Biografia:
The Alan Parsons Project é um grupo de rock inglês formado nos fins dos anos 70 início dos anos 80 e foi fundado por Alan Parsons e Eric Woolfson.
Muitos dos seus títulos, especialmente os primeiros, partilham traços comuns com The Dark Side of the Moon dos Pink Floyd, talvez influenciado pela sua participação como engenheiro de som na produção deste álbum em 1973. Eram álbuns conceptuais que começavam com uma introdução instrumental esvanecendo-se na primeira canção
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Outras músicas:
- Eye In The Sky
- Ammonia Avenue
- Breakdown
- Children Of The Moon
- Closer To Heaven
- Damned If I Do
- Day After Day The Show Must Go On
- Days Are Numbers
- Dont Answer Me
- Dont Hold Back
- Dont Let It Show
- Freudiana
- Games People Play
- I Dont Wanna Go Home
- I Wouldnt Want To Be Like You
- If I Could Change Your Mind
- Inside Looking Out
- La Sagrada Familia
- Lets Talk About Me
- Light Of The World
- Limelight
- Little Hans
- May Be A Price To Pay
- Nothing Left To Lose
- Oh Life There Must Be More
- Old And Wise
- One Good Reason
- One More River
- Prime Time
- Psychobabble
- Separate Lives
- Shadow Of A Lonely Man
- Silence And I
- Since The Last Goodbye
- Some Other Time
- Sooner Or Later
- Standing On Higher Ground
- The Cask Of Amontillado
- The Eagle Will Rise Again
- The Same Old Sun
- The Voice
- Time
- To One Paradise
- Turn Of A Friendly Card
- Voyager
- Vulture Culture
- What Goes Up
- You Dont Believe
- Youre Gonna Get Your Fingers Burned
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
The Alan Parsons Project - You Don't Believe
Track #7, Ammonia Avenue
Intro:
C5 Bb5 Eb5 C5
e|----------------|----------------|
B|----------------|----------------|
G|555-----------8-|5---------------|
D|555---------8-8-|5---------------|
A|333---------8-6-|3---------------|
E|------------6---|----------------|
(Use same rhythm for verses, but for the bridge & chorus the chord
changes coincide with the start of the bars.)
[C5]My eyes [Bb5]with [Eb5]your [C5]vision
[Eb5]My choice but always [Eb5]your [F5]de[C5]cision
[C5]My play with [Bb5]your [Eb5]di[C5]rection
Well it's [Eb5]my lead but always [Eb5]your [F5]con[C5]nection
But when I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
[C5]My words, [Bb5]your [Eb5]ex[C5]pression
[Eb5]My land, always [Eb5]your [F5]pos[C5]session
[C5]My song, [Bb5]your [Eb5]pro[C5]duction
[Eb5]My expense is always [Eb5]your [F5]de[C5]duction
But when I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
And the [C5]face I see be[G5]fore me
Is [Eb5]both sides of a [F5]mirror
You [Eb5]really know you've [F5]got a hold on [C5]me
And the [C5]face you're looking [G5]into
Is both [Eb5]sides of a [F5]window
And [Eb5]any way you [F5]look you see through [C5]me
[C5]My fame, [Bb5]your [Eb5]re[C5]flection
[Eb5]My weakness always [Eb5]your [F5]pro[C5]tection
Well it's [C5]my terms on [Bb5]your [Eb5]con[C5]ditions
And they're [Eb5]my tunes but they're your [Eb5]com[F5]po[C5]sitions
But when I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
And the [C5]face I see be[G5]fore me
Is [Eb5]both sides of a [F5]mirror
You [Eb5]really know you've [F5]got a hold on [C5]me
And the [C5]face you're looking [G5]into
Is both [Eb5]sides of a [F5]window
And [Eb5]any way you [F5]look you see through [C5]me
When I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
When I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
Track #7, Ammonia Avenue
Intro:
C5 Bb5 Eb5 C5
e|----------------|----------------|
B|----------------|----------------|
G|555-----------8-|5---------------|
D|555---------8-8-|5---------------|
A|333---------8-6-|3---------------|
E|------------6---|----------------|
(Use same rhythm for verses, but for the bridge & chorus the chord
changes coincide with the start of the bars.)
[C5]My eyes [Bb5]with [Eb5]your [C5]vision
[Eb5]My choice but always [Eb5]your [F5]de[C5]cision
[C5]My play with [Bb5]your [Eb5]di[C5]rection
Well it's [Eb5]my lead but always [Eb5]your [F5]con[C5]nection
But when I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
[C5]My words, [Bb5]your [Eb5]ex[C5]pression
[Eb5]My land, always [Eb5]your [F5]pos[C5]session
[C5]My song, [Bb5]your [Eb5]pro[C5]duction
[Eb5]My expense is always [Eb5]your [F5]de[C5]duction
But when I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
And the [C5]face I see be[G5]fore me
Is [Eb5]both sides of a [F5]mirror
You [Eb5]really know you've [F5]got a hold on [C5]me
And the [C5]face you're looking [G5]into
Is both [Eb5]sides of a [F5]window
And [Eb5]any way you [F5]look you see through [C5]me
[C5]My fame, [Bb5]your [Eb5]re[C5]flection
[Eb5]My weakness always [Eb5]your [F5]pro[C5]tection
Well it's [C5]my terms on [Bb5]your [Eb5]con[C5]ditions
And they're [Eb5]my tunes but they're your [Eb5]com[F5]po[C5]sitions
But when I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
And the [C5]face I see be[G5]fore me
Is [Eb5]both sides of a [F5]mirror
You [Eb5]really know you've [F5]got a hold on [C5]me
And the [C5]face you're looking [G5]into
Is both [Eb5]sides of a [F5]window
And [Eb5]any way you [F5]look you see through [C5]me
When I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
When I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
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