Biografia:
Nicholas Rodney Drake (19 de junho de 1948 — 25 de novembro de 1974), foi um cantor e compositor britânico de música folk, nascido em Rangum, Birmânia.
A origem deve-se ao trabalho de seus pais; quando tinha cinco anos, a família de Nick mudou-se de volta para Inglaterra. Ainda criança, aprendeu a tocar piano, graças à mãe, Molly Drake, pianista, violoncelista, cantora e compositora. Filho de uma família rica, estudou nos melhores colégios da Inglaterra, entre os quais Marlborough, onde aprendeu a tocar clarinete e sax alto.
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Outras músicas:
- Day Is Done
- Northern Sky
- Parasite
- Place To Be
- Ride
- River Man
- Road
- Time Has Told Me
- Way To Blue
- All My Trials
- At The Chime Of A City Clock
- Been Smokin Too Long
- Black Mountain Blues
- Blues Run The Game
- Cello Song
- Clothes Of Sand
- Fly
- From The Morning
- Hazey Jane I
- Hazey Jane Ii
- Hazy Jane 2
- I Was Made To Love Magic
- Joey
- Man In A Shed
- One Of These Things First
- Pink Moon
- Poor Boy
- Saturday Sun
- Strange Meeting Ii
- Things Behind The Sun
- Time Of No Reply
- Tunings
- Which Will
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Harlan L Thompson
HAZEY JANE II- Nick Drake
TUNING: C G C F C E (no capo), can be played in D A D G D F# as well
G1 G2 F1 F2 Em9 D1 D2 RIFF 2 TIMES
Em9
And what will happen in the morning when the world
D1 D2 RIFF
It gets so crowded that you can't look out the window in the morning
Em9
And what will happen in the evening in the forest
With the weasel with the teeth that bite so sharp
D1 D2 RIFF
When you're not looking in the evening
Em9
But all the friends that you once knew are left behind
They kept you so safe and so secure amongst the books
D1 D2 RIFF
And all the records of your lifetime
Em9
What will happen, in the morning, when the world it gets so crowded
D1 D2 RIFF 2 TIMES
That you can't look out the window in the morning?
CHORUS #1:
D1 Em9 D1
Hey, take a little while to grow your brother's hair
D1 Em9 D1
And now, take a little while to make your sister fair
G1 G2
And now that the family is part of a chain
G1 G2 F1 Em7 RIFF B D1
Take off your high shade, start over again
G1 G2 F1 F2 Em9 D1
CHORUS #2:
And now take a little while to find your way in here
Now take a little while to make your story clear
And now that you're lifting your feet from the ground
Weigh up your anchor and have a look round
G1 G2 F1 F2 Em9 D1
D1 Em9 D1
RIFF
Let's sing a song for Hazey Jane, she's back again in my mind
D1 Em9 D1
If songs were lines in a conversation, the situation would be fine
CHORDS (with DADGDF# tuning names):
D1 D2 Em9 G1 G2 F1 F2
F# -0- -0- -1- -5- -5- -3- -3-
D -0- -0- -2- -5- -5- -3- -3-
G -2- -2- -0- -7- -4- -5- -2-
D -4- -0- -0- -5- -5- -3- -3-
A -0- -0- -2- -5- -x- -3- -x-
D -0- -0- -2- -5- -5- -3- -3-
RIFF (strumming): RIFF B (strum Em7 to D1):
E 00000000111110000000 00001100000000000
C 44440000000004444422 22000044220000000
F 22222222222222222222 00000000004422222
C 00000000000000000000 00000000000044444
G 00000000000000000000 22222222222200000
C 00000000000000000000 22222222222200000
NOTE: I use DADGDF# chord names even though the song is in CGCFCE because
I'm more familiar with DADGDF# names. It's hard to know what's going on
with all the horns on the record, but this is the general gist. I'm not
totally clear on everything. G2 and F2 are especially iffy chords.
(from Bryter Layter, 1970)
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Harlan L Thompson
HAZEY JANE II- Nick Drake
TUNING: C G C F C E (no capo), can be played in D A D G D F# as well
G1 G2 F1 F2 Em9 D1 D2 RIFF 2 TIMES
Em9
And what will happen in the morning when the world
D1 D2 RIFF
It gets so crowded that you can't look out the window in the morning
Em9
And what will happen in the evening in the forest
With the weasel with the teeth that bite so sharp
D1 D2 RIFF
When you're not looking in the evening
Em9
But all the friends that you once knew are left behind
They kept you so safe and so secure amongst the books
D1 D2 RIFF
And all the records of your lifetime
Em9
What will happen, in the morning, when the world it gets so crowded
D1 D2 RIFF 2 TIMES
That you can't look out the window in the morning?
CHORUS #1:
D1 Em9 D1
Hey, take a little while to grow your brother's hair
D1 Em9 D1
And now, take a little while to make your sister fair
G1 G2
And now that the family is part of a chain
G1 G2 F1 Em7 RIFF B D1
Take off your high shade, start over again
G1 G2 F1 F2 Em9 D1
CHORUS #2:
And now take a little while to find your way in here
Now take a little while to make your story clear
And now that you're lifting your feet from the ground
Weigh up your anchor and have a look round
G1 G2 F1 F2 Em9 D1
D1 Em9 D1
RIFF
Let's sing a song for Hazey Jane, she's back again in my mind
D1 Em9 D1
If songs were lines in a conversation, the situation would be fine
CHORDS (with DADGDF# tuning names):
D1 D2 Em9 G1 G2 F1 F2
F# -0- -0- -1- -5- -5- -3- -3-
D -0- -0- -2- -5- -5- -3- -3-
G -2- -2- -0- -7- -4- -5- -2-
D -4- -0- -0- -5- -5- -3- -3-
A -0- -0- -2- -5- -x- -3- -x-
D -0- -0- -2- -5- -5- -3- -3-
RIFF (strumming): RIFF B (strum Em7 to D1):
E 00000000111110000000 00001100000000000
C 44440000000004444422 22000044220000000
F 22222222222222222222 00000000004422222
C 00000000000000000000 00000000000044444
G 00000000000000000000 22222222222200000
C 00000000000000000000 22222222222200000
NOTE: I use DADGDF# chord names even though the song is in CGCFCE because
I'm more familiar with DADGDF# names. It's hard to know what's going on
with all the horns on the record, but this is the general gist. I'm not
totally clear on everything. G2 and F2 are especially iffy chords.
(from Bryter Layter, 1970)
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