Biografia:
The Good Life surgiu para que Tim Kasher pudesse utilizar letras de músicas com uma abordagem diferente de seus outros projetos (Cursive), mas não demorou muito para que seu projeto solo se tornasse uma banda.
Com o tempo, o som da banda evoluiu e foi ficando mais refinado. Desde seu primeiro álbum, Novena on a Nocturne, um tanto pop; passando pelo álbum lançado em 2002, Black Out, com seus refrões inconfundíveis; até as músicas pra cantar junto do recente Lovers Need Lawyers EP.
Read more on Last.fm
Outras músicas:
- Early Out The Gate
- Some Bullshit Escape
- A Dim Entrance
- A Little Bit More
- A New Friend
- After Orourkes 210Am
- Album Of The Year
- An Acquaintance Strikes A Chord
- Black Out
- Dont Make Love So Hard
- Drinking With The Girls
- Empty Bed
- Entertainer
- For The Love Of The Song
- Friction
- Heartbroke
- Honeymoon
- Inmates
- Keely Aimee
- Leaving Omaha
- Lovers Need Lawyers
- Needy
- New Denial
- Night And Day
- Notes In His Pockets
- Off The Beaten Path
- Orourkes 120 Am
- Some Tragedy
- The Competition
- The Moon Red Handed
- Thirty
- Twenty Two
- Under A Honeymoon
- You Dont Feel Like Coming Home To Me
- Your Birthday Present
- Youre No Fool
- Youre Not You
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Am G
it's different when you're lonely
Am G
the whole world's in love
Am G
holding hands between barstools
Am G
and you're holding your tongue
Dm F
hold on!
C/G G
you're so fucked up, you're so fickle
Dm F
isn't this what you want?
C/G G
so simple? so single?
Am G
but you're different when you're helpless
Am G
when the bar's closed their doors
Am G
growning hostal towards your waitress
Am G
there's extra tips to ignore
Am
Am
but it's different cause you're desperate
G
begging mercy on the sidewalk
Am
to a sea of last callers
G
keep the conversation quick, and keep them interested
Am
but you're different and they sense it
G
your eyes can't disguise it
Am
so glassy, half empty
G
ready to spill
Dm F
so hold on
C/G G
please don't leave yet
Dm F
i can't go home alone
C/G G
it doesn't go over so well
Dm F C/G G
so hold on just a little longer
Dm F
at least through the night
C/G G
at least until morning
Am G Am G Am G
[oh! oh, oh oh!]
Am G
but it's different when you're lonely
[NC]
the whole world's in love
Dm F
hold on
C/G G
hold on to me
Dm F C/G G
i can hardly stand (much less the sight of myself)
Dm F
so hold on
C/G G
hold on tight dear
Dm F
put your foot on the gas
C/G G
get me the fuck out of here
outreo
Am Am Dm
Am Dm Am
Am Dm Am
[NC]
oh, oohhhh, oooooohhh
oh, oohhhh, oooooohhh
it's different when you're lonely
Am G
the whole world's in love
Am G
holding hands between barstools
Am G
and you're holding your tongue
Dm F
hold on!
C/G G
you're so fucked up, you're so fickle
Dm F
isn't this what you want?
C/G G
so simple? so single?
Am G
but you're different when you're helpless
Am G
when the bar's closed their doors
Am G
growning hostal towards your waitress
Am G
there's extra tips to ignore
Am
Am
but it's different cause you're desperate
G
begging mercy on the sidewalk
Am
to a sea of last callers
G
keep the conversation quick, and keep them interested
Am
but you're different and they sense it
G
your eyes can't disguise it
Am
so glassy, half empty
G
ready to spill
Dm F
so hold on
C/G G
please don't leave yet
Dm F
i can't go home alone
C/G G
it doesn't go over so well
Dm F C/G G
so hold on just a little longer
Dm F
at least through the night
C/G G
at least until morning
Am G Am G Am G
[oh! oh, oh oh!]
Am G
but it's different when you're lonely
[NC]
the whole world's in love
Dm F
hold on
C/G G
hold on to me
Dm F C/G G
i can hardly stand (much less the sight of myself)
Dm F
so hold on
C/G G
hold on tight dear
Dm F
put your foot on the gas
C/G G
get me the fuck out of here
outreo
Am Am Dm
Am Dm Am
Am Dm Am
[NC]
oh, oohhhh, oooooohhh
oh, oohhhh, oooooohhh
The Greencards
The Greenhornes
The Greeting Com (...)
The Gregory Brot (...)
The Gregory Brot (...)