Biografia:
Millencolin é uma banda de skate punk / melodic hardcore formada em outubro de 1992 na cidade de Örebro, Suécia, pelo designer Erik Ohlsson juntamente com seus amigos, o guitarrista Mathias Färm (originalmente na bateria) e Nikola Sarcevic no Baixo e Vocal. Com exceção de Nikola que mora em Gotheburg, todos moram em Örebro, ambas na Suécia. O nome da banda deriva de uma manobra de skate chamada "melancholy".
Com essa formação, a banda grava sua primeira fita demo em 1993, Goofy.
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Outras músicas:
- Hellman
- No Cigar
- The Ballad
- A
- Absolute Zero
- Afghan
- Autopilot Mode
- Battery Check
- Believe In John
- Black Eye
- Botanic Mistress
- Bowmore
- Brand New Game
- Bring Me Home
- Broken World
- Carry You
- Cash Or Clash
- Chameleon
- Chiquita Chaser
- Come On
- Danger For Stranger
- Detox
- Devil Me
- Dinner Dog
- Done Is Done
- Duck Pond
- Duckpond
- Ducks And Drakes
- E20 Norr
- Egocentric Man
- Farewell My Hell
- Fingers Crossed
- Fox
- Friends Til The End
- Happiness For Dogs
- Hard Times
- Highway Donkey
- Home From Home
- In A Room
- Junkie For Success
- Lozin Must
- Machine 15
- Man Of 1000 Tics
- Man Or Mouse
- Material Boy
- Mind The Mice
- Moosemans Jukebox
- Mr Fake Believe
- Nothing
- Out From Nowhere
- Penguins And Polarbears
- Penguins And Polars Bears
- Pepper
- Perfection Is Boring
- Puzzle
- Random I Am
- Ray
- Right About Now
- Route One
- Saved By Hell
- Sense And Sensibility
- Shut You Out
- Silent Suicide
- Something I Would Die For
- Sos
- Stalemate
- Stop To Think
- The Mayfly
- True Brew
- Turnkey Paradise
- Vicious Circle
- Vulkan Ears
- Wall Of Doubt
- Whos Laughing Now
- Yellow Dog
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
C#m A E E
C#m A
I see the sunlight on your face
E
I see the darkness in your eyes.
In my mind, that's lover's paradox.
C#m A
I always try to give you space
E
No way to cut you down to size
B
We got lost in our heart shape box.
C#m A
Oh, should we try to have some kids
E
Or should we just go separate ways?
Or best yet, why don't we move abroad?
C#m A
Maybe Belgrade or Madrid
E
But we can get out of this maze
B B7
It sounds like we're both confused and bored.
E B
So tear me up and knock me down
F#m A
Just like a vicious circle no one gets around.
E B
I messed you up to watch you frown.
F#m A (hold)
Just like a vicious circle no one gets around.
C#m A
You know that I depend on you,
E
You know that you depend on love.
And then love, well, love depends on me.
C#m A
From my subjective point of view,
E
It never works like hand in glove.
B B7
But still I, I hope you disagree.
E B
So tear me up and knock me down
F#m A
Just like a vicious circle no one gets around.
E B
I messed you up to watch you frown.
F#m A
Just like a vicious circle no one gets around.
C#m B E
And I'm tired of you being tired of me, oh yeah, that's right
C#m B E
Sometimes I wish we just could let it be.
C#m D#7 E
And I'm tired of me being tired of you, it's something, yes,
C#m B A
Sometimes you wish you meet somebody new.
A
You... sometimes I wish that too.
E B F#m A
It's like a vicious circle no one gets around.
E B
I messed you up to watch you frown.
F#m A (hold)
Just like a vicious circle no one gets around.
E B
So tear me up and knock me down
F#m A
Just like a vicious circle no one gets around.
E B
I messed you up to watch you frown.
F#m A
Just like a vicious circle no one gets around.
E B
No one gets around. No one gets around.
F#m A
It's like a vicious circle no one gets around.
E B
So tear me up and knock me down
F#m A
Just like a vicious circle no one gets around.
End on E
C#m A
I see the sunlight on your face
E
I see the darkness in your eyes.
In my mind, that's lover's paradox.
C#m A
I always try to give you space
E
No way to cut you down to size
B
We got lost in our heart shape box.
C#m A
Oh, should we try to have some kids
E
Or should we just go separate ways?
Or best yet, why don't we move abroad?
C#m A
Maybe Belgrade or Madrid
E
But we can get out of this maze
B B7
It sounds like we're both confused and bored.
E B
So tear me up and knock me down
F#m A
Just like a vicious circle no one gets around.
E B
I messed you up to watch you frown.
F#m A (hold)
Just like a vicious circle no one gets around.
C#m A
You know that I depend on you,
E
You know that you depend on love.
And then love, well, love depends on me.
C#m A
From my subjective point of view,
E
It never works like hand in glove.
B B7
But still I, I hope you disagree.
E B
So tear me up and knock me down
F#m A
Just like a vicious circle no one gets around.
E B
I messed you up to watch you frown.
F#m A
Just like a vicious circle no one gets around.
C#m B E
And I'm tired of you being tired of me, oh yeah, that's right
C#m B E
Sometimes I wish we just could let it be.
C#m D#7 E
And I'm tired of me being tired of you, it's something, yes,
C#m B A
Sometimes you wish you meet somebody new.
A
You... sometimes I wish that too.
E B F#m A
It's like a vicious circle no one gets around.
E B
I messed you up to watch you frown.
F#m A (hold)
Just like a vicious circle no one gets around.
E B
So tear me up and knock me down
F#m A
Just like a vicious circle no one gets around.
E B
I messed you up to watch you frown.
F#m A
Just like a vicious circle no one gets around.
E B
No one gets around. No one gets around.
F#m A
It's like a vicious circle no one gets around.
E B
So tear me up and knock me down
F#m A
Just like a vicious circle no one gets around.
End on E
Mimi
Mimi Maura
Min (st.319)
Mina
Minazuki Suu