Biografia:
The Gaslight Anthem é uma banda americana de rock, formada em New Brunswick, New Jersey em 2006. Atualmente a banda é composta por Brian Fallon (vocal, guitarra), Alex Rosamilia (guitarra, backing vocals), Alex Levine (baixo, backing vocals) e Benny Horowitz (bateria). Já lançaram cinco álbuns de estúdio, e cinco EPs, em 2008 a banda recebeu disco de ouro pelo The '59 Sound, seu trabalho mais recente é o álbum Get Hurt, lançado em agosto de 2014.
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Outras músicas:
- Drive
- Mae
- 1000 Years
- 1930
- 45
- 59 Sound
- Aint That A Shame
- Always Something
- American Slang
- Angry Johnny And The Radio
- Antonia Jane
- Biloxi Parish
- Blue Dahlia
- Blue Jeans And White T
- Blue Jeans White T
- Boomboxes And Dictionaries
- Boxer
- Break Your Heart
- Bring It On
- Capo 4Th Fret
- Casanova Baby
- Changing Of The Guards
- Dark Places
- Desire
- Even Cowgirls Get The Blues
- Film Noir
- Gaslight Medley
- Get Hurt
- Great Expectations
- Hadwritten
- Halloween
- Handwritten
- Have Mercy
- Helter Skeleton
- Here Comes My Man
- Heres Looking At You Kid
- High Lonesome
- Hold You Up
- Howl
- I Coulda Been A Contender
- I Do Not Hook Up
- Ida Called You Woody Joe
- Keepsake
- Mamas Boys
- Meet Me At The Rivers Edge
- Meet Me By The Rivers Edge
- Miles Davis And The Cool
- Misery
- Mulholland Drive
- National Anthem
- Old Haunts
- Old White Lincoln
- Once Upon A Time
- Orphans
- Our Fathers Sons
- Placeholder
- Red At Night
- Red In The Morning
- Red Violins
- Rollin And Tumblin
- Rolling And Tumbling
- Say I Wont Recognize
- Selected Poems
- Senor And The Queen
- Senor And The Queen Acoustic
- She Loves You
- Skinny Love
- Stay Lucky
- Stay Vicious
- Stray Paper
- Sweet Morphine
- Teenage Rebellion
- The 59 Sound
- The Backseat
- The Blues Mary
- The Diamond Church Street Choir
- The Navesink Banks
- The Patient Ferris Wheel
- The Queen Of Lower Chelsea
- The Spirit Of Jazz
- The Weight
- Tin Pan Alley
- Too Much Blood
- Underneath The Ground
- We Came To Dance
- We Did It When We Were Young
- Were Getting A Divorce You Keep The Diner
- Wherefore Art Thou Elvis
- Wooderson
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
From The '59 Sound Sessions. Lyrics are from Genius, please let me know if something is incorrect.
Gaslight would always tune down a whole step (DGCFAD) and I'm sure this demo was no exception,
so I tabbed it accordingly, but if you want to play in standard, just transpose up two semitones
so the first chord reads "C".
[Intro]
D G A (x4)
[Verse 1]
D
In the middle of the night
A G
everyone is sleeping
D
Once the bands have died down
A G
And our brothers and our sisters have gone
D
I feel the shaking in my sides
G
conscious and familiar
D
I pace some unfamiliar street
G
Until I pass out or calm down enough
Bm A
And I can't tell you how desperate
G A
some times have gotten
[Chorus]
D
You gotta just hold on, hold on, hold on, hold on,
G A
hold on Maria
D
You gotta just hold on, hold on, hold on, hold on,
G A
I'm coming home
D
Hold on, hold on, hold on, hold on,
G A
I nearly lost you
D
You gotta just hold on, hold on, hold on, hold on,
G A
I'm coming home
[Verse 2]
D
And in the middle of the day
A G
when the heat keeps on rising
D A
The fear of sickness or breakdown or infidelity
G
Makes its rounds
D
And in the drag of the late afternoon
G
settling in into evening
D
Well, that I just can't describe
G
with a dry eye or American words
Bm A
And I can't tell you how many times
G A
I just want to lie down
[Chorus]
D
You gotta just hold on, hold on, hold on, hold on,
G A
hold on Maria
D
You gotta just hold on, hold on, hold on, hold on,
G A
I'm coming home
D
Hold on, hold on, hold on, hold on,
G A
I nearly lost you
D
You gotta just hold on, hold on, hold on, hold on,
G A
I'm coming home
[Interlude]
Bm G D A (x2)
[Bridge]
Bm
You and your high-top sneakers
G
and your sailor tattoos
D
And your old fifty-five
A
that you drove through the roof
Bm G
Of the sky up above these indifferent stars
D A
While you just kept coming apart
N.C.
Hold on, hold on, hold on!
[Chorus]
D
You gotta just hold on, hold on, hold on, hold on,
G A
hold on Maria
D
You gotta just hold on, hold on, hold on, hold on,
G A
I'm coming home
D G A
These records and these bands and ? really matter
D
To these hands and these arms and
G A
this tired Irish heart made of stone
[Outro]
D
You gotta just hold on, hold on, hold on, hold on, hold on
G A
Hold on, hold on, hold on, hold on
D
You gotta just hold on, hold on, hold on, hold on
G A D A G
Hold on, hold on, hold on, hold on
Gaslight would always tune down a whole step (DGCFAD) and I'm sure this demo was no exception,
so I tabbed it accordingly, but if you want to play in standard, just transpose up two semitones
so the first chord reads "C".
[Intro]
D G A (x4)
[Verse 1]
D
In the middle of the night
A G
everyone is sleeping
D
Once the bands have died down
A G
And our brothers and our sisters have gone
D
I feel the shaking in my sides
G
conscious and familiar
D
I pace some unfamiliar street
G
Until I pass out or calm down enough
Bm A
And I can't tell you how desperate
G A
some times have gotten
[Chorus]
D
You gotta just hold on, hold on, hold on, hold on,
G A
hold on Maria
D
You gotta just hold on, hold on, hold on, hold on,
G A
I'm coming home
D
Hold on, hold on, hold on, hold on,
G A
I nearly lost you
D
You gotta just hold on, hold on, hold on, hold on,
G A
I'm coming home
[Verse 2]
D
And in the middle of the day
A G
when the heat keeps on rising
D A
The fear of sickness or breakdown or infidelity
G
Makes its rounds
D
And in the drag of the late afternoon
G
settling in into evening
D
Well, that I just can't describe
G
with a dry eye or American words
Bm A
And I can't tell you how many times
G A
I just want to lie down
[Chorus]
D
You gotta just hold on, hold on, hold on, hold on,
G A
hold on Maria
D
You gotta just hold on, hold on, hold on, hold on,
G A
I'm coming home
D
Hold on, hold on, hold on, hold on,
G A
I nearly lost you
D
You gotta just hold on, hold on, hold on, hold on,
G A
I'm coming home
[Interlude]
Bm G D A (x2)
[Bridge]
Bm
You and your high-top sneakers
G
and your sailor tattoos
D
And your old fifty-five
A
that you drove through the roof
Bm G
Of the sky up above these indifferent stars
D A
While you just kept coming apart
N.C.
Hold on, hold on, hold on!
[Chorus]
D
You gotta just hold on, hold on, hold on, hold on,
G A
hold on Maria
D
You gotta just hold on, hold on, hold on, hold on,
G A
I'm coming home
D G A
These records and these bands and ? really matter
D
To these hands and these arms and
G A
this tired Irish heart made of stone
[Outro]
D
You gotta just hold on, hold on, hold on, hold on, hold on
G A
Hold on, hold on, hold on, hold on
D
You gotta just hold on, hold on, hold on, hold on
G A D A G
Hold on, hold on, hold on, hold on
The Jimi Hendrix (...)
The Levellers
The Lower Lights
The Michael Gung (...)
The Orwells