Biografia:
Considerado um dos grandes interprétes da alma norte-americana, captando com sensibilidade as contradições do homem urbano, iniciou sua carreira na década de 60, ao lançar, junto com o seu parceiro Art Garfunkel, o disco Wednesday Morning (1964), que continha a clássica faixa The sound of silence, tida por muitos como a melhor de seu repertório. Esse disco não fez sucesso imediato e a dupla Simon & Garfunkel foi desfeita momentaneamente. Antes
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Outras músicas:
- 50 Ways To Leave Your Lover
- American Tune
- Bookends
- Diamonds On The Soles Of Her Shoes
- Flowers Never Bend With The Rainfall
- Graceland
- Leaves That Are Green
- Loves Me Like A Rock
- Obvious Child
- Slip Sliding Away
- Some Folk's Lives
- Still Crazy After All These Years
- Still Crazy After All These Yeas (easier)
- What A Wonderful World
- You Can Call Me Al
- Me And Julio Down By The Schoolyard
- 10 Years
- A Church Is Burning
- A Simple Desultory Philippic
- All Around The World Or The Myth Of Fingerprints
- Allergies
- Another Galaxy
- April Come She Will
- Armistice Day
- Born At The Right Time
- Born In Puerto Rico
- Can I Forgive Him
- Cant Run But
- Cecilia
- Congratulations
- Crazy Love Vol 2
- Dazzling Blue
- Duncan
- El Condor Pasa
- Everything Put Together Falls Apart
- Father And Daughter
- For Emily Whenever I May Find Her
- Gumboots
- Hearts And Bones
- How The Heart Approaches What It Yearns
- Hurricane Eye
- I Know What I Know
- Id Do It For Your Love
- Jonah
- Kathys Song
- Koda Chrome
- Kodachrome
- Krapp Sving
- Late In The Evening
- Learn How To Fall
- Love
- Mother And Child Reunion
- Mrs Robinson
- Nobody
- Oh Marion
- Old
- On The Side Of A Hill
- One Mans Ceiling Is Another Mans Floor
- One Trick Pony
- Overs
- Papa Hobo
- Paranoia Blues
- Punkys Dilemma
- Rene And Georgette Magritte With Their Dog After The War
- Run That Body Down
- Silent Eyes
- Slip Slidin Away
- Something So Right
- Song About The Moon
- St Judys Comet
- Stranded In A Limousine
- Take Me To The Mardi Gras
- Tenderness
- That Was Your Mother
- Thats Where I Belong
- Thats Why God Made The Movies
- The Afterlife
- The Boxer
- The Boy In The Bubble
- The Coast
- The Cool Cool River
- The Late Great Johnny Ace
- The Obvious Child
- The Only Living Boy In New York
- The Werewolf
- Think Too Much A
- Think Too Much B
- Trailways Bus
- Train In The Distance
- Under African Skies
- Was A Sunny Day
- Wednesday Morning 3 Am
- Youre Kind
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#use a capo or 3 half#
INTRO
guitar and synth
| D A Em7 | D A D |
full band
| D A | Em7 A |
| D A | Em7 A |
| D A | Em7 A |
VERSE
D
A man walks down the street
Em7 Asus4 A
He says Why am I soft in the middle now
D
Why am I soft in the middle
Em7 Asus4 A
When the rest of my life is so hard
D
I need a photo-opportunity
Em7 Asus4 A
I want a shot at redemption
D
Don't want to end up a cartoon
Em7 Asus4 A
In a cartoon graveyard
BRIDGE
D
Bonedigger Bonedigger
Em7 A
Dogs in the moonlight
D Em7 A
Far away from my well-lit door
D
Mr Beerbelly Beerbelly
Em7 A
Get these mutts away from me
D Em7 A
You know I don't find this stuff amusing anymore
CHORUS
D A
If you'll be my bodyguard
Em7 A | D A | Em7 A |
I can be your long lost pal
D A
I can call you Betty
Em7 A
And Betty when you call me
| D A | Em7 A |
You can call me Al
VERSE
D
A man walks down the street
Em7 Asus4 A
He says Why am I short of attention
D
Got a short little span of attention
Em7 Asus4 A
And whoa my nights are so long
D
Where's my wife and family
Em7 Asus4 A
What if I die here
D
Who'll be my role-model
Em7 Asus4 A
Now that my role - model is
BRIDGE
D
Gone gone
Em7 A
He ducked back down the alley
D Em7 A
With some roly-poly little bat-faced girl
D
All along along
Em7 A
There were incidents and accidents
D | Em7 A |
There were hints and allegations
CHORUS
D A
If you'll be my bodyguard
Em7 A | D A | Em7 A |
I can be your long lost pal
D A
I can call you Betty
Em7 A
And Betty when you call me
| D A | Em7 A |
You can call me Al Call me Al
SOLO (pennywhistle) = verse + bridge
| D | Em7 Asus4 A | D | Em7 Asus4 A |
| D | Em7 Asus4 A | D | Em7 Asus4 A |
| D | Em7 A | D | Em7 A |
| D | Em7 A | D | Em7 A |
INTERLUDE
guitar and synth
| D A Em7 | D A D |
full band
| D A | Em7 A |
| D A | Em7 A |
| D A | Em7 A |
VERSE
D
A man walks down the street
Em7 Asus4 A
It's a street in a strange world
D
Maybe it's the Third World
Em7 Asus4 A
Maybe it's his first time around
D
He doesn't speak the language
Em7 Asus4 A
He holds no currency
D
He is a foreign man
Em7 Asus4 A
He is surrounded by the
BRIDGE
D
Sound the sound
Em7 A
Cattle in the marketplace
D | Em7 A |
Scatterlings and orphanages
D
He looks around around
Em7 A
He sees angels in the architecture
D
Spinning into infinity
Em7 A
He says Amen and Hallelujah
CHORUS
D A
If you'll be my bodyguard
Em7 A | D A | Em7 A |
I can be your long lost pal
D A
I can call you Betty
Em7 A
And Betty when you call me
| D A | Em7 A |
You can call me Al Call me
VERSE (instrumental)
D Em7 Asus4 A
Na na na na na na na na
D Em7 Asus4 A
Na na na na na na na na na na
D Em7 Asus4 A
Na na na na na na na na
D Em7 Asus4 A
Na na na na na na na na na na
BRIDGE (instrumental)
D | Em7 A |
Mmmh mmmh
D | Em7 A |
Mh mh
D | Em7 A |
Mmmh mmmh
D | Em7 A |
Mh mh
BREAK (bass solo)
| N.C. | % |
CHORUS (instrumental)
| D A | Em7 A |
| D A | Em7 A |
| D A | Em7 A |
| D A | Em7 A |
OUTRO (chorus)
D A | Em7 D/A A |
If you'll be my bodyguard
| D A | Em7 A |
D A | Em7 D/A A |
I can call you Betty
| D A | Em7 A |
D A | Em7 D/A A |
If you'll be my bodyguard
| D A | Em7 A |
D A | Em7 D/A A |
I can call you Betty
| D A | Em7 A |
(repeat and fade)
Paula Deanda
Paula Fernandes
Paula Fuga
Paula Fuga & (...)
Paula Rojo