Biografia:
Ex-membro do The Walker Brothers, Scott Walker iniciou sua carreira solo em 1967 com "Scott", o primeiro de 4 álbuns clássicos que alcançaram o top ten de discos mais vendidos no Reino Unido. O trabalho de Scott nas décadas de 60 e 70 tem grande influência sobre bandas como Radiohead, David Bowie, Roxy Music e Pulp. Seus discos mais recentes, "Tilt (1995)" e "The Drift (2006)" mostram experiências sonoras bem mais experimentais e contemplativas.
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Outras músicas:
- Duchess
- Rhymes Of Goodbye
- 30 Century Man
- All My Loves Laughter
- Another Tear Falls
- Copenhagen
- Farmer In The City
- First Love Never Dies
- Glory Road
- In My Room
- Its Raining Today
- Jackie
- Joanna
- Lights Of Cincinnati
- Love Her
- Montague Terrace In Blue
- Mrs Murphy
- My Way Home
- Nite Flights
- No Easy Way Down
- On Your Own Again
- Rosary
- Someone Who Cared
- Sons Of
- Stay With Me Baby
- Thanks For Chicago Mr James
- The Bridge
- The Girls And The Dogs
- The Old Mans Back Again
- The Rope And The Colt
- The Seventh Seal
- The Sun Aint Gonna Shine Anymore
- Tilt
- Where Love Has Died
- Young Man Cried
- Youre All Around Me
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Standard Tuning EADGBe
This is a tough song to figure out.
The lone guitar part is fairly consistantly inconsistant through out.
Provided is the fretting for it, use the thumb and index to play it and bend when necessary.
Bend the B string one semitone and the D string 2 semitones when necessary.
Intro: C#m
E|----------------------------------------|
B|---9-9----9-9----9----9-9----9-9----9---|
G|----------------------------------------|
D|11-----11-----11---11-----11-----11-----|
A|----------------------------------------|
E|----------------------------------------|
Verse 1:
C#m
I'll string along, I'll string along, oo whaoo whaoo whaoo...
C#m
Come mornings my beads on a face, a thread, oo whaoo whaoo whaoo...
Dm Ebm
We can save it, we can change it, put it in lines across the room
Dm Am
But we'll never stop it bristling.....and I gotta quit......
Verse 2:
C#m
With a ribbonless hair, with a wire of snare, oo whaoo whaoo whaoo
C#m
With all the trembling vein that you can bare, oo whaoo whaoo whaoo
Dm Ebm
We can save it, we can change it, put it in lines across the room
Dm Am
But we'll never stop it pimpling.....and I gotta quit...
Outro:
Am
Scrape a little pattern to a sty I kiss holes for the bullets
Am
In case of thigh, in case of thigh
Am
I kiss holes for the bullets.....and I gotta quit.....and I gotta quit.......
(end)
This is a tough song to figure out.
The lone guitar part is fairly consistantly inconsistant through out.
Provided is the fretting for it, use the thumb and index to play it and bend when necessary.
Bend the B string one semitone and the D string 2 semitones when necessary.
Intro: C#m
E|----------------------------------------|
B|---9-9----9-9----9----9-9----9-9----9---|
G|----------------------------------------|
D|11-----11-----11---11-----11-----11-----|
A|----------------------------------------|
E|----------------------------------------|
Verse 1:
C#m
I'll string along, I'll string along, oo whaoo whaoo whaoo...
C#m
Come mornings my beads on a face, a thread, oo whaoo whaoo whaoo...
Dm Ebm
We can save it, we can change it, put it in lines across the room
Dm Am
But we'll never stop it bristling.....and I gotta quit......
Verse 2:
C#m
With a ribbonless hair, with a wire of snare, oo whaoo whaoo whaoo
C#m
With all the trembling vein that you can bare, oo whaoo whaoo whaoo
Dm Ebm
We can save it, we can change it, put it in lines across the room
Dm Am
But we'll never stop it pimpling.....and I gotta quit...
Outro:
Am
Scrape a little pattern to a sty I kiss holes for the bullets
Am
In case of thigh, in case of thigh
Am
I kiss holes for the bullets.....and I gotta quit.....and I gotta quit.......
(end)
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