Biografia:
The Gaslight Anthem é uma banda americana de rock, formada em New Brunswick, New Jersey em 2006. Atualmente a banda é composta por Brian Fallon (vocal, guitarra), Alex Rosamilia (guitarra, backing vocals), Alex Levine (baixo, backing vocals) e Benny Horowitz (bateria). Já lançaram cinco álbuns de estúdio, e cinco EPs, em 2008 a banda recebeu disco de ouro pelo The '59 Sound, seu trabalho mais recente é o álbum Get Hurt, lançado em agosto de 2014.
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Outras músicas:
- Drive
- Mae
- 1000 Years
- 1930
- 45
- 59 Sound
- Aint That A Shame
- Always Something
- American Slang
- Angry Johnny And The Radio
- Antonia Jane
- Biloxi Parish
- Blue Dahlia
- Blue Jeans And White T
- Blue Jeans White T
- Boomboxes And Dictionaries
- Boxer
- Break Your Heart
- Bring It On
- Capo 4Th Fret
- Casanova Baby
- Changing Of The Guards
- Dark Places
- Desire
- Even Cowgirls Get The Blues
- Film Noir
- Gaslight Medley
- Get Hurt
- Great Expectations
- Hadwritten
- Halloween
- Handwritten
- Have Mercy
- Helter Skeleton
- Here Comes My Man
- Heres Looking At You Kid
- High Lonesome
- Hold You Up
- Howl
- I Coulda Been A Contender
- I Do Not Hook Up
- Ida Called You Woody Joe
- Keepsake
- Mamas Boys
- Meet Me At The Rivers Edge
- Meet Me By The Rivers Edge
- Miles Davis And The Cool
- Misery
- Mulholland Drive
- National Anthem
- Old Haunts
- Old White Lincoln
- Once Upon A Time
- Orphans
- Our Fathers Sons
- Placeholder
- Red At Night
- Red In The Morning
- Red Violins
- Rollin And Tumblin
- Rolling And Tumbling
- Say I Wont Recognize
- Selected Poems
- Senor And The Queen
- Senor And The Queen Acoustic
- She Loves You
- Skinny Love
- Stay Lucky
- Stay Vicious
- Stray Paper
- Sweet Morphine
- Teenage Rebellion
- The 59 Sound
- The Backseat
- The Blues Mary
- The Diamond Church Street Choir
- The Navesink Banks
- The Patient Ferris Wheel
- The Queen Of Lower Chelsea
- The Spirit Of Jazz
- The Weight
- Tin Pan Alley
- Too Much Blood
- Underneath The Ground
- We Came To Dance
- We Did It When We Were Young
- Were Getting A Divorce You Keep The Diner
- Wherefore Art Thou Elvis
- Wooderson
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
The Gaslight Anthem's cover of Bob Dylan's Changing of the Guards. Really good version IMO.
Capo 2
Intro: A
F#m
Sixteen years,
A E F#m
Sixteen banners united over the fields
D E
While the good shepherd grieves
F#m A E
Desperate men, desperate women divided,
F#m D E A
Spreading their wings 'neath the falling leaves.
F#m
Fortune calls.
A E F#m
I stepped forth from the shadows, to the marketplace,
D E F#m
Merchants and thieves, hungry for power, my last deal gone down.
A E F#m
She's smelling sweet like the meadows where she was born,
D E A
On midsummer's eve, near the tower.
(Interlude)
F#m
The cold-blooded moon.
A E
The captain waits above the celebration
F#m D E
Sending his thoughts to a beloved maid
F#m A E
Whose ebony face is beyond communication.
F#m D E A
The captain is down but still believing that his love will be repaid.
F#m
They shaved her head.
A E
She was torn between Jupiter and Apollo.
F#m D E
A messenger arrived with a black nightingale.
F#m A E
I seen her on the stairs and I couldn't help but follow,
F#m D E A
Follow her down past the fountain where they lifted her veil.
(Interlude)
F#m
I stumbled to my feet.
A E
I rode past destruction in the ditches
F#m D E
With the stitches still mending 'neath a heart-shaped tattoo.
F#m A E
Renegade priests and treacherous young witches
F#m D E A
Were handing out the flowers that I'd given to you.
F#m
The palace of mirrors
A E
Where dog soldiers are reflected,
F#m D E
The endless road and the wailing of chimes,
F#m A E
The empty rooms where her memory is protected,
F#m D E A
Where the angels' voices whisper to the souls of previous times.
(Interlude)
F#m
She wakes him up
A E
Forty-eight hours later, the sun is breaking
F#m D E
Near broken chains, mountain laurel and rolling rocks.
F#m A E
She's begging to know what measures he now will be taking
F#m D E A
He's pulling her down and she's clutching on to his long golden locks.
F#m
Gentlemen, he said,
A E F#m
I don't need your organization, I've shined your shoes,
D E
I've moved your mountains and marked your cards
F#m A E
But Eden is burning, either get brave for elimination
F#m D E A
Or else your hearts must have the courage for the changing of the guards.
(Interlude)
F#m
Peace will come
A E F#m
With tranquility and splendor on the wheels of fire
D E F#m
But will offer no reward when her false idols fall
A E F#m
And cruel death surrenders with its pale ghost retreating
D E A
Between the King and the Queen of Swords.
F#m A E
F#m...
The "Interlude" is:
Ab Eb C# Ab
E ----------------------------(repeat 3 times)-||-------------------------||
B ---------------------------------------------||-------------------------||
G -4-6-7-6-6~---4-4~----2-2~-------------------||-4p2---2-2-2~-4p2---2-2~-||
D ---------------------------------------------||-----4------------4------||
A ------------------------------------------ --||-------------------------||
E ---------------------------------------------||-------------------------||
Capo 2
Intro: A
F#m
Sixteen years,
A E F#m
Sixteen banners united over the fields
D E
While the good shepherd grieves
F#m A E
Desperate men, desperate women divided,
F#m D E A
Spreading their wings 'neath the falling leaves.
F#m
Fortune calls.
A E F#m
I stepped forth from the shadows, to the marketplace,
D E F#m
Merchants and thieves, hungry for power, my last deal gone down.
A E F#m
She's smelling sweet like the meadows where she was born,
D E A
On midsummer's eve, near the tower.
(Interlude)
F#m
The cold-blooded moon.
A E
The captain waits above the celebration
F#m D E
Sending his thoughts to a beloved maid
F#m A E
Whose ebony face is beyond communication.
F#m D E A
The captain is down but still believing that his love will be repaid.
F#m
They shaved her head.
A E
She was torn between Jupiter and Apollo.
F#m D E
A messenger arrived with a black nightingale.
F#m A E
I seen her on the stairs and I couldn't help but follow,
F#m D E A
Follow her down past the fountain where they lifted her veil.
(Interlude)
F#m
I stumbled to my feet.
A E
I rode past destruction in the ditches
F#m D E
With the stitches still mending 'neath a heart-shaped tattoo.
F#m A E
Renegade priests and treacherous young witches
F#m D E A
Were handing out the flowers that I'd given to you.
F#m
The palace of mirrors
A E
Where dog soldiers are reflected,
F#m D E
The endless road and the wailing of chimes,
F#m A E
The empty rooms where her memory is protected,
F#m D E A
Where the angels' voices whisper to the souls of previous times.
(Interlude)
F#m
She wakes him up
A E
Forty-eight hours later, the sun is breaking
F#m D E
Near broken chains, mountain laurel and rolling rocks.
F#m A E
She's begging to know what measures he now will be taking
F#m D E A
He's pulling her down and she's clutching on to his long golden locks.
F#m
Gentlemen, he said,
A E F#m
I don't need your organization, I've shined your shoes,
D E
I've moved your mountains and marked your cards
F#m A E
But Eden is burning, either get brave for elimination
F#m D E A
Or else your hearts must have the courage for the changing of the guards.
(Interlude)
F#m
Peace will come
A E F#m
With tranquility and splendor on the wheels of fire
D E F#m
But will offer no reward when her false idols fall
A E F#m
And cruel death surrenders with its pale ghost retreating
D E A
Between the King and the Queen of Swords.
F#m A E
F#m...
The "Interlude" is:
Ab Eb C# Ab
E ----------------------------(repeat 3 times)-||-------------------------||
B ---------------------------------------------||-------------------------||
G -4-6-7-6-6~---4-4~----2-2~-------------------||-4p2---2-2-2~-4p2---2-2~-||
D ---------------------------------------------||-----4------------4------||
A ------------------------------------------ --||-------------------------||
E ---------------------------------------------||-------------------------||
The Jimi Hendrix (...)
The Levellers
The Lower Lights
The Michael Gung (...)
The Orwells