------------------------------|
D|--------------------------------------------------------------------------|
A|--------------------------------------------------------------------------|
E|--------------------------------------------------------------------------|
Em/B C G/B
Karen, take me to the nearest famous city middle
Bm
Where they hang the lights
Em/B C
Where it's random, and it's common versus common
Dsus2
La di la
[repeat]
Em/B A7
I've got five hundred in twenties
Cadd9
And I've got a ton of great ideas
Dsus2
I'm really worked up
Em/B A7
I'm on a good mixture, I don't want to waste it
Cadd9 Dsus2
I'm on a good mixture, I do not want to waste it
Em/B A7 Cadd9
I wanna go gator around the warm beds of beginners
Dsus2
I'm really worked up
Em/B C G/B
Karen, take me to the nearest famous city middle
Bm
Where they hang the lights
Em/B C
Where it's random, and it's common versus common
Dsus2
La di la
[repeat]
Dsus2/A------D/A---------D6/A Em/B
I have weird memories of you
G
Wearing long red socks and red shoes
Bm/F#
I have weird memories
D/A Em/B
I have weird memories of you (there is also a guitar track on the
G CD that repeats 'f# b b' over and
Pissing in a sink, I think over which colours the harmony
Bm/F# significantly. Add your own f#s if
I have weird memories of you you like)
Em/B A7 Cadd9
I wanna go gator around the warm beds of beginners
Dsus2
I'm really worked up
Em/B A7 Cadd9
I wanna go gator around the warm beds of beginners
Dsus2
I'm really worked up
Em/B C G/B
Karen, take me to the nearest famous city middle
Bm
Where they hang the lights
Em/B C
Where it's random, and it's common versus common
Dsus2
La di la
[repeat]
D/A Em/B
I have weird memories of you
G
Wearing long red socks and red shoes
Bm/F#
I have weird memories
D/A Em/B
I have weird memories of you
G
Pissing in a sink, I think
Bm/F#
I have weird memories of you
D/A Em
Parking your car, you said, I'm overwhelmed
G6 Bm/F#
You were thinking out loud, you said, I'm overwhelmed
D/A Em
You were parking your car, you said, I'm overwhelmed
G6 Bm/F#
You were thinking out loud, you said, I'm overwhelmed
D Em
You said, I think I'm like Tennessee Williams
G
I wait for the click
Bm/F#
I wait, but it doesn't kick in
D Em
I think I'm like Tennesse Williams
G
I wait for the click
Bm/F#
I wait, but it doesn't kick in
D/A Em/B
I have weird memories of you
G
Wearing long red socks and red shoes
Bm/F#
I have weird memories
D/A Em/B
I have weird memories of you
G
Pissing in a sink, I think
Bm/F#
I have weird memories of you
D/A Em
la da da da...
G6 Bm/F#
D Em
la da da da...
G6 Bm/F#
D/A Em Em7 Asus2/E....
I have weird memories of you
_______________________________________
If you're going to perform this with a band, then do some listening, have a think about
you yourself want to do, and let this
serve as a guideline for your arrangement.
Any queries,
[email protected]
Please don't forget to rate, and comment if you think you've spotted something that I haven't.
The New Seekers
The New Vaudevil (...)
The Next Generat (...)
The Nightwatchma (...)
The Ninjas