Biografia:
Born in Westmount, Quebec, to South African parents, he graduated from Loyola High School and McGill University. Roberts formed the band that was eventually known as William in 1993. The band's name was changed to Northstar in 1996. Although the band gained some notice in independent rock circles, they could not break through to a national audience, and broke up in 1999 after failing to release an album.[1] Roberts' bandmate George Donoso went on to significant success in indie rock circles with The Dears
Read more on Last.fm
Outras músicas:
- Brother Down
- Gate
- Mystified Heavy
- Paranoia
- An American Draft Dodger In Thunder Bay
- Be Thou My Vision
- Bootleg Saint
- Bridge To Nowhere
- Dead End
- Detroit 67
- Dont Walk Away Eileen
- Every Part Of Me
- Faultline Blues
- Fixed To Ruin
- Golden Hour
- Hard Road
- Lions Of The Kalahari
- Love At The End Of The World
- Metal Skin
- Mind Flood
- Never Enough
- No Sleep
- Oh Maria
- Partition Blues
- Stripmall Religion
- Sundance
- Taj Mahal
- The Pilgrim
- Them Kids
- This Wreck Of A Life
- Tractor Beam Blues
- Twist The Knife
- Uprising Down Under
- Were All In This Together
- Where Have All The Good People Gone
- With A Bullet
- Without A Map
- Words Fire
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Them Kids
Artist: Sam Roberts
Album: Love at the End of the World
Notes: the song sounds best when played with barre chords
C G
No one feels more alone that the children of a dying breed
C G
You never feel at home when you're just another mouth to feed
C G
I wanna live in geological time
C G
Because I'm still in my biological prime
F C
If nobody listens, then who's gonna hear?
F C Dm
If nobody listens, will we disappear?
C G
You flip a man a quarter playing songs on his guitar
C G
You're on a street corner, feeling like a patron of the arts
C G
And now the kids don't know how to dance to rock and roll
C G
I said the kids don't know how to dance to rock and roll
F C
If nobody listens, then who's gonna hear?
F C Dm
If nobody listens, will we disappear?
C G
I just don't understand why the kids don't know how to dance to rock and roll
C G
I said the kids don't know how to dance to rock and roll
C G
They're always on the phone and they always gotta have control
C G
And now the kids don't know how to dance to rock and roll
F Dm C
The golden years are under attack (we're taking them back, we're taking them back)
F Dm C
The golden years are under attack (we're taking them back, we're taking them back)
F Dm C
Looking for an original voice but the beaten path leaves little choice
F Dm C Dm F
The melody that you thought you found reveals that she's been sleeping around
C
We were apostles, they were the high priests
G {C G F} <--played higher on the neck--
We lived the hustle, the keepers of the backbeat
C
We're under pressure to reconcile
G {C G F} <--played higher on the neck--
Our point of view with contemporary style
C G F
It used to be that the kids were the ones who knew how to get off
C G F
It was a yell from the swamp, now it's only coming out as a cough
C G
I can't sell my songs so I'm gonna have to give 'em away
C G
I can't sell myself since my hair started turning to grey
F C
If nobody listens, then who's gonna hear?
F C Dm
If nobody listens, will we disappear?
C G
I just don't understand why the kids don't know how to dance to rock and roll
C G
I said the kids don't know how to dance to rock and roll
C G
The high priests are calling all disciples back to the fold
C G
Because the kids don't know how to dance to rock and roll
C G F x4
--Finish on C--
Artist: Sam Roberts
Album: Love at the End of the World
Notes: the song sounds best when played with barre chords
C G
No one feels more alone that the children of a dying breed
C G
You never feel at home when you're just another mouth to feed
C G
I wanna live in geological time
C G
Because I'm still in my biological prime
F C
If nobody listens, then who's gonna hear?
F C Dm
If nobody listens, will we disappear?
C G
You flip a man a quarter playing songs on his guitar
C G
You're on a street corner, feeling like a patron of the arts
C G
And now the kids don't know how to dance to rock and roll
C G
I said the kids don't know how to dance to rock and roll
F C
If nobody listens, then who's gonna hear?
F C Dm
If nobody listens, will we disappear?
C G
I just don't understand why the kids don't know how to dance to rock and roll
C G
I said the kids don't know how to dance to rock and roll
C G
They're always on the phone and they always gotta have control
C G
And now the kids don't know how to dance to rock and roll
F Dm C
The golden years are under attack (we're taking them back, we're taking them back)
F Dm C
The golden years are under attack (we're taking them back, we're taking them back)
F Dm C
Looking for an original voice but the beaten path leaves little choice
F Dm C Dm F
The melody that you thought you found reveals that she's been sleeping around
C
We were apostles, they were the high priests
G {C G F} <--played higher on the neck--
We lived the hustle, the keepers of the backbeat
C
We're under pressure to reconcile
G {C G F} <--played higher on the neck--
Our point of view with contemporary style
C G F
It used to be that the kids were the ones who knew how to get off
C G F
It was a yell from the swamp, now it's only coming out as a cough
C G
I can't sell my songs so I'm gonna have to give 'em away
C G
I can't sell myself since my hair started turning to grey
F C
If nobody listens, then who's gonna hear?
F C Dm
If nobody listens, will we disappear?
C G
I just don't understand why the kids don't know how to dance to rock and roll
C G
I said the kids don't know how to dance to rock and roll
C G
The high priests are calling all disciples back to the fold
C G
Because the kids don't know how to dance to rock and roll
C G F x4
--Finish on C--
Sambomaster
Samet Çi& (...)
Samia
Samm Henshaw
Sammie Calkins