Biografia:
Strawberry Alarm Clock foi uma banda de rock psicodélico surgida em 1967 em Los Angeles. Alcançou o topo do Billboard Hot 100 com "Incense and Peppermints", um dos hinos do movimento hippie. Originalmente chamado Thee Sixpence, o grupo californiano era composto por Edward King (guitarra), Lee Freeman (guitarra base), Gary Lovetro (baixo), Mark Weitz (órgão) e Randy Seol (bateria). No compacto de estréia da banda, "Incense and Peppermints", os vocais foram gravados por Greg Munford, um amigo do grupo, de apenas 16 anos de idade.
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Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#----------------------------------PLEASE NOTE--------------------------------#
#This file is the author's own work and represents their interpretation of the#
#song. You may only use this file for private study, scholarship, or research.#
#-----------------------------------------------------------------------------#
"Barefoot in Baltimore"
(Mark Weitz - Ed King - Lee Freeman)
Intro:
(electric piano w/bass and congas)
F#maj7 G#m9 /C#
/ / / / / / / / / / / / / / / /
Gmaj9 Am9 /D
/ / / / / / / / / / / / / / / / / / / /
Chorus 1:
Am7/D Cm7
Barefoot in Baltimore
Abmaj7/Bb Abm9
Heel and toe with you
Gmaj9 Am9/D Am7/D Gmaj9 Am9/D Am7/D
/ / / / / / / /
Verse 1:
F#maj9 G#m9/C# G#m7/C# [continue]
Summer turns the stove on
And fun begins to cook
Barefoot walks in Baltimore
With empty pocketbook
Laugh at sizzling sidewalks
Don't step on the cracks
Old folks try to catch their breath
As children catch their jacks
Chorus 2:
G#m7/C# Bm7
Barefoot in Baltimore
Gmaj7/A Gm9
Heel and toe with you
F#maj9 G#m9/C# G#m7/C# F#maj9 G#m9/C# G#m7/C#
/ / / / / / / /
Verse 2:
Gmaj9 Am9/D Am7/D [continue]
Baltimore is music
Dancing in the street
Half-chewed Dubble Bubble
Tugging at our feet
Melted tar in crosswalks
Crab shells in the park
Pavement frying our poor toes
Until long after dark
[repeat chorus]
Bridge:
Em7 Cm7
When night comes we can go walking
Gmaj9 A13
On the shores of Chesapeake Bay
Am9 D9
A silence tailored for talking
G#6 G#m7/C#
And a love with so much to say
[repeat intro]
[repeat chorus 1]
Coda [repeat to fade]:
(vibes solo)
Gmaj9 Am9/D Am7/D Gmaj9 Am9/D Am7/D
/ / / / / / / /
-- another ace 60's tab from Andrew Rogers
#This file is the author's own work and represents their interpretation of the#
#song. You may only use this file for private study, scholarship, or research.#
#-----------------------------------------------------------------------------#
"Barefoot in Baltimore"
(Mark Weitz - Ed King - Lee Freeman)
Intro:
(electric piano w/bass and congas)
F#maj7 G#m9 /C#
/ / / / / / / / / / / / / / / /
Gmaj9 Am9 /D
/ / / / / / / / / / / / / / / / / / / /
Chorus 1:
Am7/D Cm7
Barefoot in Baltimore
Abmaj7/Bb Abm9
Heel and toe with you
Gmaj9 Am9/D Am7/D Gmaj9 Am9/D Am7/D
/ / / / / / / /
Verse 1:
F#maj9 G#m9/C# G#m7/C# [continue]
Summer turns the stove on
And fun begins to cook
Barefoot walks in Baltimore
With empty pocketbook
Laugh at sizzling sidewalks
Don't step on the cracks
Old folks try to catch their breath
As children catch their jacks
Chorus 2:
G#m7/C# Bm7
Barefoot in Baltimore
Gmaj7/A Gm9
Heel and toe with you
F#maj9 G#m9/C# G#m7/C# F#maj9 G#m9/C# G#m7/C#
/ / / / / / / /
Verse 2:
Gmaj9 Am9/D Am7/D [continue]
Baltimore is music
Dancing in the street
Half-chewed Dubble Bubble
Tugging at our feet
Melted tar in crosswalks
Crab shells in the park
Pavement frying our poor toes
Until long after dark
[repeat chorus]
Bridge:
Em7 Cm7
When night comes we can go walking
Gmaj9 A13
On the shores of Chesapeake Bay
Am9 D9
A silence tailored for talking
G#6 G#m7/C#
And a love with so much to say
[repeat intro]
[repeat chorus 1]
Coda [repeat to fade]:
(vibes solo)
Gmaj9 Am9/D Am7/D Gmaj9 Am9/D Am7/D
/ / / / / / / /
-- another ace 60's tab from Andrew Rogers
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