Biografia:
The Good Life surgiu para que Tim Kasher pudesse utilizar letras de músicas com uma abordagem diferente de seus outros projetos (Cursive), mas não demorou muito para que seu projeto solo se tornasse uma banda.
Com o tempo, o som da banda evoluiu e foi ficando mais refinado. Desde seu primeiro álbum, Novena on a Nocturne, um tanto pop; passando pelo álbum lançado em 2002, Black Out, com seus refrões inconfundíveis; até as músicas pra cantar junto do recente Lovers Need Lawyers EP.
Read more on Last.fm
Outras músicas:
- Early Out The Gate
- Some Bullshit Escape
- A Dim Entrance
- A Little Bit More
- A New Friend
- After Orourkes 210Am
- Album Of The Year
- An Acquaintance Strikes A Chord
- Black Out
- Dont Make Love So Hard
- Drinking With The Girls
- Empty Bed
- Entertainer
- For The Love Of The Song
- Friction
- Heartbroke
- Honeymoon
- Inmates
- Keely Aimee
- Leaving Omaha
- Lovers Need Lawyers
- Needy
- New Denial
- Night And Day
- Notes In His Pockets
- Off The Beaten Path
- Orourkes 120 Am
- Some Tragedy
- The Competition
- The Moon Red Handed
- Thirty
- Twenty Two
- Under A Honeymoon
- You Dont Feel Like Coming Home To Me
- Your Birthday Present
- Youre No Fool
- Youre Not You
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
at the beginning, and in between verses, im not sure if its E or Em,
but Em sounds better with the rest of the music...
E sounds good if you're playing with the guitar only, though...
enjoy!
F Em F Em F Em F Em
Am
tell me, dear,
Em E
is there anything you'd like to hear?
Am
one last song before we disappear?
Dm E
some broken hearted ballad
F
built for two.
Em F Em
Am Em E
by the way, it seems my notebooks have been misplaced
Am
those scribbled poetries of yesterday
Dm E
they've no more effect on me,
Dm E
those dead feelings
Dm G Am Dm
the songs we don’t sing are the hardest to hear.
G Am Dm
words left unsaid, words we wish we'd forget.
G Am
the guilt slips from our lips,
F E
confessions hidden behind eyelids.
F Em
would you look me in the eye
F
and tell me
Em F
does the moon weep at dawn?
Em F
his brilliance exposed
Em
by a fierce and burning sun.
Dm G Am Dm
the songs we don't sing we don't want to hear.
G Am Dm
words left unsaid well, they're only words
G Am
we lick the guilt form our lips,
F E
we make confessions from fertile hips
Dm G Am
and never look them in the eye.
Dm G Am
Dm G Am F E
but Em sounds better with the rest of the music...
E sounds good if you're playing with the guitar only, though...
enjoy!
F Em F Em F Em F Em
Am
tell me, dear,
Em E
is there anything you'd like to hear?
Am
one last song before we disappear?
Dm E
some broken hearted ballad
F
built for two.
Em F Em
Am Em E
by the way, it seems my notebooks have been misplaced
Am
those scribbled poetries of yesterday
Dm E
they've no more effect on me,
Dm E
those dead feelings
Dm G Am Dm
the songs we don’t sing are the hardest to hear.
G Am Dm
words left unsaid, words we wish we'd forget.
G Am
the guilt slips from our lips,
F E
confessions hidden behind eyelids.
F Em
would you look me in the eye
F
and tell me
Em F
does the moon weep at dawn?
Em F
his brilliance exposed
Em
by a fierce and burning sun.
Dm G Am Dm
the songs we don't sing we don't want to hear.
G Am Dm
words left unsaid well, they're only words
G Am
we lick the guilt form our lips,
F E
we make confessions from fertile hips
Dm G Am
and never look them in the eye.
Dm G Am
Dm G Am F E
The Greencards
The Greenhornes
The Greeting Com (...)
The Gregory Brot (...)
The Gregory Brot (...)