Biografia:
Paul Westerberg é um cantor e compositor estadunidense da cidade de Minneapolis, Minnesota. Mais conhecido por ser o vocalista, guitarrista e compositor da banda de rock alternativo The Replacements. Após o fim do Replacements em 1991, Westerberg gravou diversos discos solo, e também compôs músicas para a trilha sonora de alguns filmes como Singles (1992) e Open Season (2006).
Discografia Solo:
14 Songs (1995)
Eventually (1996)
Suicane Gratification (1997)
Read more on Last.fm
Outras músicas:
- 2 Days Til Tomorrow
- Best Thing That Never Happened
- Born For Me
- Crackle And Drag
- Dyslexic Heart
- Even Here We Are
- Final Hurrah
- First Glimmer
- Good Day
- Here Comes A Regular
- Hide N Seekin
- Its A Wonderful Lie
- Knockin On Mine
- Let The Bad Times Roll
- Lookin Out Forever
- Lookin Up In Heaven
- Love Untold
- Mamadaddydid
- Mr Rabbit
- My Dad
- Once Around The Weekend
- Only Lie Worth Telling
- Runaway Wind
- Someone I Once Knew
- Stain Yer Blood
- These Are The Days
- Things
- Waiting For Somebody
- Whatever Makes You Happy
- Wild And Lethal
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Intro:
| C C/B C/A C/G | D/F# - - - | G - - - | G - - - |
G D
All of the sun
C D
That New York will allow
C D
Is taking one last bow
G D
and left
G D
Let's throw this night
C D
to the fuckin' wind
C D
Don't ever want to hear
Em(7)
These words again
C C/B C/A C/G
“If on-ly we had
D/F# G - - - | G - - [STOP!]
Wish that we did.”
D C
You're my latest last chance
D C
My final hur-rah
D C C/B
This day went so fast
C/A D Dsus4 D
I barely even saw you
G D
Clap your hands
C D
And stamp your skinny wrists
C D
Cross me off your list
G D
in the sand
G D
And throw this night
C D
to the fuckin' wind
C D
I don't ever want to hear
Em(7)
These words again
C C/B C/A C/G
“If only we had I
D/F# G - - - | G - - [STOP!]
wish we did.”
D C
You're my latest last chance
D C
My final hur-rah
D C C/B
This day went so fast
C/A C/B
I barely even saw you writhe
C Em
You barely even saw me cry
C/A D
I barely even saw you
G D
Hmmmmmmmmmmm
C D
Hmmmmmmmmmmmmmmmmmmmmmmm
C D
Hmmmmmmmmmmmmmmmmmmmmmmm
Em(7)
Hmmmmmmmmmmmmmmmmm
C C/B C/A C/G
Hmmmmmmmmmmmmmmmmmmmmmm
D/F# G - - - | G - - [STOP!]
Hmmmmmmmmmmmmmmmmm
D C
You're my latest last chance
D C
My final hur-rah
D C
This day went so fast
D C
My final hur-rah
D C
In your black satin pants
D C
My final hur-rah
D C
My final hur-rah
D C
My final hur-rah
D C
My final hur-rah
What I am calling a "C/A" can also be written as Am7 because that's the shape (and
notes), but I like C/A better because it illustrates the descending bass note pattern in
relation to what goes before and after.
| C C/B C/A C/G | D/F# - - - | G - - - | G - - - |
G D
All of the sun
C D
That New York will allow
C D
Is taking one last bow
G D
and left
G D
Let's throw this night
C D
to the fuckin' wind
C D
Don't ever want to hear
Em(7)
These words again
C C/B C/A C/G
“If on-ly we had
D/F# G - - - | G - - [STOP!]
Wish that we did.”
D C
You're my latest last chance
D C
My final hur-rah
D C C/B
This day went so fast
C/A D Dsus4 D
I barely even saw you
G D
Clap your hands
C D
And stamp your skinny wrists
C D
Cross me off your list
G D
in the sand
G D
And throw this night
C D
to the fuckin' wind
C D
I don't ever want to hear
Em(7)
These words again
C C/B C/A C/G
“If only we had I
D/F# G - - - | G - - [STOP!]
wish we did.”
D C
You're my latest last chance
D C
My final hur-rah
D C C/B
This day went so fast
C/A C/B
I barely even saw you writhe
C Em
You barely even saw me cry
C/A D
I barely even saw you
G D
Hmmmmmmmmmmm
C D
Hmmmmmmmmmmmmmmmmmmmmmmm
C D
Hmmmmmmmmmmmmmmmmmmmmmmm
Em(7)
Hmmmmmmmmmmmmmmmmm
C C/B C/A C/G
Hmmmmmmmmmmmmmmmmmmmmmm
D/F# G - - - | G - - [STOP!]
Hmmmmmmmmmmmmmmmmm
D C
You're my latest last chance
D C
My final hur-rah
D C
This day went so fast
D C
My final hur-rah
D C
In your black satin pants
D C
My final hur-rah
D C
My final hur-rah
D C
My final hur-rah
D C
My final hur-rah
What I am calling a "C/A" can also be written as Am7 because that's the shape (and
notes), but I like C/A better because it illustrates the descending bass note pattern in
relation to what goes before and after.
Paul Yandell
Paula Cole
Paula i Karol
Paula Koivuniemi
Paula Moore